Defining the Relationship: California’s Noncompete Laws and Exclusivity in the Acting Industry Leading Up to the 2023 SAG-AFTRA Strike

California is firm in its stance against post-term noncompete clauses. This Note examines early Hollywood and the historical and economic context in which talent contracts arose. It analyzes the shift in talent contracts from the harsher terms of the 1930s studio system to the modern terms which give more control to actors.

Exclusivity exists in both the film and television industry. However, the in-term and post-term treatment of exclusivity provisions and noncompetes has received conflicting treatment by California and Ninth Circuit Courts, suggesting that perhaps the California Supreme Court should weigh in on the matter as they did in 2008 with Edwards v. Arthur Andersen and articulate whether Section 16600 can apply to in-term noncompete and exclusivity provisions. While it is widely held that Section 16600 does not apply to in-term noncompetes, the holding in ITN Flix, LLC v. Hinojosa suggests that certain situations in the acting industry may trigger its application and deem an in-term noncompete invalid if unduly harsh.

Regardless, the ability of actors and unions to negotiate with studios for mutually beneficial terms has allowed common practices in entertainment contracts to shift over time without much recent legislation. This suggests that, while the applicable law will provide one side with bargaining power, negotiations and collective-bargaining agreements will largely continue to set the standards for common entertainment contract practices.

INTRODUCTION

From 2005 to 2010, American actress Katherine Heigl appeared in the hit ABC television medical drama, Grey’s Anatomy, as the supporting role of Dr. Izzie Stevens.1Katherine Heigl, IMDb, https://www.imdb.com/name/nm0001337 [https://perma.cc/K8VD-9CVP]. Simultaneous to her work on the television series, Heigl starred in films that would soon become classics of the 2000s, such as Knocked Up (2007), 27 Dresses (2008), and The Ugly Truth (2009).2Id. By 2008, Heigl had been deemed the new “It Girl” of Hollywood by Vanity Fair as a result of her acting endeavors.3Leslie Bennetts, Heigl’s Anatomy, Vanity Fair (Jan. 1, 2008), https://www.vanityfair.com/news/2008/01/heigl200801 [https://perma.cc/YG3J-MH7L]. Knocked Up had been a box office hit, and Heigl had taken home the 2007 Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series for her television work on Grey’s Anatomy.4Katherine Heigl, Television Academy, https://www.emmys.com/bios/katherine-heigl [https://perma.cc/3LKF-AKBV]. Heigl had pursued a career in film while still appearing as a series regular on Grey’s Anatomy, rendering her a household name across the United States. Meanwhile, the lead of Grey’s Anatomy—Ellen Pompeo—had not appeared in a role outside of Dr. Meredith Grey since the series inception in 2005.5Pompeo has not appeared in other roles since Grey’s Anatomy was first released, apart from a cameo in a Taylor Swift music video and a “meow” in a children’s animated series voiceover. Dan Clarendon, A Recap of Ellen Pompeo’s Roles Outside of ‘Grey’s Anatomy’, TV Insider (Aug. 13, 2022, 12:00 PM), https://www.tvinsider.com/1055398/ellen-pompeo-tv-movie-roles-greys-anatomy [https://perma.cc/V9S6-5VXZ]. While this could be attributed to personal choices, it may instead be the result of contractual differences between a series’s lead actress and a supporting actress, stemming from varying exclusivity terms. It is possible that Ellen Pompeo, as the lead role of Meredith Grey, was “contractually forbidden from acting elsewhere.”6Id. In 2018, Pompeo told The Hollywood Reporter, “I don’t get to do anything else, and that’s frustrating for me creatively. I make 24 episodes of TV a year, and as part of this deal, I cannot appear anywhere else.”7Id. While exclusivity terms can be frustrating to an actor,8“Actor” is used throughout this Note to capture both actors and actresses. as demonstrated by Pompeo’s statement to The Hollywood Reporter, many studios view exclusivity as vital to production. Studios use exclusivity to coordinate production schedules and ensure talent’s availability as they invest time and money in the creation of a particular character.

In 2022, exclusivity terms could be freely negotiated in the entertainment industry when union actors were paid above an “exclusivity money break.”9SAG-AFTRA Netflix Agreement, SAG-AFTRA (Aug. 10, 2022), https://www.sagaftra.org/files/sa_documents/SAG-AFTRA_Netflix_2022.pdf [https://perma.cc/2MSC-6T7V]. The exclusivity money break is a minimum salary bargained for by SAG-AFTRA,10SAG-AFTRA is a prominent actors union, discussed in detail in later sections. Because the vast majority of Hollywood actors are union members of SAG-AFTRA, nonunion actors are not the focus of this Note. above which producers and talent can negotiate exclusivity freely. This would often result in producers paying substantial salaries for the exclusivity of top talent.11Charles Rivkin, A New Threat to California Film, Television and Streaming Jobs (Opinion), Variety (Aug. 1, 2022, 9:38 AM), https://variety.com/2022/film/news/charles-rivkin-mpa-california-bill-ab-437-television-streaming-jobs-1235330603 [https://perma.cc/VS9A-KQE5]. Meanwhile, union actors paid below the exclusivity money break (non-star talent) were restricted in their ability to grant exclusivity.12SAG-AFTRA, supra note 9; Rivkin, supra note 11. While these restrictions are discussed later in detail, actors in this latter non-star category who worked on a streaming show were often able to appear in feature films, as guests on other shows, and in commercials, yet they sometimes had to receive permission from studios in order to do so.13Rivkin, supra note 11. Practical difficulties sometimes arose in the process of coordinating outside roles, as the actor’s main show would take scheduling precedence and restrict the actor’s ability to alter their appearance.14SAG-AFTRA, supra note 9. This tension between actors, who often want the freedom to appear in additional roles, and studios, who face the challenges of coordinating production schedules and may have invested in an actor’s image, has led to debate in Hollywood surrounding the use of exclusivity provisions in talent contracts. Exclusivity, along with other issues concerning residuals and the use of Artificial Intelligence, contributed to SAG-AFTRA’s 2023 strike against Hollywood’s major studios, lasting 118 days from July to November of 2024 while new contract boundaries were negotiated.15SAG-AFTRA Slams ‘Bullying Tactics’ as Strike Talks Break Down With Studios, TIME (Oct. 12, 2023, 12:31 PM), https://time.com/6323071/actors-strike-talks-suspended [https://perma.cc/RQ46-RH8M]; Gene Maddaus, SAG-AFTRA Approves Deal to End Historic Strike, Variety (Nov. 8, 2023, 4:40 PM), https://variety.com/2023/biz/news/sag-aftra-tentative-deal-historic-strike-1235771894 [https://perma.cc/6QNZ-5M3T]. This Note will examine the contractual exclusivity terms leading up to the 2023 strike. The rise of online streaming has increased the demands placed on actors, as shorter series seasons contribute to more idle time for actors. The landscape is changing rapidly, resulting in the frequent renegotiation of terms and resulting standstills, exemplified by the 2023 SAG-AFTRA strike.

Exclusivity provisions are contractual terms that prevent an employee from working elsewhere during the term of their employment, resulting in the employee giving their undivided effort to the employer. Noncompete clauses are another set of contractual terms that also appear in talent contracts and typically restrict an employee from working for certain third-parties. Noncompetes may last for only the term of the employment, and thus be in-term restrictions, or they may last after the employee no longer works for the current employer, which is a post-term restriction.16Ananya Nair, What Is the Difference Between a Non-Compete Clause and an Exclusivity Clause?, LinkedIn (Oct. 17, 2021), https://www.linkedin.com/pulse/what-difference-between-non-compete-clause-exclusivity-ananya-nair [https://perma.cc/865C-UTQL].

Arguments exist on both sides of the general debate around exclusivity provisions and noncompetes in the talent industry. Opponents argue that they hinder competition by restricting the free movement of talent and ideas.17See Lindsey Schmidt, A More Reasonable Approach to Noncompete Employment Agreements in California, 48 J. Legis. 145, 155 (2021). In the talent industry specifically, SAG-AFTRA has argued that exclusivity terms in actors’ personal service agreements are often used to “hold series regulars off the market and unable to work for unreasonably long periods of time”18See David Robb, SAG-AFTRA Board Overwhelmingly Approves Deal with AMPTP That Sharply Limits Exclusivity in TV Actors’ Personal Service Agreements, Deadline (Aug. 20, 2022, 5:36 PM), https://deadline.com/2022/08/sag-aftra-board-approves-deal-amptp-limits-exclusivity-tv-actors-personal-service-agreements [https://perma.cc/S63E-FATW]. while a show is in an off period.19An “off period” in a television series is a period during which the show is not actively filming, but the actor is still under contract as the next season of filming is approaching. SAG-AFTRA has noted that these exclusivity provisions were less burdensome when talent worked three quarters of the year on twenty episode seasons, but that the rise of online streaming platforms, year-round production cycles, and short seasons of thirteen episodes (or sometimes fewer) have left lower and mid-level actors short of work.20Joe Otterson, How Exclusive Contracts Leave Writers and Actors Scrambling to Navigate Supercharged Job Market, Variety (Dec. 23, 2021, 10:15 AM), https://variety.com/2021/tv/entertainment-industry/exclusive-deals-streamers-prestige-television-1235142536 [https://perma.cc/Y892-CNW7]. Some actors are “not being paid while on hold between seasons, but they’re also not allowed to accept other paying jobs. These contracts mean that actors often find themselves collecting unemployment, struggling to pay their bills and unable to build a career.”21Duncan Crabtree-Ireland, Forced Exclusivity Terms in Actor Contracts Add a Dark Side to Hollywood’s Golden Age (Opinion), Variety (Aug. 5, 2022, 10:00 AM), https://variety.com/2022/tv/news/sag-aftra-duncan-crabtree-ireland-exclusivity-law-act-1235333015 [https://perma.cc/FPL7-MXWS]. The arguments against exclusivity and noncompetes have received national attention.22Mitch Danzig & Paul Huston, How FTC Could Regulate Noncompetes After Biden’s Order, Law360 (July 15, 2021, 3:14 PM), https://www.law360.com/articles/1403236/how-ftc-could-regulate-noncompetes-after-biden-s-order [https://perma.cc/FPL7-MXWS]. In 2021, President Biden issued an executive order attempting to limit the effect of noncompetes, authorizing the Federal Trade Commission (“FTC”) to “interpret noncompetition agreements as an unfair method of competition, and thereby declare them unlawful.”23Id. SAG-AFTRA was “ ‘thrilled to see President Biden take steps to curtail the use of unfair non-compete clauses, which are a major problem for . . . actors . . . .’ ”24See SAG-AFTRA Applauds President Biden’s Effort to Address Anti-Competitive Employment Practices, SAG-AFTRA (July 9, 2021), https://www.sagaftra.org/sag-aftra-applauds-president-bidens-effort-address-anti-competitive-employment-practices [https://perma.cc/FP4V-3H7S]; see also SAG-AFTRA Celebrates 10th Anniversary of Merger of Screen Actors Guild and American Federation of Television and Radio Artists, SAG-AFTRA (Mar. 30, 2022), https://www.sagaftra.org/sag-aftra-celebrates-10th-anniversary-merger-screen-actors-guild-and-american-federation-television [https://perma.cc/E27A-K8RC].

Conversely, proponents of exclusivity provisions and noncompetes argue that without them, employers have little incentive to invest in the development of their employees.25See Schmidt, supra note 17. In the acting industry specifically, production studios have concerns regarding the coordination of “complex production schedules involving hundreds—or at times even thousands—of people [with the] talent’s availability.”26See Rivkin, supra note 11. The California Chamber of Commerce argues that without exclusivity, talent contracts are far “less valuable, which will lead to a reduction in wages paid to actors.”27Tom Tapp, California’s AB 437, Which Would Limit Exclusivity in TV Stars’ Deals, Faces Crucial Vote, Deadline (Aug. 1, 2022, 1:42 PM), https://deadline.com/2022/08/californias-ab-437-exclusivity-tv-stars-deals-sag  [https://perma.cc/DA2F-K5MK]. Charles Rivkin, Chairman and CEO of the Motion Picture Association, views exclusive employment agreements as the backbone of scheduling for film, television, and streaming productions: they “provide the certainty necessary for producers to finance, insure, plan for and complete major feature film, television and streaming projects, particularly those involving long-term story arcs. They assure writers and showrunners that characters developed in one season can be brought back for subsequent storylines.”28Rivkin, supra note 11. Further, studios note an interest in preserving the investment of “millions [of dollars] in developing and promoting a show [and its actors, and] don’t want to see the lead actor show up in another series on a rival network.”29Gene Maddaus, California Considers Bill That Would Free Actors from Exclusivity Deals, Variety (Aug. 1, 2022, 8:40 AM), https://variety.com/2022/tv/news/california-exclusivity-legislation-1235329639 [https://perma.cc/HV73-QZ2A]. A studio may seek to control the image of a particular actor to protect its franchise from actions which could negatively impact the performance of the franchise, and thus, the studio itself.

Section 16600 of the California Business & Professions Code (“Code”) acts as a per se ban on noncompete agreements in California, as it “does not permit non-compete clauses, even if they are reasonable in scope and purpose.”30The Validity of California Non-Compete Clauses, The Nourmand Law Firm, APC (Mar. 11, 2021), https://www.nourmandlawfirm.com/blog/the-validity-of-california-non-compete-clauses [https://perma.cc/2UX6-N6TD]. While many states operate under reasonableness standards, enforcing noncompetes when they are reasonable in scope and duration,31For example, Massachusetts will enforce noncompete agreements “if they: [1] are reasonable in duration, geographic area, and scope, [2] are necessary to protect a legitimate business interest, [3] are consonant with public policy, and [4] contain a ‘garden leave’ clause.” Non-Compete Agreements—When Are They Enforceable?, Katz Law Group, P.C., https://www.katzlawgroup.com/non-compete-agreements [https://perma.cc/DH64-P5SH]. the California Supreme Court case Edwards v. Arthur Andersen is strong in both its language and policy rationale against the enforcement of post-term employment restrictions. Following the 2008 decision in Edwards, discussed later in this Note, any post-term employment restriction is likely to fail. Discussion around the Code has focused on Silicon Valley, where the ban on noncompetes has often allowed technology companies and start-ups to innovate rapidly as employees move from company to company. However, little attention has been paid to the application of Section 16600 in Hollywood, particularly to its recent extension by the Ninth Circuit to reach in-term agreements in the acting industry in ITN Flix, LLC v. Hinojosa.32ITN Flix, LLC v. Hinojosa, 686 F. App’x 441, 444 (9th Cir. 2017).

This Note investigates noncompete agreements and exclusivity in the entertainment industry through the lens of Section 16600 and critically analyzes recent decisions involving the extension of Edwards to in-term noncompetes and exclusivity agreements in talent contracts. Historically, case law involving Section 16600’s ban on noncompetes has been limited to post-term employment restrictions. In the acting context, post-term noncompetes are those which restrict an actor’s employment options after they no longer work with a particular studio. However, a recent Ninth Circuit case (ITN) broadens the scope of Section 16600 to potentially invalidate in-term noncompete contracts that restrict an actor’s work, even if only for the duration of the employment contract. This Note discusses the Ninth Circuit’s decision, weighing the tension between exclusivity proponents and opponents to explore the extension of Section 16600 to in-term noncompetes and exclusivity clauses in the talent context.

Part I examines early Hollywood and the historical and economic context in which talent contracts arose. It analyzes the shift in talent contracts from the harsher terms of the 1930s studio system to the modern terms which give more control to actors. It provides a summary of common industry practices prior to the 2023 SAG-AFTRA strike. The agreements between SAG-AFTRA and major studios that led up to the strike are also explored, highlighting the prevalence of exclusivity while weighing the tension between its proponents and opponents.

Part II discusses Section 16600 and the significant 2008 California Supreme Court decision, Edwards v. Arthur Andersen, after which any post-term restriction on employment in California will likely fail.

Part III analyzes the possible extension of Edwards to in-term noncompete agreements and the changes that this extension may bring to exclusivity in the acting industry. To do so, it touches again on common exclusivity practices as well as in-term and post-term noncompete practices in the acting industry, while critically analyzing case law to explore how Section 16600’s extension to in-term noncompete and exclusivity provisions may bring unintended results. It concludes with a suggested theoretical legal standard that would consider an actor’s fame when analyzing exclusivity and noncompetes.

Part IV summarizes the case law findings and asks the California Supreme Court to weigh in on the conflicting lower court precedent, and the conclusion summarizes the findings from this Note.

I.  HISTORY OF THE ENTERTAINMENT INDUSTRY

[T]he legal framework . . . in which all entertainment and media businesses operate is constantly challenged and in need of regular review and adjustment.

—Harold L. Vogel33Harold L. Vogel, Entertainment Industry Economics: A Guide for Financial Analysis 55 (Cambridge Univ. Press, 10th ed. 2020).

A.  The Economics of the 1930s Studio System

Shortly after film was introduced to the United States in the early 1900s, the major film studios realized there was immense potential for vertical integration and cost minimization in the film industry.34Id. They quickly began to operate almost every stage of film production, from “production [and] distribution [to] exhibition.”35Studios with control of all three stages of production were dubbed “the Big Five”: Warner Brothers, RKO, Twentieth Century Fox, Paramount, and GM. Smaller companies had trouble competing, although Universal and Columbia shadowed the Big Five with control over production and distribution, but not exhibition. Id. at 91–92. See generally Thomas Schatz, The Genius of the System (Metropolitan Books, 1988). The West Coast (and Southern California in particular) emerged as the heart of this new and emerging studio system, as Hollywood was “far for the Trust enforcers to reach [and] . . . provide[d] low-cost nonunion labor and an advantageous climate and geography for filming.”36Vogel, supra note 35, at 91–92. After the Great Depression, it was only “the companies with the most vertical integration . . . that survived,” further concentrating the control over the movie industry.37Id. An incredibly “productive [and] efficient” synergy emerged as the major companies cooperated in “a ‘mature oligopoly’ ” with a significant share of the Hollywood market.38Schatz, supra note 35, at 18–20.

Vertical integration characterized this era of film production, with the major companies exerting control over large parts of the industry.39Id. By the 1930s, this studio system led to stars signing “long-term contracts.”40Brent Lang, How Olivia de Havilland Took on the Studio System and Won, Variety (July 27, 2020, 12:59 PM), https://variety.com/2020/film/news/olivia-de-havilland-lawsuit-gone-with-the-wind-warner-bros-1234717146 [https://perma.cc/8KB2-T4KF]. While accompanied by cost minimization and efficiency, these contracts were often harsh and demanding, leaving little autonomy to actors.41Id. This early coordination of “studio operations [with] marketing strategies” brought “substantial [cost] savings [to] the studio [system.]”42Schatz, supra note 35, at 49. Exclusive contracts between stars and studios could last up to seven years, and in practice, even longer. 43Aljean Harmetz, Hollywood, the Marriage of Studios and Stars Is Back, N.Y. Times (Jan. 8, 1984), https://www.nytimes.com/1984/01/08/arts/hollywood-the-marriage-of-studios-and-stars-is-back.html [https://perma.cc/2JAN-PGF9]; see also Star System, Film Reference, http://www.filmreference.com/encyclopedia/romantic-comedy-yugoslavia/star-system-the-studio-system-and-stars.html [https://perma.cc/E88Z-YMP3]. Actors such as “Bette Davis and James Cagney were constantly suspended without pay by Warner Bros. for refusing roles.”44Id. Actors who were suspended, such as Davis and Cagney, due to their “refus[al] to be loaned out to another studio or declin[ing of] a role . . . could be suspended without pay[, with the] length of the suspension . . . added to that of the contract,” extending contracts beyond seven years.45Lang, supra note 40; see also Harmetz, supra note 43.

Early challenges to these contractual practices were unsuccessful, as demonstrated by Bette Davis’s 1937 lawsuit against Warner Brothers.46Davis sought to be released from her contract with Warner Brothers after being cast in a series of unfavorable roles; she wanted to pursue films in England that she believed would be a better fit. Her lawsuit, alleging that the contract was unenforceable due to its inequitable suspension and extension clauses that added time to the contract for “suspension periods incurred during the contract term,” was unsuccessful, and Davis was required to return to Warner Brothers and fulfill her term contract. John M. Broderick, Warner Bros. v. Nelson: A Prelude to the De Havilland Law, 41 Loy. L.A. Ent. L. Rev. 111, 111 (2021); see also Richard Brody, The Clippings File: Bette Davis and the System, The New Yorker (Sept. 6, 2012), https://www.newyorker.com/culture/richard-brody/the-clippings-file-bette-davis-and-the-system [https://perma.cc/2H4G-8RTL]. The same year as Davis’s unsuccessful lawsuit, California (home of Hollywood and longtime proponent of employee rights) enacted Section 2855 of the Code to limit the indefinite employment contracts often abused by studios.47Krishna Parekh & Brandon Anand, The “Seven Year Rule”: CA Labor Code § 2855 & The Entertainment Industry / 7 Year Rule, Anand Law, https://www.anandlaw.com/the-seven-year-rule-california-labor-code [https://perma.cc/CC8B-EFHE]. Commonly referred to as the “Seven Year Rule,” Section 2855 “limits the term of personal service employment to seven years,” rendering any personal-service contract unenforceable past the seven-year mark.48Id. This Section was tested in 1943, when Olivia de Havilland sued Warner Brothers.49Lang, supra note 40. The studio had refused to release De Havilland from her seven-year contract (despite the seven years lapsing) and claimed that her refusal to accept certain roles over the years had resulted in the addition of six months to her contract.50Id. This practice of adding time to contracts was common in Hollywood, and these “suspension/extension” provisions (previously upheld in Bette Davis’s case) “could double the term of an actor’s contract.”51Broderick, supra note 46, at 111. De Havilland successfully argued that Warner Brothers was breaching its contract—as the contract was for seven years regardless of her refusal of certain roles—and violating labor law in doing so, as California had a statutory limit of seven calendar years on the enforcement of employment contracts.52Id. This marked the beginning of a new era of bargaining power for employees. This monumental decision applied “to more than just Hollywood[, as it] applied to every employee in California.”53Lang, supra note 40. While the extension provisions of De Havilland’s contract were deemed illegal in 1943, her concern around being held off the market is still shared by many series regulars today in the debate around exclusivity. An actor’s desire to pursue additional roles may conflict with a studio’s desire to coordinate production schedules.

Until the late 1940s, the major studios had maintained almost complete vertical integration of the film production process, evading various antitrust charges through government deals.54Among the antitrust charges was block booking, which is “illegally conspiring to restrain trade by . . . causing an exhibitor who wanted any of a distributor’s pictures to take all of them.” Vogel, supra note 33, at 92. But in 1948, Paramount was found guilty of price-fixing by the Supreme Court in an antitrust lawsuit.55Erin Blakemore, How TV Killed Hollywood’s Golden Age, History (June 1, 2023), https://www.history.com/news/how-tv-killed-hollywoods-golden-age [https://perma.cc/ULW7-JD2K]. This case, widely known as the beginning of the end of Hollywood’s Golden Age, forced film studios to break up their vertically integrated practices.56Star System, supra note 43. A decree was signed by the major studios which “separated production and distribution from exhibition.”57Vogel, supra note 33, at 92.

This separation of exhibition from other links in the production chain played a transformative role in fundamentally shifting entertainment industry practices, replacing the long-term contracts of the 1930s with the disintegrated model of the 1950s.58Star System, supra note 43. With the collapse of the vertically integrated studio system, long-term contracts and standard seven-year exclusivity provisions were phased out and replaced by the freelance model that is still in place today.59Id.

Later, the emergence of television caused movie theater attendance to decline, leading studios to limit film production.60Id.; see also Blakemore, supra note 55. “[C]ontracted stars . . .  became a hugely expensive overhead,” moving the industry into a freelance model as studios looked to cut costs.61Star System, supra note 43. The relationship between studios and talent shifted as stars were given more freedom to choose their roles. Still, studios often incorporated exclusivity terms into deals as “series regular actors were busy working almost the entire year, with long production periods and short hiatuses that made their employment similar to other full-time jobs.”62Crabtree-Ireland, supra note 21. As film and series productions have grown in size and scale, studios argue that the exclusivity of actors involved in a production is essential to the coordination of various schedules and logistics. The ability to contract for the exclusivity of certain well-known actors may offer large incentives for a studio to invest in a production.63The early 2000s marked another shift as cable television transitioned into online streaming, creating new opponents to exclusivity provisions as series actors were cast for shorter seasons with more off time. Netflix emerged in 2007, followed by the introduction of Disney Plus (Disney’s online streaming service) in 2019, Warner Media’s HBO Max in 2020, and NBCUniversal’s Peacock streaming service in 2020. “[T]he Big Three entertainment companies launch[ing] their video platforms” solidified the substitution of traditional media with online entertainment. “[S]treaming services [are ordering] fewer episodes and cancel[ing] series after shorter runs, [thus employees] are having to switch jobs more frequently” to stay working. See Brooks Barnes, The Streaming Era Has Finally Arrived. Everything Is About to Change., N.Y. Times (Nov. 19, 2019), https://www.nytimes.com/2019/11/18/business/media/streaming-hollywood-revolution.html [https://perma.cc/DPR6-839M]. New arguments against exclusivity criticize the forced idle time it leads to as series regulars have shorter production schedules and are left unable to work during breaks. See also Crabtree-Ireland, supra note 21.

B.  Modern Talent Contracts

Currently, Hollywood does not operate by the onerous long-term contracts that once existed, as modern talent contracts are no longer set at seven-year terms of exclusive work as they were in the 1930s. Instead, talent is cast specifically from project to project, often incorporating exclusivity clauses in both the film and television industry. Special contract terms, such as option contracts and pay or play contracts, raise similar issues to in-term exclusivity surrounding an actor’s ability to pursue other roles. The following paragraphs state the entertainment industry terms as they existed prior to the 2023 SAG-AFTRA strike.

1.  Film

Film production begins and ends on (more or less) defined dates.64Jill L. Smith, Perk Points, L.A. Law., May 2015, at 18, https://www.kleinberglange.com/wp-content/uploads/2015/05/Jill_Smith_Los_Angeles_Lawyer.pdf [https://perma.cc/WBH9-5FXD]. As a result, exclusivity terms in movie deals are common and are rarely a source of extreme debate. An actor’s film contract will often explicitly include the dates for “consecutive exclusive preproduction services, a specified number of weeks for shooting, and a maximum number of days for postproduction services.”65Id. at 18–20 (emphasis added). In-term exclusivity provisions tend to accompany the preproduction and production period,66Preproduction often includes rehearsals and costume fittings, while the production period largely revolves around actual filming. Id. as exclusivity is often used to coordinate scheduling among large casts and crews, and actors are left with little idle time during film rehearsals and shooting. Conversely, postproduction requests67Postproduction requests may include press tour appearances or reshoots of particular scenes. Id. are generally subject to an actor’s availability, as an actor’s work will typically be completed and any post-term restriction preventing the actor from accepting other jobs would likely be invalidated by Section 16600.68Id.

It may be possible, however, for talent contracts to include postproduction restrictions preventing actors from working on certain projects for a certain amount of time even after a movie has completed filming. One can imagine this being the case for actors in the Marvel Universe.69Dean Ravenola & Brian Boone, Rules Actors Have to Follow When Joining the MCU, Looper (Jan. 31, 2023, 7:59 AM EST), https://www.looper.com/139571/rules-actors-have-to-follow-when-joining-the-mcu [https://perma.cc/U2SY-6Z87]. For example, Chris Hemsworth—popular for his role as superhero Thor in the Marvel Comics (“Marvel”) film Thor as well as The Avengers—could theoretically be unable to appear in films by Marvel’s direct competitor, DC Comics (“DC”).70Id.; see also Edward Nigma, Chris Hemsworth Confirms That Marvel Actors Aren’t Allowed to Be in DC Movies, Fortress of Solitude (June 19, 2017), https://www.fortressofsolitude.co.za/marvel-actors-arent-allowed-dc-movies. Marvel and DC are both immensely popular comic-book publishers that have transformed their comic-book characters into big-screen franchises. If these contractual provisions exist, they may be legally vulnerable, as Section 16600 invalidates post-term restrictions on an employee’s work.

It is also possible that these terms, which (on face value) appear to be post-term, are actually in-term restrictions, and thus valid under Section 16600. The acting industry has a unique gray area between in-term and post-term restrictions when an actor is no longer actively filming but may be called back for a reshoot, or–for example–when an actor is no longer filming the first Thor movie but is still under an exclusive contract for the second movie. While this may be in-term contractually, it has post-term implications as an actor’s work is restricted while they wait for the next production cycle to begin. This area of talent contracts seems to be the most legally vulnerable, especially under the Ninth Circuit’s extension of Section 16600 in ITN to invalidate in-term noncompete provisions.

2.  Series and Short Form (Television)

While not heavily debated in film contracts, exclusivity terms are a highly contentious subject of debate in television and series contracts. Television seasons may be short, and actors may find themselves wanting to solicit intermittent work, leading them to seek additional roles while still under contract with another show. Unlike films, there is not a set beginning and end date in television series production, as shows are in “a relatively constant state of production and postproduction during which there will be stretches of time when an actor’s services are not needed.”71Smith, supra note 64, at 21. Exclusivity terms can vary greatly depending on the contractual terms negotiated: a series actor who wants to render outside services may either be free to do so, may need special permission from the studio, or may be prohibited from doing so.72Id. at 21–22.

When a television talent contract does allow an actor to pursue additional roles, there are practical limits to an actor’s ability to do so, as studios prefer their talent to be somewhat exclusive to their shows.73Id. at 22. For example, scheduling work on a feature film is difficult, as television series production is demanding and leaves only a few days off at a time (apart from true offseasons).74Id. at 21–22. Further, many deals preclude an actor from appearing on another television series, apart from “a limited number of guest spots, appearance in foreign commercials and services in nonidentified voice-over commercials.”75Id. at 22. Standard series agreement deals (as of December 2021) allowed networks and streaming services to enter into exclusivity deals with talent for “anywhere from nine months to more than a year in some cases,” making the process of rendering outside services difficult during this period.76Otterson, supra note 20.

Noncompete and exclusivity terms for a series contract generally fall in the category of in-term restrictions, as they apply to the actor while they are still in a contract for their current series. They are therefore not legally vulnerable under the historical interpretation of Section 16600, which has traditionally applied only to post-term restrictions. If, however, the Ninth Circuit’s extension of Section 16600 in ITN to invalidate in-term employment restrictions is valid, then these common industry practices may be legally vulnerable.77ITN Flix, LLC v. Hinojosa, 686 F. App’x 441, 441 (9th Cir. 2017).

3.  Option Contracts

When a film or television series is part of a larger, ongoing story and multiple production periods are likely (such as classic blockbuster films like Wonder Woman and Spider-Man for which sequels can be anticipated), option contracts are often used. An option clause in a talent contract “gives the producer or studio the sole right, or ‘option,’ to extend a contract for an additional period of time [and] commits the actor to working on the subsequent television or new media season.”78What Are Options and Exclusivity Clauses?, Service SAG-AFTRA, https://servicesagaftra.custhelp.com/app/answers/detail/a_id/2188 [https://perma.cc/CBS8-QTKB]. The option period can last anywhere from months to years.79Jan Breslauer, What You Need to Know About Entertainment Contracts: Part Deux, Breslauer L. (Nov. 8, 2014), https://www.breslauerlaw.com/what-you-need-to-know-about-entertainment-contracts-part-deux [https://perma.cc/6UGV-4AHM]. While option clauses ensure that characters an audience has come to know and love will be returning in the same role, they have the potential to prevent an actor from accepting additional work when paired with exclusivity terms, as options can be exercised even if no start date has been set for the next project.80What Are Options and Exclusivity Clauses?, supra note 78. This raises similar issues to exclusivity and noncompetes, as actors may be kept off the market for unreasonably long periods of time, yet studios have an interest in ensuring well-known characters such as Wonder Woman and Spider-Man are able to return for a sequel.

4.  Pay or Play

A pay or play term in a contract guarantees that an actor will be paid for their role in a production, regardless of whether they are used or whether the production gets made.81Dominique Saint Malo, Pay or Play Contract—How Does It Affect Your Production?, StudioBinder (Feb. 20, 2022), https://www.studiobinder.com/blog/pay-or-play-contract [https://perma.cc/5U5M-L6UD]. These terms can typically only be negotiated by top talent, as they require the studio to pay the actors their full salaries “even if they are terminated before rendering all of their services.”82‘Pay or Play’ Contracts: Behind the Scenes of Johnny Depp’s Fantastic Beasts Exit, Harbottle & Lewis (Nov. 24, 2020), https://viewpoints.harbottle.com/post/102hbg6/pay-or-play-contracts-behind-the-scenes-of-johnny-depps-fantastic-beasts-exit [https://perma.cc/XJ9D-PAFR]. This compensates the talent for rejecting other “lucrative” roles with similar time lines due to the expectation of exclusivity surrounding their involvement in the pay or play production.83Id. Pay or play terms therefore symbolize the acknowledgement by studios that exclusivity is highly valuable, and as such, studios are willing to compensate top talent highly for the opportunity cost of rejecting other roles. Since these terms are often accompanied by exclusivity terms, they may be subject to challenges if Section 16600 is extended to invalidate in-term exclusivity.

C.  Industry Practices

The Screen Actors Guild (“SAG”) was founded in 1933 as a union representing actors in “film, television, and digital media.”84Matt Crawford, What Is SAG-AFTRA? History, Origins & How To Get Membership, Filmmaking Lifestyle, https://filmlifestyle.com/what-is-sag-aftra [https://perma.cc/4WSP-25UU]; see also The History of the Unions During the 1930s, SAG-AFTRA, https://www.sagaftra.org/about/our-history/1930s [https://perma.cc/2TFY-DL52]. In 2012, the Screen Actors Guild merged with the American Federation of Television and Radio Artists (“AFTRA”) to form SAG-AFTRA, a powerful union representing “approximately 160,000 actors, announcers, broadcast journalists, dancers, DJs, news writers, news editors, program hosts, puppeteers, recording artists, singers, stunt performers, voiceover artists and other media professionals.”85About, SAG-AFTRA, https://www.sagaftra.org/about [https://perma.cc/R2MK-B8JX]. The union is frequently in talks with major production studios to exercise its collective-bargaining power and achieve favorable deals for its members, going on strike in 2023 to do so.

In-term exclusivity is highly contested in the acting industry as a constant battle between studios, who view the terms as essential to production, and actors and unions, who generally oppose them. In August of 2022, SAG-AFTRA86See SAG-AFTRA Celebrates 10th Anniversary of Merger of Screen Actors Guild and American Federation of Television and Radio Artists, SAG-AFTRA, https://www.sagaftra.org/sag-aftra-celebrates-10th-anniversary-merger-screen-actors-guild-and-american-federation-television [https://perma.cc/W2TH-WHAQ]. reached an agreement with Netflix (“Agreement”) limiting the use of exclusivity provisions for series regulars.87SAG-AFTRA, supra note 9, at 1–2. A similar agreement was reached between SAG-AFTRA and the Alliance of Motion Picture and Television Producers (“AMPTP”)88The Alliance of Motion Picture and Television Producers (“AMPTP”) acts as the collective-bargaining representative for “over 350 motion picture and television producers” such as “Paramount Pictures, . . . Twentieth Century Fox, Universal Pictures, Walt Disney Pictures and Warner Bros. Pictures [and] ABC, CBS, FOX, and NBC.” As Netflix has joined the AMPTP in 2021, all future negotiations on behalf of Netflix will take place with those of the AMPTP. Bruce Bisbey, What Is the Alliance of Motion Picture and Television Producers? (In the Entertainment Industry.), LinkedIn (Apr. 20, 2019), https://www.linkedin.com/pulse/what-alliance-motion-picture-television-producers-industry-bisbey [https://perma.cc/P2F9-BUTA]; see Welcome, AMPTP, https://www.amptp.org [https://perma.cc/5B8M-57GJ]; see also SAG-AFTRA Netflix Agreement, supra note 9, at 1. limiting exclusivity in series actors’ employment agreements.89Robb, supra note 18. SAG-AFTRA’s 2023 strike ended in November of 2023 (the Writers Guild of America also went on strike on May 2, 2023 and ultimately reached a deal with AMPTP on September 27, 2023).90Mandalit del Barco, Hollywood Writers Return to Work, After a Nearly Five Month Strike, NPR (Sept. 27, 2023, 11:27 AM EST), https://www.npr.org/2023/09/26/1201936449/writers-strike-end-vote-wga-leadership [https://perma.cc/763M-374S]. This Note will focus on the terms impacting SAG-AFTRA as they existed prior to the 2023 strike.

An important distinction exists between stars and other talent in the entertainment industry when considering the practical relevance of the prior Agreement’s minimum terms. For those paid above a minimum salary, known as the “exclusivity money break,” the minimum terms of the collective-bargaining agreement do not apply.91SAG-AFTRA, supra note 9, at 1. This means that stars and top-tier talent paid above this amount are not bound by the terms, limiting the effect of the Agreement to non-star talent. The 2022 SAG-AFTRA and Netflix Agreement increased this exclusivity money break (above which exclusivity can be freely negotiated) from $40,000 per episode or per week in 2019 to “$65,000 for a half-hour program and $70,000 for an hour program.”92Id. at 2.

For non-star talent paid less than the exclusivity money break, “the minimum terms of the collective bargaining agreement . . . require that a series regular retain the right to do certain other work in addition to working on the series on which they are a regular.”93Id. at 1. The Agreement grants them the ability to take on a second position as a series regular or miniseries lead and removes the condition that a guest appearance94A “guest appearance” is a brief role on another show. may not be on a competing platform.95SAG-AFTRA, supra note 9, at 2. Netflix still “must approve the [guest] [a]ppearance and the series regular must confirm availability and scheduling with Netflix before accepting it.”96Id. Netflix retains the ability to deny a guest appearance if the guest role is too similar to the actor’s Netflix role, and actors cannot make irreversible changes to their appearance (such as haircuts).97Id. . A minimum three-month “conflict free window” after each season, “during which the series regular may accept a [guest] [a]ppearance without first having to confirm availability or schedule with Netflix” has been established.98Id. at 3. This conflict free window means that a series regular will not be held off the market during offseasons, even in an in-term exclusive talent contract. The guest appearance, however, must be completed during the conflict free window or all remaining work will be second to Netflix’s scheduling, reflecting the concern of studios regarding the coordination of many crew and cast member schedules.99Id. Failure on Netflix’s end to provide this window would result in Netflix paying the series regular their episodic fee for the prior season during the window the actor is not able to compete.100Id.

Concessions on behalf of Netflix in the above Agreement were made in exchange for SAG-AGTRA’s withdrawal of a California bill that it had supported, AB-437, known as the Let Actors Work (LAW) Act.101Id. at 4. AB-437 would have sharply limited exclusivity in television deals in favor of allowing actors to work on competing networks “as long as ‘there is no material conflict of interest with their original employer,’ [and] . . . it [did] not conflict with the original show’s schedule.”102Tapp, supra note 27, at 27. At the time AB-437 was drafted, exclusivity terms in contracts often prohibited stars from appearing on competing networks, even during production breaks.103Id. While “AB-437 passed the [California] Senate Judiciary Committee in a 9-1 vote,”104Id. it was withdrawn prior to the close of the August 2022 Legislative session as a result of the SAG-AFTRA agreements with Netflix and AMPTP.105Kristina M. Launey & Scott P. Mallery, Final Round: Employment Bills Making the Cut to the Governor, Seyfarth: Cal. Peculiarties Emp. L. Blog (Sept. 1, 2022), https://www.calpeculiarities.com/2022/09/01/final-round-employment-bills-making-the-cut-to-the-governor [https://perma.cc/CZP3-5JMX].

The 2022 Agreement between Netflix and SAG-AFTRA exemplifies the arguments both for and against exclusivity and the resulting tension, as concessions were made on each side of the bargaining table. As a result of the Agreement, the demands of an actor’s “exclusivity” during an offseason were reduced. If exclusivity terms for actors paid below the exclusivity money break must now allow a conflict free window during which an actor can accept other roles, these terms may—in practice—act more like noncompete agreements than exclusivity agreements, since even “exclusive” actors are able to work on other shows. This blurs the lines between exclusivity and in-term noncompete agreements. Simultaneously, the importance of ensuring talent’s availability has been acknowledged and protected with provisions granting Netflix first position rights for scheduling.

II.  SECTION 16600 AND EDWARDS

A.  Section 16600

Some states allow contractual noncompete agreements, provided they satisfy a certain reasonableness standard. California, however, takes a strong stance against the enforcement of noncompetes in favor of employee mobility. Section 16600 of the Code states, “Except as provided in this chapter, every contract by which anyone is restrained from engaging in a lawful profession, trade, or business of any kind is to that extent void.”106Cal Bus. & Prof. Code § 16600(a). Section 16600 carves out an exception for noncompetes in the sale or dissolution of corporations, partnerships, and LLCs, allowing covenants not to compete “where a person sells the goodwill of a business and where a partner agrees not to compete in anticipation of the dissolution of a partnership.”107Kelton v. Stravinski, 41 Cal. Rptr. 3d 877, 881 (Ct. App. 2006); see also Edwards v. Arthur Andersen LLP, 189 P.3d 285, 290–92 (Cal. 2008). This exception ensures that those who purchase a business do not immediately face competition from the seller.

B.  Edwards v. Arthur Andersen

Prior to 2008, a small number of cases (mainly federal) allowed narrow restraints on competition in California if they passed a “reasonableness” standard.108See Schmidt, supra note 17, at 147–48. In 2008, the California Supreme Court rejected the Ninth Circuit’s narrow restraint approach to Section 16600 and articulated a single standard for noncompetes in Edwards v. Arthur Andersen LLP.109See Edwards, 189 P.3d at 288, 293.

In 1997, Raymond Edwards II was hired as an accountant by the Los Angeles office of Arthur Andersen LLP, contingent on his signing a noncompete agreement that all managers were required to sign.110Id. at 288; see also Edwards v. Arthur Andersen, Stan. L. Sch., https://scocal.stanford.edu/opinion/edwards-v-arthur-andersen-33130 [https://perma.cc/EW7W-BS2A]. The noncompete prohibited Edwards from performing similar services to any clients he had worked with in the eighteen months prior to his departure for another eighteen months after his release or resignation.111Edwards, 189 P.3d at 288. While Edwards was subject to a non-solicitation provision, he was not prohibited from accepting employment with clients.112Id.

In 2003, shortly after Edwards’s employment at the firm was terminated, Edwards filed a complaint alleging that Andersen’s noncompete agreement violated Section 16600 and was thus unlawful.113Id. at 289. The trial court held that, since the noncompete was “narrowly tailored” and “did not deprive Edwards of his right to pursue his profession,” it did not violate Section 16600.114Id.

The California Court of Appeals reversed, finding that the noncompete was invalid under Section 16600.115Id. at 290. The California Supreme Court agreed and explicitly rejected the “narrow-restraint” exception to Section 16600 used by the Ninth Circuit, stating that “California courts have not embraced the Ninth Circuit’s narrow-restraint exception.”116Id. at 293. The court discussed its policy rationale in favor of protecting Californians and ensuring that “every citizen shall retain the right to pursue any lawful employment and enterprise of their choice.”117Id. at 291 (citing Metro Traffic Control Inc v. Shadow Traffic Network, 27 Cal. Rptr. 2d 573, 577 (Ct. App. 1994)). This means that even a narrow restriction on employment in a specific industry will be invalid under California law.118Edwards, 189 P.3d at 297; see also Daniel Joshua Salinas, Amy Abeloff & Robert B. Milligan, California Court Gives Two Thumbs Down and Voids Non-Compete in Actor’s Agreement, Seyfarth: Trading Secrets (Apr. 20, 2016), https://www.tradesecretslaw.com/2016/04/articles/trade-secrets/california-court-gives-two-thumbs-down-and-voids-non-compete-in-actors-agreement [https://perma.cc/5BFH-35RX]. As noted in Edwards, the California Legislature did not include language to narrow the application of Section 16600 to only overbroad or unreasonable restraints on competition, thus the court will not add those limitations unless expressly indicated by the legislature.119Edwards, 189 P.3d at 293.

While the text and notes of the Code do not specify whether Section 16600 should apply to current as well as former employees, there are nearly a hundred years of case law interpreting the Code in the context of post-term employment restrictions—during which no California state cases have applied the Code to in-term restraints on employment such as exclusivity provisions.120The notes to Section 16600 state that former employees have the “right to engage in competitive business . . . and to enter into competition with [their] former employer, even for business of those who were formerly customers of [their] former employer, provided such competition is fairly and legally conducted,” implying that as long as rules surrounding confidentiality and trade secrets are not violated, the Code applies to former employees to ban noncompetes. Cal Bus. & Prof. Code § 16600 note (citing Fortna v. Martin, 323 P.2d 146, 148 (Cal. Ct. App. 1958)). Accordingly, exclusivity provisions are used often in the talent industry to coordinate schedules among individuals involved in production.121See Rivkin, supra note 11; see also Tapp, supra note 27. However, a recent Ninth Circuit case, ITN, may extend application of Section 16600 (California’s ban on noncompetes) to exclusivity in the acting industry.

III.  CASE ANALYSIS

A.  Exclusivity Analyzed Through the Lens of Section 16600

Since Edwards, Section 16600 “often operates as a per se rule against noncompete clauses in contracts,” prohibiting noncompete agreements in California regardless of whether they are narrowly tailored in favor of promoting open competition and employee mobility.122Thomas D. Nevins, Is an Exclusive Dealing Contract an Unlawful Covenant Not to Compete?, Casetext (Apr. 13, 2009), https://casetext.com/analysis/is-an-exclusive-dealing-contract-an-unlawful-covenant-not-to-compete [https://perma.cc/388Z-VZVE]. As noted earlier, the vast majority of cases applying Section 16600 have been restricted to the post-term noncompete context. Therefore, in-term exclusivity agreements and noncompetes will typically be allowed if narrowly and fairly drafted, as parties often use in-term exclusivity to ensure loyalty and investment in employee development. In the acting industry, in-term exclusivity may be used to coordinate production schedules, make talent contracts more valuable, and prevent actors from simultaneously appearing in rival network platforms (assuming they are paid above the exclusivity money break). For films, these exclusivity provisions include services such as “preproduction (rehearsal, costume fittings, etc.), production (i.e. principal photography), postproduction (which may include special effects work, dubbing, and reshoots), and publicity for the film.”123Smith, supra note 64.

Nevertheless, at least one recent Ninth Circuit decision (ITN) applying California law has extended Section 16600 to invalidate in-term noncompete agreements as well. This extension impacts not only in-term noncompetes, which limit an employee from working in a certain area, but also exclusivity provisions, which restrict an actor’s ability to work in other productions entirely. As in-term noncompetes are less restrictive than exclusivity provisions, the policy reasons in support of the Code’s extension to capture in-term noncompetes may capture exclusivity as well.

B.  Section 16600 Application to In-Term Provisions

Following years of consistent judicial application by California courts, Section 16600 prohibits most post-term noncompete agreements. The more difficult inquiry is whether Section 16600 does or should apply to in-term exclusivity and noncompete agreements for actors. In 2021, the court for the Southern District of California summarized the precedent set by California courts that Section 16600 applies only to bars on post-employment, not in-term employment, competition in Youngevity Int’l, Corp. v. Smith: “Section ‘16600 does not apply to restrictions on a person’s ability to engage in a lawful business while that person is employed by the company to which he or she promised loyalty. . . . Rather, § 16600 targets restrictions on post-employment activity.’ ”124Youngevity Int’l, Corp. v. Smith, No. 3:16-cv-704-BTM-JLB, 2021 U.S. Dist. LEXIS 53456, at *35 (S.D. Cal. Feb. 3, 2021) (emphasis added) (citation omitted). In-term prohibitions on competition have allowed employers to rely on an employee’s loyalty and commitment while employed.125Techno Lite, Inc. v. Emcod, LLC, 257 Cal. Rptr. 3d 643, 651 (Ct. App. 2020). Further, in Techno Lite, Inc. v Emcod, LLC (2020), the California Court of Appeals notes that “[a]ppellants do not cite—and we have not found—a single case in which Section 16600 was held to invalidate an agreement not to compete with one’s current employer while employed by that employer,” rejecting an argument that Section 16600 could apply to restrictions on employees while currently employed.126Id.

However, in 2017, the Ninth Circuit Court of Appeals applied California state law in ITN Flix, LLC v. Hinojosa to hold that Section 16600 does in fact apply to invalidate “in-term” noncompete clauses lasting only for the term of employment set by the contract.127ITN Flix, LLC v. Hinojosa, 686 F. App’x 441, 444 (9th Cir. 2017). If Section 16600 is extended to prohibit in-term noncompete and exclusivity terms (as is suggested by ITN), many existing practices in the entertainment industry could be legally vulnerable. In ITN, an actor’s Master License Agreement (“MLA”) and Acting Agreement (“AA”) were found to be void as unlawful restraints on trade since they limited the actor’s right to pursue lawful employment.128Id. at 443–44. The actor had entered into the MLA and AA contracts after starring in a film franchise built around his “vigilante character” role.129Salinas et al., supra note 118. The contracts limited the actor’s ability to play “vigilante characters” in other films, as well as his ability to appear in similar films from 2006 to 2013 (a term of seven years brushing against the outer limit of California’s “Seven Year Rule” for personal-service contracts).130Id.; see also ITN Flix, LLC v. Hinojosa, casetext, https://casetext.com/case/itn-flix-llc-v-hinojosa-2 [https://perma.cc/2XEZ-26BM]. The film was a box office flop.131Salinas et al., supra note 118. The actor then starred in a later film as a “vigilante character,” which was a commercial success.132Id. The producer of the original film, Medina, sued for the actor’s breach of contract and argued that the MLA and AA were valid contracts not to compete, as Section 16600 “does not apply to ‘in-term’ non-compete clauses that last only for the term of employment set by the contract.”133ITN, 686 F. App’x at 444.

The court disagreed and said that “[u]nder Cal. Bus. & Prof. Code [Section] 16600, both the MLA and AA are void as unlawful restraints on trade because they limit the right of [the actor] to pursue lawful employment.”134Id. at 443–44. In rejecting Medina’s argument that Section 16600 applies only to post-term noncompetes, the court stated—in no soft terms—that “[b]oth California courts and the Ninth Circuit have rejected [that] argument,” citing two cases in support of their bold statement that Section 16600 applies to invalidate in-term noncompetes: (1) Kelton v. Stravinski (a 2006 California Court of Appeals case) and (2) Comedy Club Inc. v Improv West Associates (a 2009 Ninth Circuit case).135Id. Both of these cases, however, discuss noncompete agreements in contexts outside of the employment context—first the franchise context and later in partnerships—raising the question as to whether the court in ITN was stretching to find support for its policy stance.136Kelton v. Stravinski, 41 Cal. Rptr. 3d 877, 882 (Ct. App. 2006); Comedy Club, Inc. v. Improv W. Assocs., 553 F.3d 1277, 1291–92 (9th Cir. 2009). California courts have explicitly stated that the “reasoning [in certain cases] is tied to the franchise context,” meaning a case involving a franchisor and franchisee is not directly analogous to a case involving an actor and their employer.137Kelton, 41 Cal. Rptr. 3d at 882. Thus, the extension of Section 16600 to in-term noncompetes does not seem to be supported by existing laws or cases.

First, Kelton involved two partners who developed industrial warehouses and thus had a partnership relationship as opposed to that of an employee and employer.138Id. at 877. The partners had agreed to a covenant not to compete which prohibited them from building warehouses independently.139Id. After one partner allegedly breached the covenant, the California Fifth District Court of Appeals held that the covenant was invalid under Section 16600, as it did not fall under any exceptions to the Code and “[i]n the partnership context, an ongoing business relationship [between the parties] does not validate the covenant [not to compete],” or create a Section 16600 exception.140Id. at 879 (emphasis added). Further, the partners in Kelton limited the fiduciary duties owed to one another to only those rising out of the Partnership’s property, explicitly stating that they had no “obligation to refer to the Partnership or to the other Partner any business opportunity,” and that “each partner could ‘engage in other real estate activities, . . . competitive with the Partnership or otherwise.’ ”141Id. This is significant, as a large policy reason for enforcing in-term noncompete covenants is the expectation of loyalty that accompanies them. Here, the partners expressly limited both their fiduciary duties and any expectations of loyalty regarding real-estate developments.142Id. This makes the facts in Kelton distinguishable from those in ITN, and, while cited as a supporting case for the application of Section 16600 to in-term noncompetes, support for ITN from Kelton is not strong due to the factual differences between a business partner and an employee.

The second case cited in ITN supporting the ban on in-term noncompetes in the employment context is Comedy Club Inc. v. Improv West Associates.143Comedy Club, Inc. v. Improv W. Assocs., 553 F.3d 1277, 1292 (9th Cir. 2009). Comedy Club involved two businesses that agreed to an exclusive Trademark License Agreement, which was later breached.144Id. The Ninth Circuit Court of Appeals stated that “an in-term covenant not to compete in a franchise-like agreement will be void if it ‘foreclose[s] competition in a substantial share’ of a business, trade, or market.”145Id. (citing Dayton Time Lock Serv., Inc. v. Silent Watchman Corp., 124 Cal. Rptr. 678, 682 (Ct. App. 1975)). However, the MLA and AA in ITN did not resemble a franchise agreement. While Comedy Club held the franchise’s in-term noncompete was invalid, Comedy Club involved two businesses in a franchise agreement—not an employee and an employer like in ITN.146Comedy Club, 553 F.3d at 1292. Further, the Ninth Circuit in Comedy Club refused to void the entire in-term covenant.147Id. at 1293. Instead, it weighed the interests of the plaintiff in operating its business against those of the defendant seeking to protect its trade name and goodwill, creating a compromise which allowed the plaintiff to operate in certain areas in which the defendant did not already operate.148Id.

The Comedy Club court does note that “California courts are less willing to approve in-term covenants not to compete outside a franchise context because there is not a need ‘to protect and maintain [the franchisor’s] trademark, trade name and goodwill.’ ”149Id. at 1292 (citing Kelton v. Stravinski, 41 Cal. Rptr. 3d 877, 882 (Ct. App. 2006)). This suggests that in-term exclusivity provisions may be subject to some challenges if they are not drafted with appropriate terms.

Lastly, Medina argued that Section 16600 should not be applied to the entertainment industry, as it “would be unworkable because personal services contracts are so often needed to ensure the availability of celebrities.”150ITN Flix, LLC v. Hinojosa, 686 F. App’x 441, 444 (9th Cir. 2017). While the court was not persuaded by this argument, maintaining its stance that this noncompete was illegal regardless of scheduling implications, Medina’s argument touches on some of the most important issues that would stem from an extension of Section 16600 to in-term noncompetes.151Id. Scheduling work on large productions would be more difficult, potentially raising costs and slowing the pace of production. Further, studios have an interest in ensuring their stars do not accept similar roles in the same time frame during which their films are being released, as it could lower viewership and performance. It is also important to note that exclusive personal-service contracts today are the product of a freelance entertainment industry in which actors are cast for specific roles, as well as extensive collective-bargaining negotiations in which both actors and studios are represented. Actors need protection from exploitation, and unions (such as SAG-AFTRA) will go on strike to ensure actors’ interests are adequately represented in collective-bargaining negotiations. The resulting contracts are far less demanding than those that existed in the 1930s, and interference by the courts with the established system and the agreements that have resulted from it may raise more problems than solutions. It may be best to allow unions and studios to reach their desired outcomes without judicially imposed boundaries on in-term noncompete agreements.

One way to reconcile the outcome of ITN with the overwhelming enforcement of in-term noncompetes is by treating the MLA and AA as post-term noncompete agreements. While the court said the actor’s contract was an in-term prohibition, it is possible that it actually categorized the MLA and AA as post-term noncompete contracts and treated them as such, since both restricted the actor’s work after the film was released. Thus, the contracts may have been post-term prohibitions on competition and invalid for that reason, despite the courts “in-term” language. This would allow the result in ITN to be accurate while maintaining the concept of exclusivity. Further, the importance of this distinction highlights the nuances and gray areas that exist in an actor’s contract. A contract may be “in-term” if it applies for a set number of years or seasons of a show, while also operating as “post-term” if it continues to limit the actor after filming has wrapped and an actor’s services are no longer actively needed.

Another possibility is that the Ninth Circuit in ITN simply incorrectly overapplied Section 16600 in an effort to show its recognition of California case law as distinguished from the more lenient noncompete laws of other states in the Ninth Circuit. In the past, the Ninth Circuit has issued certified questions to the California Supreme Court regarding noncompetes, as it did in Ixchel Pharma v. Biogen, asking how broad Section 16600 is in its reach.152Robert B. Milligan, Lauren Leibovitch & Miguel Ramirez, Ninth Circuit Seeks Guidance from California Supreme Court on Business to Business Non-Competes, Casetext (Mar. 23, 2020), https://casetext.com/analysis/ninth-circuit-seeks-guidance-from-california-supreme-court-on-business-to-business-non-competes [https://perma.cc/9ZSP-5CQ8]. Further, in 2008, the California Supreme Court had explicitly rejected the “narrow-restraint” exception previously used by the Ninth Circuit.153Edwards v. Arthur Andersen LLP, 189 P.3d 285, 291 (Cal. 2008). The Ninth Circuit therefore may have improperly applied Section 16600 due to confusion regarding the scope of the Section or in an effort to show its recognition of California law as distinguished from other states in the Ninth Circuit.

ITN may also suggest that certain situations in the acting industry can trigger the application of Section 16600 to hold an in-term noncompete invalid if it is unduly harsh. The actor’s contracts, while technically within the seven years allowed for a personal-service contract in California, were at the outer limits as they lasted for a full seven years. Perhaps a shorter period, such as three or four years, would have led the court to reach a different conclusion.

Despite the plausible explanations above reconciling ITN with existing California case law, ITN is likely an outlier on the treatment of in-term noncompetes in California. In Edwards, the Supreme Court of California invalidated a noncompete agreement that forbade a former employee from working with certain clients and soliciting other employees for periods of twelve to eighteen months after his employment terminated.154Id. The Supreme Court “did not address—much less invalidate—agreements by employees not to undermine their employer’s business by surreptitiously competing with it while being paid by the employer.”155Techno Lite, Inc. v. Emcod, LLC, 257 Cal. Rptr. 3d 643, 650 (Ct. App. 2020). This suggests that if an employee is still being paid, in-term noncompetes are entirely valid. As the California Supreme Court has not weighed in on the treatment of in-term noncompete agreements, its deferential stance in Edwards to legislative intent signals that it may be waiting for clarification from the lawmaking branches of the California government before extending Section 16600 to in-term covenants. Further, the transition away from the studio system of the 1930s (in which actors were held off the market for long periods of time) to the freelance model of talent contracts today, accompanied with the introduction of the “Seven Year Rule” in California, has put in place protections for actors that seem to absolve the need for any total ban on exclusivity or in-term noncompete agreements.

C.  Section 16600 Application to Post-Term Noncompete Provisions

It is generally accepted that Section 16600 prohibits post-term noncompete provisions in California.156Youngevity Int’l, Corp. v. Smith, No. 3:16-cv-704-BTM-JLB, 2021 U.S. Dist. LEXIS 53456, at *34–35 (S.D. Cal. 2021). Post-term noncompetes prevent former employees from working for a competitor or soliciting clients for a certain amount of time.157Id. Most cases interpreting Section 16600 under California law fall in this post-employment context, as the statute has consistently invalidated covenants not to compete that interfere with an employee’s ability to compete after they cut ties with a former employer.158Comedy Club, Inc. v. Improv W. Assocs., 553 F.3d 1277, 1290 (9th Cir. 2009).

Post-term noncompete clauses in the entertainment industry are not common but might include provisions forbidding an actor from working in a production associated with a rival television network or film studio, even after all work has been completed for the current role. Terms with similar effects, however, may be included in the contracts of megastars preventing them from accepting roles with competing studios.159Nigma, supra note 70. This represents the unique gray area in talent contracts, in which it appears an actor has completed a term of their contract (as filming for the movie is done), yet the actor may have a three-picture contract bringing these terms within the scope of in-term exclusivity.

Interestingly, the LA County Superior Court seems to take the stance that post-term noncompete agreements are valid in the narrow fixed-term employment context where an employee leaves in the 2020 case Viacom v. Netflix.160Viacom Int’l v. Netflix, Inc., No. 18STCV00496, 2020 Cal. Super. LEXIS 4442, at *7–10 (Cal. Super. Ct. 2020). This is particularly relevant in the acting industry, in which talent contracts are generally for a set term as opposed to at will. The holding of Viacom, applied to talent contracts, suggests that noncompete agreements restricting an actor’s ability to accept roles after a contract has ended could actually be valid where the actor is the party that breaches the contract. In Viacom, an executive employed by Viacom (an entertainment company) with a fixed-term employment contract left her job nineteen months prior to the end of her contract to work for Netflix.161Id. at *3. Viacom sued Netflix, seeking a permanent injunction enjoining Netflix from taking its employees in this manner, as well as damages.162Id. The disputed noncompete provisions from the executive’s employment agreement read

Your employment with the Company is on an exclusive and full-time basis, and while you are employed by the Company, you shall not engage in any other business activity which is in conflict with your duties and obligations (including your commitment of time) to the Company . . . .
The “Non-Competition Period” begins on the Effective Date and ends on the last day of the Contract Period, provided that:
1. If the Company terminates your employment without Cause before the end of the Contract Period, then the Non-Competition Period shall end on the earlier of (i) the end of the period in which you are receiving payments pursuant to paragraph 11(b)(i) or (ii) the effective date of your waiver in writing of any right to receive or continue to receive compensation and benefits under paragraph 11. You shall be deemed to have irrevocably provided such waiver if you accept competing employment.
2. If the Company terminates your employment for Cause or you resign, the Non-Competition Period shall end on the earlier of (i) the last day of the Contract Period or (ii) eighteen (18) months after such termination or resignation.163Id. at *13–14 (emphasis added).

While Netflix argued that the covenant was an unlawful prohibition preventing the employee from working in similar positions for eighteen months post-employment, the court disagreed.164Id. The court stated that there is no case law supporting the argument that fixed-term contracts not to compete are invalid given that the employee voluntarily left Viacom under assurance from Netflix that she would be indemnified and would not have to pay legal fees.165Id. at *18. While Section 16600 would invalidate the noncompete if the employee had been terminated by Viacom, this case suggests that a noncompete provision for a set amount of time will be upheld where the employee voluntarily leaves their position.166Id. Applied to talent contracts, actors who sign fixed-term exclusivity and noncompete contracts for the filming of their television shows or films may have agreed to valid noncompete provisions in the case that an actor quits in order to pursue a different role, regardless of whether the noncompete becomes post-term.

In Viacom, the noncompete was valid because the employee was not terminated but chose to leave to work for a competitor, thus forsaking her position and its salary voluntarily.167Id. Had the employee instead been terminated, Section 16600 would undoubtedly be implicated.168Id. Additionally, the court notes that at will employment contracts (as opposed to fixed term) with identical language would prove to be unlawful.169Id. This raises an interesting question regarding option contracts.170Are option contracts at will since the producer often has the sole option to extend the contract for an additional movie or season of a show? Or are they fixed term, since the option must be triggered within a set amount of time? See What Are Options and Exclusivity Clauses?, supra note 78. Further, it seems as though the court wanted to hold for Netflix from a policy perspective.171Viacom, Inc., 2020 Cal. Super. LEXIS 4442*, at *18. The court expressly stated that it believes Viacom’s fixed-term employment contracts may violate Section 16600, but that it is unable to find binding case law in support of this position.172Id. This is an interesting narrowing of Section 16600 in finding post-term noncompete terms legal in the situation in which an employee leaves, with particular application to the acting industry where the actor will typically be the one breaching an exclusivity provision in order to render outside work. While helpful in noting that California case law does not suggest that exclusivity in a fixed-term contract is unlawful, this is a Superior Court case and is thus not binding.173Id. The court itself seems to struggle with the outcome and is perhaps expressing its struggle with existing precedent in an effort to open the door for the California Supreme Court to weigh in on the matter.

Steinberg Moorad & Dunn, Inc. v. Dunn, an unpublished 2005 Ninth Circuit case referenced in Viacom, takes the view that a post-term noncompete is invalid regardless of whether the employee left or was fired: “[w]hen an employee leaves, be it before the term of employment has ended or not, [S]ection 16600 prohibits the employer from preventing that employee from pursuing his trade.”174Steinberg Moorad & Dunn, Inc. v. Dunn, 136 F. App’x 6, 10 (9th Cir. 2005). The Viacom court states that, while it would like to rely on Steinberg as persuasive, it is unable to do so because, as an unpublished case, it lacks the specific facts needed to analyze Viacom’s noncompete clause.175Viacom, Inc., 2020 Cal. Super. LEXIS 4442, at *17. This further suggests that some direction is needed from the higher state courts in California or the legislative branch on the application of Section 16600 when an employee is the one to cut ties with the employer in a fixed-term exclusivity contract.

While Viacom represents a narrow application of Section 16600 to allow post-term noncompetes, the application is important in certain contexts such as Silicon Valley where technology companies are constantly poaching employees with key information regarding data breakthroughs such as self-driving car technology.176Timothy B. Lee, A Little-Known California Law Is Silicon Valley’s Secret Weapon, Vox (Feb. 13, 2017, 2:00 PM), https://www.vox.com/new-money/2017/2/13/14580874/google-self-driving-noncompetes [https://perma.cc/B5Z4-Y8AJ]. However, the nuanced application of the Code to the general prohibition on post-term noncompetes (allowing them where the employee leaves a fixed-term contract) may have unintended consequences by restricting the movement of talent in the acting industry.

D.  Factors Unique to the Entertainment Industry

In determining whether Section 16600 should apply to noncompetes in talent contracts, perhaps talent contracts should be evaluated under a unique standard that considers the nuanced aspects of acting, such as fame. Are actors distinct from other employees whose in-term noncompetes in California are valid? As touched on in the discussion of ITN above, a gray area exists within noncompetes in which a contract may be ongoing, but an actor is no longer actively working on a project. A theoretical argument can be made that fame should play a role in the analysis. While most employees merely provide labor, actors are involved in a finished product, the value of which may turn on an actor’s reputation. This is particularly relevant when an actor is a widely recognized celebrity, known for their portrayal of certain characters or for a certain genre. For example, horror films or children’s films. Perhaps an actor is different from a typical employee in that the subsequent work of a “famous” actor could impact their image, and in turn, the value of the character created in a series or film owned by the studio. If this is the case, fame could be an important factor in the analysis of exclusivity provisions. While the actions of a little-known actor after a film or series airs will likely be inconsequential, the press surrounding a major celebrity may have a large impact on the success of a program.

This can be exemplified by the controversy surrounding Daniel Radcliffe’s involvement in Equus, a play in which Radcliffe appeared “full-frontally nude in a prolonged scene.”177Sarah Lyall, Onstage, Stripped of That Wizardry, N.Y. Times (Sept. 11, 2008), https://www.nytimes.com/2008/09/14/theater/14lyal.html [https://perma.cc/33N3-DYHJ]. Following Radcliffe’s nude appearance in the play, press speculated whether the star of the Harry Potter film franchise would be denied the role in the last two films, as the franchise was widely popular with children. One comment on a Harry Potter fan site following news of Radcliffe’s role in Equus with mature scenes read, “We as parents feel Daniel should not appear nude. Our nine-year-old son looks up to him as a role model. We are very disappointed and will avoid the future movies he makes.”178Harry Potter Bares All: Upsets Parents, Live J. (Jan. 30, 2007, 9:09 PM), https://ohnotheydidnt.livejournal.com/10593488.html [https://perma.cc/F3QJ-VPRY].

On the other hand, Daniel Radcliffe’s role in Equus did not seem to hinder the success of the final two Harry Potter movies, as “[t]he eighth and final Harry Potter movie was . . . the third-biggest movie of all time behind only Titanic . . . and Avatar,” bringing in $1.342 billion in the global box office.179Scott Mendelson, Every ‘Harry Potter’ Movie Ranked by Worldwide Box Office, Forbes (Aug. 13, 2020, 1:00 PM), https://www.forbes.com/sites/scottmendelson/2020/08/13/harry-potter-movies-ranked-box-office-jk-rowling-emma-watson-daniel-radcliffe [https://perma.cc./57NM-LEFC]. If viewers do not place substantial weight on an actor and instead focus on the character portrayed, the argument that fame should be factored into the legality of post-term exclusivity terms is substantially weaker.

IV.  SUMMARY OF CASE ANALYSIS

Analyzed through the lens of Section 16600, in-term noncompetes and exclusivity provisions in the acting industry seem to fall outside the scope of the Code’s prohibition of post-term noncompetes and are thus, at least in the general sense, legal. This does not mean, however, that the line is clear-cut or that all in-term noncompete and exclusivity clauses are watertight in their legality. Some in-term noncompete provisions may be prohibited if they are too broad in their restrictions or if they are not well-drafted. The Ninth Circuit’s application of California law in ITN exemplifies a court’s refusal to enforce an actor’s exclusive MLA and AA agreements even for in-term contracts, as the studio’s ban on the actor playing other “vigilante characters” for seven years was an illegal prohibition on the actor’s right to work. While this case is an outlier in an otherwise mostly unified interpretation of Section 16600’s application to post-term noncompete provisions, it indicates that in some instances, reasonableness and length of a contract may still be used to judge the legality of an in-term noncompete agreement.

Conversely, post-term exclusivity provisions are exactly what the California Code was designed to prevent and are generally illegal, except (as Viacom suggests) perhaps in the narrow situation where the employee voluntarily leaves the employer. In California, an employer cannot prohibit a former employee from working after they have left. Viacom interprets the Code, however, as allowing noncompetes in fixed-term employment contracts where the employee voluntarily leaves but prohibiting them when it comes to at will contracts with no end date. It is notable that the court in Viacom, however, believes that these contracts are perhaps illegal but is unable to hold that they are due to the lack of precedential case law on the matter. This may be a signal that it is time for the California Supreme Court to weigh in on the distinction between post-term and in-term exclusivity provisions under Section 16600 and explain that—as currently written and interpreted—it does not extend to invalidate in-term exclusivity and noncompete agreements. The California Supreme Court may also need to articulate whether post-term noncompetes are allowed in the narrow situation where an employee voluntarily leaves.

Another interesting distinction can be made between actors and nonactor employees; while actors are classified as employees, they are distinct due to their fame and their reputational value that has the potential to impact a final work product. This may support the theoretical argument that fame should be considered in analyzing exclusivity and noncompetes. However, if viewers can separate an actor from the roles they play, this may not be an issue.

The table below summarizes the standard from the majority of California cases interpreting Section 16600.

Figure 1.

Section 16600 In-Term ExclusivityPost-Term Exclusivity
Exclusivity terms are heavily negotiated in television talent contracts, yet not heavily negotiated film talent contracts.

Typically legal if narrow in scope and well-drafted.

 

Often illegal if at will.

Potentially illegal if Section 16600 is extended to invalidate restrictive in-term exclusivity.

(ITN)

Potentially legal if fixed-term and the employee voluntarily leaves.

(Viacom)

CONCLUSION

California is firm in its stance against post-term noncompetes, yet an acting industry specific analysis suggests that the unique attributes of talent contracts may require a more nuanced approach. The rise of online streaming has changed the demands placed on actors, with shorter series seasons contributing to an increase in idle time. The landscape is changing rapidly, resulting in the frequent renegotiation of terms and resulting standstills, exemplified by the 2023 SAG-AFTRA strike.

The in-term and post-term treatment of exclusivity provisions and noncompetes has received conflicting treatment by California and Ninth Circuit Courts, suggesting that perhaps the California Supreme Court should weigh in on the matter as they did in 2008 with Edwards and articulate whether Section 16600 can apply to in-term noncompete and exclusivity provisions.180Edwards v. Arthur Andersen LLP, 189 P.3d 285 (Cal. 2008). While it is widely held that Section 16600 does not apply to in-term noncompetes, the holding in ITN suggests that certain situations in the acting industry may trigger its application and deem an in-term noncompete invalid if unduly harsh.181ITN Flix, LLC v. Hinojosa, 686 F. App’x 441, 444 (9th Cir. 2017).

Viacom suggests that in certain instances where an employee breaches a fixed-term exclusivity provision, post-term noncompetes may be upheld. Regardless, the ability of actors and unions to negotiate with studios for mutually beneficial terms has allowed common practices in entertainment contracts to shift over time without much recent legislation. This suggests that, while the applicable law will provide one side with bargaining power, negotiations and collective-bargaining agreements will largely continue to set the standards for common entertainment contract practices.

97 S. Cal. L. Rev. 1087

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* J.D. Candidate 2024, University of Southern California Gould School of Law. To my parents, thank you for being my best friends and biggest supporters.

Affirmative Acting: The Role of Law in Casting More Actors With Disabilities (A Note in Five Acts)

 

SETTING THE STAGE: INTRODUCTION

“Always find your light.” This is a common piece of advice given to theater artists, encouraging them to make sure they can be seen on stage.1See Cathy Salit, 6 Secrets from the Theater (That Anyone Can Use) for Giving Great Presentations, Performance of a Lifetime (Sept. 11, 2017), https://performanceofalifetime.com/
2017/09/6-secrets-from-the-theater-for-giving-great-presentations-that-anyone-can-use [https://perma.cc
/Z2WS-E66T].
But who gets the chance to grace the stage in the first place? Our society has recently begun to actively ask new questions about equity and visibility. In the context of theater, we have largely focused not on who is on the stage, but on how theater productions can be enjoyed equitably. To answer these questions, we have turned to effectuating and enforcing the standards set forth in the Americans with Disabilities Act (“ADA”).2Americans with Disabilities Act of 1990, 42 U.S.C. §§ 12101–12213.

Over the thirty years since the ADA was passed, and even more concertedly following the Act’s 2008 amendments,3See id. theaters have begun to reserve sections of the house4In the theater world, “house” refers to the auditorium or audience. See Theatre Terms, Am. Ass’n of Cmty. Theatre, https://aact.org/theatre-terms-view/h [https://perma.cc/4X6H-YY9F]. Here, the term is used to refer to the former. for patrons with wheelchairs and to renovate facilities to create ADA-compliant restrooms for audience members.5See John Loeppky, Taking ADA from the Page to the Stage, Am. Theatre (Mar.
26, 2021), https://www.americantheatre.org/2021/03/26/taking-ada-from-the-page-to-the-stage [https://
web.archive.org/web/20221011234038/https://www.americantheatre.org/2021/03/26/taking-ada-from-the-
page-to-the-stage].
However, while the ADA has prompted great strides in improving theatergoers’ ability to access productions, figuring out how to apply the ADA to the people on the stage is another question altogether.6Id.

While audience accessibility is a tremendous step forward in ensuring that enjoyment of theater productions does not exclude people who cannot easily access and navigate unwelcoming spaces, the time has come to turn the spotlight back towards the stage. We need to turn our attention to creating and nurturing structures allowing for equal access for theater performers—specifically, for the purposes of this Note, those with disabilities. Pushes in the theater world to pinpoint and remedy gender and racial inequities have become much more prevalent in recent years,7See Equity, Diversity, and Inclusion Initiative, League of Resident Theatres (May 2017), https://lort.org/edi-initiative [https://perma.cc/UU6Y-SLGA]. and rightfully so, but we must not leave those with disabilities out of the discussion. As it is, “disability is too often an afterthought, if it is thought of at all.”8Howard Sherman, When It Comes to Accessibility at Theatres, There Is a Law, HowlRound (Apr. 4, 2016), https://howlround.com/when-it-comes-accessibility-theatres-there-law [https://perma.cc/
89D5-5WUD].

Indeed, Actors’ Equity Association (“AEA”), the union for actors and other theater makers,9See Actors’ Equity Ass’n, https://www.actorsequity.org [https://perma.cc/N868-NJEW]. even reported that barely 1% of contracts they issued from 2016 to 2019 went to artists who self-reported living with a disability.10Press Release, Actors’ Equity Ass’n, Actors’ Equity Association Releases Second-Ever Diversity and Inclusion Report (Nov. 18, 2020), https://actorsequity.org/news/PR/DandIReport2020 [https://perma.cc/N36S-AP4H]. AEA also estimated that about a quarter of Americans live with at least one disability.11Id. If you compare these statistics (about 25% of Americans have disabilities, but only about 1% of theater jobs offered over the course of three years went to artists who reported living with disabilities), the problem should begin to crystallize: Why are we not seeing representation of people with disabilities on stage at the same rates as in society?

While data on disability representation on stage is scarce, we can look to data collected in theater’s more closely studied sister entertainment industries of television and film to get a sense of what levels of representation in the theater might look like. For instance, in the sphere of network television in 2018, only 22% of characters with disabilities were actually portrayed by an actor with the same disability; for streaming services, this number decreased to 20%.12Hanna Shaul Bar Nissim & RJ Mitte, Authentic Representation in Television
2018, at 4 (2020), https://issuu.com/rudermanfoundation/docs/authentic_representation_2018_wp_2020 [https://perma.cc/XNL2-5YCQ].
The unfortunate result gleaned from this study and studies like it is that the overwhelming majority of characters with disabilities—at least in the context of film and television—continue to be portrayed by actors without disabilities.13Mark Harris, The Actors with Disabilities Redefining Representation, N.Y. Times Style Mag. (Aug. 25, 2020), https://www.nytimes.com/2020/08/25/t-magazine/actors-disability-theater-film-tv.html [https://perma.cc/EGW5-KAVQ]. The first time an Emmy was awarded to a show starring people with disabilities was not until 2016,14Lauren Appelbaum, The Emmys: Seeing African Americans with Disabilities in Hollywood, RespectAbility (Sept. 12, 2016), https://www.respectability.org/2016/09/the-emmys-seeing-african-americans-with-disabilities-in-hollywood [https://perma.cc/V6CP-A2GB]. and the number of actors with disabilities who have ever won an Oscar can be counted on one hand.15Tim Gray, Oscar and Hollywood’s Nearly ‘Invisible’ People with Disabilities, Variety (Dec. 4, 2019, 11:47 AM), https://variety.com/2019/film/news/oscar-and-hollywoods-nearly-invisible-people-with-disabilities-1203422966 [https://perma.cc/D2UF-BHAV]. These statistics truly pull back the curtain on an entertainment industry that does not tend to value actors with disabilities.

There is reason to believe the statistics are just as grim in the theater. For instance, it was not until 2019 that an actor in a wheelchair (Ali Stroker) first won a Tony award (for her tremendous performance in a revival of the classic Broadway hit Oklahoma!).16Scottie Andrew & Saeed Ahmed, Ali Stroker Makes History as the First Tony Award-Winning Actor in a Wheelchair, CNN (June 10, 2019, 11:19 AM), https://www.cnn.com/2019/06/10/
entertainment/ali-stroker-tony-award-history-wheelchair-trnd [https://perma.cc/YZ3P-D5ZQ].
This lack of representation begs the question of why, as society finally begins to converse more openly about equity, “disability” is still so often excluded from the discussion.17Or, as Ryan O’Connell, an actor with cerebral palsy, puts it: “Why, in this woke-ass culture that we live in, . . . do people with disabilities still largely go ignored?” See Harris, supra note 13 (quoting Ryan O’Connell).

This Note will attempt to answer that question—and explore what role law could play in arriving at a solution—through a variety of lenses, including the ADA and employment discrimination law. It will set the proverbial stage by laying out the history of disability discrimination in theater and entertainment, after which it will discuss relevant federal and state sources of disability and employment law. The Note will then make the case—by looking at potential legal remedies18Americans with Disabilities Act of 1990, 42 U.S.C. §§ 12101–12213; Civil Rights Act of 1964 § 7, 42 U.S.C. §§ 2000e to 2000e-17.—that in the subjective world of theater, the way to increase representation of actors with disabilities on stage is not a simple legal fix; instead, it will likely take a combination of changes—attitudinal, legal, and otherwise—working in tandem in the theater industry to get more actors with disabilities on stage. And while making these moves in the direction of inclusion and equity on stages across the country would certainly advantage actors with disabilities, it would also benefit society at large: theater that reflects our tapestried reality “is simply better, richer, [and] more rewarding when it is by, for, and about all of us.”19Rob Weinert-Kendt, Disability and Theatre, Am. Theatre (Mar. 26, 2021), https://www.
americantheatre.org/category/special-section/disability-and-theatre [https://web.archive.org/web/20221
011234406/https://www.americantheatre.org/category/special-section/disability-and-theatre].

ACT I.  HISTORY OF DISABILITY IN PERFORMANCE

All too often, actors with disabilities are excluded from the audition room; much—if not most—of the time, actors with disabilities do not get invited to audition at all, regardless of the disability status of the role in question.20See Lydia X.Z. Brown, Practicing Disability Justice, Honoring Wholeness Onstage, Am. Theatre (Mar. 26, 2021), https://www.americantheatre.org/2021/03/26/practicing-disability-justice-honoring-wholeness-onstage [https://web.archive.org/web/20221011234745/https://www.americantheatre.org/
2021/03/26/practicing-disability-justice-honoring-wholeness-onstage].
And if the actor has made it into the audition room? That is only the first part of the journey. Next comes the actual casting of the role, where no matter how many talented actors have made it into the room to audition for a single part, only one person leaves with the job. Even once actors with disabilities make it through the door to get seen by the director, the odds are against them in terms of actually landing a role.

Recent Broadway shows that have main characters who have disabilities provide a good look into the regularity with which actors with disabilities get passed over for roles, while actors without disabilities gain more access to those roles. Broadway productions of relatively well-known shows that fit this description are not hard to find. The Curious Incident of the Dog in the Night-Time tells the story of a young man on the autism spectrum, and yet the 2015 Broadway production nonetheless cast an actor “without autism or any other disabilities” for the role.21Emily Kranking, Physical Disabilities Take the Rare Spotlight on Broadway, RespectAbility (Apr. 19, 2019), https://www.respectability.org/2019/04/physical-disabilities-broadway [https://perma.
cc/SCT5-JX4F].
Wicked, over its yearslong and wildly popular Broadway run, never once filled the role of Nessarose, who uses a wheelchair, with an actress with physical disabilities.22Id. Likewise, all of the lead roles in recent productions of The Miracle Worker and Richard III, both of which focus on main characters with physical disabilities, were portrayed by actors without physical disabilities.23Id.

This practice of casting actors without disabilities in the roles of characters with disabilities has come to be known, in some circles, as “disability drag.”24Magda Romanska, On Screen and On Stage, Disability Continues to Be Depicted in Outdated, Cliched Ways, Conversation (Nov. 2, 2020, 12:12 PM), https://theconversation.com/on-screen-and-on-stage-disability-continues-to-be-depicted-in-outdated-cliched-ways-130577 [https://perma.cc/LST3-C2N5]. In fact, a whole microcosm of scholarship has developed around this idea of disability drag, which also takes to task the various tropes that seem to be intertwined in the writing of most, if not all, characters with disabilities currently on stage and screen.25Id. This area of academic investigation and rumination asks us to reframe the way we think about characters and people with disabilities: “What if their disability weren’t the thing to overcome but merely one element of one’s identity?”26Id. Nonetheless, on the whole, society appears to turn away from asking itself such introspective questions, especially when the alternative involves making money by casting big-name actors.

None of this means that the world of creating theater is not making some strides on its own. For instance, Deaf West Theatre’s 2015 Broadway production of the musical Spring Awakening was produced and performed in both English and American Sign Language,27Marc J. Franklin, Look Back at Deaf West Theatre’s Spring Awakening on Broadway, Playbill (Sept. 27, 2020), https://www.playbill.com/article/celebrate-deaf-west-theatres-2015-spring-awakening-broadway-revival [https://perma.cc/J9WP-JVG6]. with a cast comprised of “25 deaf, hard of hearing and hearing actors and musicians.”28Adam Hetrick & Andrew Gans, Deaf West Theatre’s Immersive Spring Awakening, Directed by Michael Arden, Extends, Playbill (Sept. 22, 2014), https://www.playbill.com/article/deaf-west-theatres-immersive-spring-awakening-directed-by-michael-arden-extends-com-331238 [https://perma.cc/RF7Z-FC2V]. The show was met with great success and earned multiple Tony Award nominations, including one for the highly regarded Best Revival of a Musical,29Franklin, supra note 27. Coincidentally, the author of this Note was lucky enough to attend a performance of this revamped Broadway hit, the experience of which led, in part, to the creation of this Note. even though it was a production of a type that Broadway had never seen before.

There are also smaller theater companies popping up that have been created with the explicit goal of promoting the work of artists with disabilities. For instance, the mission of the Phamaly Theatre Company in Denver, Colorado, is “to be a creative home for theatre artists with disabilities” as well as to “model a disability-affirmative theatrical process.”30 About Phamaly Theatre Company, Phamaly Theatre Co., https://phamaly.org/about-phamaly-theatre-company-2 [https://perma.cc/S4SY-3DNS]. Alie B. Gorrie, an actress with low vision, describes her reaction to attending a production “filled with disabled artists, singing, dancing, and actively defying disability tropes” at the Phamaly Theatre Company as the first instance where she felt like she truly belonged in the theater.31 Alie B. Gorrie, Inclusion: We Can’t Do It Alone, Am. Theatre (Mar. 26, 2021), https://www.americantheatre.org/2021/03/26/inclusion-we-cant-do-it-alone [https://web.archive.org/
web/20221011234912/https://www.americantheatre.org/2021/03/26/inclusion-we-cant-do-it-alone].
The experience, however, left Gorrie with a lingering question: Why had it taken two decades of working in the theater industry for her to feel this sense of belonging?32Id. Which begs the broader question: How many people who dream of working in the theater industry have already been discouraged and turned away by the lack of access and opportunities?

Despite these steps forwards, it is apparent that sidelining actors who have disabilities deprives society of a wealth of talent. We have seen how powerful performances by actors with disabilities can be and how rewarding it can be to see them in the spotlight, as evidenced in a number of recent television shows. Consider RJ Mitte, an actor with cerebral palsy playing a character with the same disability on the hit AMC show Breaking Bad.33See RJ Mitte Biography, IMDb, https://www.imdb.com/name/nm2666409/bio [https://
perma.cc/WFY2-FXW9].
More recently, think of Lily D. Moore, an actress born with Down syndrome playing a fan-favorite character with the same diagnosis in Mindy Kaling’s Netflix series Never Have I Ever.34See Lily D. Moore Biography, IMDb, https://www.imdb.com/name/nm6504907/bio [https://
perma.cc/M657-3EEM].
Therefore, the question we must now be asking is what legal solutions can be utilized to ensure that Mitte and Moore are not the “token” actors with disabilities, but instead just actors. And are those legal solutions alone enough?

ACT II.  LEGAL BACKGROUND

Scene 1:  The Americans with Disabilities Act

One lens through which to approach the problem returns our attention to the ADA. Signed into law in 1990,35Introduction to the ADA, ADA.gov: U.S. Dep’t Just. C.R. Div., https://www.ada.gov/
ada_intro.htm [https://perma.cc/CB92-HMXQ].
and amended in 2008 to provide broader protections for people with disabilities,36 The Americans with Disabilities Act Amendments Act of 2008, U.S. Equal Emp. Opportunity Comm’n, https://www.eeoc.gov/statutes/americans-disabilities-act-amendments-act-2008 [https://perma.cc/5FJW-ZMAC]. the ADA provides for protection of individuals with “a physical or mental impairment that substantially limits one or more major life activities.”3742 U.S.C. § 12102(1)(A); see also id. § 12102(2)(A) (defining “major life activities” as including “caring for oneself, performing manual tasks, seeing, hearing, eating, sleeping, walking, standing, lifting, bending, speaking, breathing, learning, reading, concentrating, thinking, communicating, and working”). The ADA has seen much success over the years: it has empowered people with disabilities to become their own best advocates38See Laura Deck, ADA @ 30: Two Voices on Accomplishments and Shortfalls, Benetech (July 28, 2020), https://benetech.org/blog/ada-30-accomplishments-shortfalls [https://perma.cc/6B3B-FFU2]. and has modernized our built environment to promote physical accessibility.39Robert David Sullivan, The ADA Is a Success, but No Longer a Popular Model for Lawmaking, Am.: Jesuit Rev. (Aug. 12, 2015), https://www.americamagazine.org/content/unconventional-wisdom/ada-success-no-longer-popular-model-lawmaking [https://perma.cc/6BNQ-LS6D]. Specifically relevant here, though, is Title I of the ADA, which concerns employment discrimination.40Americans with Disabilities Act of 1990 § 1, 42 U.S.C. §§ 12111–12117.

Title I of the ADA prohibits employers (including theaters)41Id. § 12181(7)(c). from “discriminat[ing] against a qualified individual on the basis of disability in regard to job application procedures, the hiring, advancement, or discharge of employees, employee compensation, job training, and other terms, conditions, and privileges of employment.”42Id. § 12112(a). Thus, discrimination against people with disabilities in the workplace is already prohibited by law in many circumstances, according to the ADA. There are, however, two distinct points that illustrate how far we have left to go and how far short the ADA has fallen in getting us there.

First, although the ADA requires an employer to make “reasonable accommodations” for employees with disabilities,43Id. § 12112(b)(5)(A). Congress did not give a clear-cut definition of what exactly counts as a “reasonable accommodation.”44Workplace Accommodations Under the ADA § 3 (2004), Westlaw ADAWORKPLACE CH. 3. Instead, Congress provided examples of accommodations that could be implemented to enable “qualified individual[s]” with disabilities to perform the “essential functions” of their jobs.4542 U.S.C. § 12111(8)–(9). There are no statutory limitations—financial, quantitative, or otherwise—on what constitutes a “reasonable accommodation,” other than that an accommodation that would cause an employer’s business “undue hardship” is not “reasonable.”46Workplace Accommodations Under the ADA, supra note 44. Similarly, Congress did not provide further instruction on how to determine what constitutes “undue hardship.”

This lack of guidance from Congress means that implementing the ADA can easily “become a checklist of what is or isn’t provided.”47Loeppky, supra note 5 (quoting Alexandria Wailes). In other words, it can become the “absolute minimum you can do to avoid looking like a jerk”48Id. (quoting Michael K. Maag). or exposing yourself to liability. Sure, you may have a wheelchair ramp in place, but does that really work to make the actors in need of the accommodation feel welcome and unburdened in their artistic journey?

This Note argues that a wheelchair ramp here and there is not enough. Instead, for actors to truly feel welcomed into the space and able to practice their craft uninhibited, the theater must ask itself questions such as, “Are we putting an extra burden on our artists with disabilities by requiring them to perform while simultaneously navigating a world that is not built for them?” and “How are we ensuring that we are hiring actors with disabilities in the first place?”

Second, while enforcing the ADA may help to ease the strain disproportionately placed on the small group of actors with disabilities who have already made their way into the rehearsal hall, what about those who have yet to be cast? Able-bodied actors are routinely cast in roles portraying people with disabilities,49After #OscarsSoWhite, Disability Waits for Its Moment, N.Y. Times (July 20, 2020), https://
http://www.nytimes.com/2020/07/19/arts/after-oscarssowhite-disability-waits-for-its-moment.html [https://
perma.cc/BU9R-8FEH] (“If history is a guide, one of the surest ways to get an [award] is by being a nondisabled person playing a disabled character.”).
which diminishes the number of roles available for actors with those disabilities. Further, it often “simply never occur[s]” to casting directors “to cast, or even consider, actors with disabilities in roles that don’t specify whether a character is disabled or not.”50Harris, supra note 13.

Even though we are taking steps towards creating a more inclusive culture, it does appear as though we are nonetheless collectively excluding people with disabilities from that equity-driven vision of our society—even with the assistance of the ADA. So, if the ADA as it currently operates does not seem fit to truly improve diversity onstage, are there other potential legal routes?

Scene 2:  Title VII of the Civil Rights Act of 1964

When it comes to the world of preventing discrimination in employment, Title VII of the Civil Rights Act of 196451Civil Rights Act of 1964 § 7, 42 U.S.C. §§ 2000e to 2000e-17. is undoubtedly the star of the show. Since the ADA may not, on its own, provide a way to ensure that more actors with disabilities get onstage, it is worth exploring another relevant legal avenue: employment discrimination law governed by Title VII. Congress formulated this broad new civil rights bill in 1963 and took final steps towards securing the bill’s passage in 1964.52Office of the Assistant Sec’y for Admin. & Mgmt., Legal Highlight: The Civil Rights Act of 1964, U.S. Dep’t Lab., https://www.dol.gov/agencies/oasam/civil-rights-center/statutes/civil-rights-act-of-1964 [https://perma.cc/J8VM-L5SS]. Title VII notably included language banning employment discrimination because of a person’s “race, color, religion, sex, or national origin.”5342 U.S.C. § 2000e-2(a)(1). While Title VII does not apply to disability discrimination, it provides some guidance as to how the ADA might be amended to address the issues discussed here.

The basic structure of a case alleging individual disparate treatment (also known as intentional discrimination) in one of the above categories has been crafted over time through case law by the Supreme Court. The so-called “burden-shifting” structure that has been created is set forth in the pivotal case of McDonnell Douglas Corp. v. Green.54McDonnell Douglas Corp. v. Green, 411 U.S. 792 (1973). First, a plaintiff who alleges disparate treatment under section 703(a)(1) of Title VII “because of such individual’s race, color, religion, sex, or national origin”5542 U.S.C. § 2000e-2(a)(1). must prove their prima facie case that (1) they do indeed fall into one of those categories, (2) they applied for a job and were qualified, and (3) they were rejected by the employer.56McDonnell Douglas, 411 U.S. at 802. Next, the employer has the chance to bring to light any “legitimate, nondiscriminatory reason” for having rejected the employee.57Id. If the employer can do so, the burden shifts back to the plaintiff, who has an opportunity to prove that the “legitimate, nondiscriminatory reason” given by the employer was “pretext” for what in truth amounts to discriminatory animus.58Id. at 802, 804.

Integral to this Note, however, is the language highlighted in section 703(e) of Title VII that an employer may protect itself from liability by presenting a particular affirmative defense.5942 U.S.C. § 2000e-2(e). The essence of this defense is that the employer asserts that it rightfully, and therefore legally, discriminated against this job applicant. The employer can do this by showing that it discriminated because of “religion, sex, or national origin”60Id. § 2000e-2(a)(1). if it can also show that “religion, sex, or national origin is a bona fide occupational qualification reasonably necessary to the normal operation of that particular business.”61Id. § 2000e-2(e) (emphasis added).

This exception to the general rule, which is known as a “bona fide occupational qualification” (typically referred to as a “BFOQ”),62Id. can sometimes be used by employers to legally justify certain discrimination in hiring practices if that discrimination is based on religion, sex, or national origin. For example, in Dothard v. Rawlinson, an all-male prison asserted that it would be unsafe for women to become guards in their prisons.63Dothard v. Rawlinson, 433 U.S. 321, 327 (1977). Female job applicants hoping to become guards then sued the prison, claiming that they were not hired because of their sex.64Id. at 324. The Supreme Court took the side of the prison, holding that while the applicants’ sex was the reason they were not hired, this discrimination was legal due to the BFOQ exception.65Id. at 336–37. In other words, the prison was allowed to reject female applicants because of their sex due to the fact that having male guards was “reasonably necessary to the normal operation of that particular business.”6642 U.S.C. § 2000e-2(e).

Conversely, in UAW v. Johnson Controls, Inc., the Supreme Court refused to grant an employer the use of a BFOQ.67UAW v. Johnson Controls, Inc., 499 U.S. 187, 204 (1991). Johnson Controls stated that it would not allow women to work in certain jobs at its manufacturing plant that involved lead exposure, citing an interest in preserving the women’s fertility.68Id. at 198. In essence, Johnson Controls was asserting that being a man was a BFOQ that was required in order to get the job.69Id. at 202. Here, the Supreme Court interpreted the BFOQ exception narrowly by ruling that the amorphous danger of harm to female employees’ fertility is not an appropriate use of the exception and that female employees who were qualified for the job could not be turned away simply on the basis of their sex.70See id. at 204.

As seen in Johnson Controls above, the BFOQ is not a free pass to discriminate against job applicants however an employer sees fit; Congress created the BFOQ exception to be used narrowly and “the courts have construed it as such.”71Michael J. Frank, Justifiable Discrimination in the News and Entertainment Industries: Does Title VII Need a Race or Color BFOQ?, 35 U.S.F. L. Rev. 473, 477 (2001). It is not unreasonable, however, to imagine a scenario in which this affirmative defense could actually be used to benefit a particular group of job applicants. Consider a scenario in which an employer wants to have only Senegalese chefs work at a Senegalese restaurant, with the stated goal of “authenticity.” Here, the employer could use a national origin BFOQ to justify this hiring practice, with the end result being that a minority group (Senegalese chefs) gains greater access to job opportunities they otherwise may not have had. While perhaps counterintuitive, this Note will propose the use of a BFOQ not simply as a way to shield an employer from liability, but also as a way to encourage diversity in the hiring process.

Scene 3:  Threshold Question—Employee or Independent Contractor?

It must be noted going forward that applying the ADA and Title VII to workers hinges on the workers’ classification as “employees,” as opposed to “independent contractors,” because the ADA and Title VII do not cover independent contractors.72Patrick O. Patterson, Reclaiming EEOC’s Mission 6 n.19 (2021), https://niwr.org/wp-content/uploads/2022/02/Towards-Effective-Governmental-Intervention_Patterson-Reclaiming-EEOC-Mission.pdf [https://perma.cc/35NU-AQ9V]; U.S. Equal Emp. Opportunity Comm’n, EEOC-NVTA-2007-1, Health Care Workers and the Americans with Disabilities Act (2007). So what is the difference? The ADA and Title VII both provide the following definition of “employee”: “[A]n individual employed by an employer.”7342 U.S.C. §§ 12111(4), 2000e(f). Since that definition is not particularly elucidating, courts have often looked to the common law of agency for a less circular definition.74Eversheds Sutherland, Classification Tests, WorkerClassification.com, https://www.
workerclassification.com/Classification-Tests [https://perma.cc/QR4D-NBFK].
Among other factors, the Restatement (Second) of Agency defines an employee as the “servant” of an employer (the “master”).75Restatement (Second) of Agency § 2(2) (Am. L. Inst. 1958). This relationship is said to be formed when the master gains control over the servant’s performance of a service, and, in particular, when the master gains the right to control the “physical conduct” of the servant.76Id. Conversely, then, an independent contractor is a worker whose physical conduct and general performance are not under the complete control of the master.77Id. § 2(3).

Many theaters officially classify the actors they hire as independent contractors, often primarily in order to take advantage of related tax benefits and to circumvent paying minimum wages, overtime, and workers’ compensation.78Daniel B. Thompson, Independent Contractors and the American Theatre, HowlRound (Nov. 10, 2015), https://howlround.com/independent-contractors-and-american-theatre [https://perma.
cc/A53Z-PH33].
The argument theaters provide for this practice is that actors are temporary workers, typically only hired to perform in one show at a time, and that therefore being an actor is more akin to being a part of the “gig economy”79Gig Economy, Merriam-Webster, https://www.merriam-webster.com/dictionary/gig%20
economy [https://perma.cc/WP3K-S2WC].
than being a part of a typical workplace. Theaters in this camp tend to paint a picture of their actors not as their so-called “servants” whose physical conduct they control, but instead as transient workers whose job is simply to put on a performance.

In reality, however, there is so much more to an actor’s responsibilities and interactions with a director. While actors may have moments of free decision-making throughout the process of preparing (“blocking”) a play, almost everything comes down to what the artistic director envisions. This is really an employee-employer relationship where the employer has full control over not only when and where rehearsals are held, but ultimately full control concerning when, where, and how an actor portrays their part.

Though employee classification is crucial for actors—as well as employees writ large—to achieve better legal protections, a deeper exploration of the distinction between employees and independent contractors and the implications of this divide for employment equity, particularly in the context of theater, is beyond the scope of this Note.80See Christian Ketter, A Curtain-Call for Performing Arts Industry Clauses: Why Nonunionized Stage-Performers Are “Employees” Not “Independent Contractors,” 9 Ariz. State Sports & Ent. L.J., Spring 2020, at 1. Thus, the remainder of this Note will assume for the sake of argument that actors are classified as employees, not as independent contractors. This classification allows for their protection by the ADA and Title VII.

ACT III.  LEGAL REMEDY NO. 1: CREATING A NEW BFOQ

Scene 1:  Creating a Race or Color BFOQ

Notably missing from the list of categories that can be used to assert a BFOQ defense81See 42 U.S.C. § 2000e-2(e) (listing “religion, sex, [and] national origin” as the only categories from which to create BFOQs). are race, color, and disability. Over the past few decades, the bulk of relevant scholarship has focused on reasons Congress specifically did not include race or color as possible BFOQs.82See, e.g., Frank, supra note 71, at 496–97. Relatedly, scholars have started to ask whether Congress erred in this omission, and some even go so far as to champion adding a race or color BFOQ.83Id. at 501.

More specifically, this question about a race or color BFOQ has recently been explored in the context of entertainment.84See id. at 498–99; Jennifer L. Sheppard, Theatrical Casting—Discrimination or Artistic Freedom?, 15 Colum.-VLA J.L. & Arts 267, 276–77 (1991). Do historically marginalized actors lack opportunities as a “result of illegal discrimination by the theater industry,”85Sheppard, supra note 84, at 271. or is it instead a product of artistic freedom and sound business decisions? Should the issue be relegated to the realm of First Amendment jurisprudence?86Id. at 279–82.

Legal scholars have often approached this question by looking at language used by the Equal Employment Opportunity Commission (“EEOC”).87See U.S. Equal Emp. Opportunity Comm’n, https://www.eeoc.gov [https://perma.cc/
DD4Q-3VEJ].
The EEOC’s regulations88 The Supreme Court has held that the EEOC’s interpretation of the laws it enforces is “entitled to great deference.” Griggs v. Duke Power Co., 401 U.S. 424, 433–34 (1971); Albemarle Paper Co. v. Moody, 422 U.S. 405, 431 (1975) (citing Griggs). mention that a gender BFOQ could theoretically exist for hiring actors if deemed necessary for a play’s authenticity: “Where it is necessary for the purpose of authenticity or genuineness, the Commission will consider sex to be a bona fide occupational qualification, e.g., an actor or actress.”8929 C.F.R. § 1604.2(a)(2) (2022) (emphasis added). The EEOC has thus explicitly “recognized that the entertainment industry is one place where discrimination might be necessary.”90Frank, supra note 71, at 495.

The fact that use of a BFOQ has been considered by the EEOC as potentially useful (and lawful) in an entertainment context gives credence to the idea that it is permissible to legally discriminate, through the use of a BFOQ, in order to preserve a play’s primary functions of storytelling and authenticity.91Id. at 493. Therefore, “it seems reasonable to assume that where the characters are race-specific, race is a job requirement, and hence, should be a BFOQ exception.”92Sheppard, supra note 84, at 276.

Scene 2:  Creating a Disability BFOQ

So, could a disability BFOQ similarly be added to the ADA? The idea is not without precedent, at least in the realm of some states’ local laws. For instance, the Administrative Rules of Montana state that an employer may use a BFOQ “where the reasonable demands of a position require a distinction based on . . . physical or mental disability.”93Mont. Admin. R. 2.21.4005(3) (2022).

But the question remains: Is the addition of a disability BFOQ really enough to make a difference? Or would it just perpetuate the status quo of allowing employers/artistic directors to keep employees/actors with disabilities off the stage? According to the University of Southern California Annenberg Inclusion Initiative, only 2.7% of characters with speaking roles in a survey of 900 popular movies from 2007 to 2016 were characters portrayed with a disability.94Travis M. Andrews, Disabled Actors Say They’re the ‘Last Civil Rights Movement’ in Hollywood, Chi. Trib. (Jan. 25, 2019, 11:35 AM), https://www.chicagotribune.com/entertainment/
movies/ct-ent-disabled-actors-films-20190125-story.html [https://perma.cc/9CND-ZW6U].
Assuming the trend holds true across the sister industries of stage and screen, these statistics show that a disability BFOQ probably could not effectuate all that much change. If only around 2–3% of characters are written to have disabilities, even if a majority of directors cast those roles with actors who have disabilities, we would have at most a 3% increase in the number of actors with disabilities getting cast. And there is no guarantee that any directors would even opt to utilize the disability BFOQ. Thus, the most progress a disability BFOQ could make would likely be marginal at best.

Furthermore, creating a disability BFOQ opens the door to possible misuse and abuse by employers. Indeed, use of a BFOQ, though it can be
co-opted for the benefit of a group of employees, is usually seen as an employer-friendly tactic. For example, an employer who does not want to hire actors with disabilities could use the BFOQ as a shield, asserting that such an actor with a disability could not serve “essential functions”9542 U.S.C. § 12111(8). (such as deft movement across the stage) required of the job.

Scholarship at the forefront of this conversation seems to overwhelmingly come to the same conclusion: “[T]he fear that employers could misuse a generally applicable . . . BFOQ to shield invidious . . . discrimination is too great to warrant the enactment of such a provision.”96Frank, supra note 71, at 525. Given these potential setbacks, it becomes necessary to look at what other remedial legal options remain.

ACT IV.  LEGAL REMEDY NO. 2: AFFIRMATIVE ACTION

Scene 1:  Background

The concept of affirmative action, created during the civil rights movement in the United States, derives from a “paradox,” namely that “[o]nce we amended the Constitution and passed laws to protect people of color from being treated differently in ways that were harmful to them, the government had trouble enacting programs that treat people of color differently in ways that might be beneficial.”97Louis Menand, The Changing Meaning of Affirmative Action, New Yorker (Jan. 13, 2020), https://www.newyorker.com/magazine/2020/01/20/have-we-outgrown-the-need-for-affirmative-action [https://perma.cc/V5SL-GCXR]. We face a similar problem with regard to disabilities, in that in employment discrimination law’s noble effort to level the playing field, we must fight to create ways to treat people with disabilities that “might be beneficial”98Id. as well.

From a statistical standpoint, affirmative action for race actually resulted in some of its intended effect; the years between 1974 and 1980 saw a 20% increase in the rate of minority employment in businesses relying on affirmative action (as compared to an increase of only 12% in companies without affirmative action plans in place).99Id. Furthermore, there is still room for the affirmative action model to change over time, as “[t]here is no Brown v. Board of Education . . . for affirmative action, no well-established precedent.”100Id. (emphasis added). Thus, the door is left ajar for a new movement in which we use affirmative action tactics to make sure that more actors with disabilities are not only getting into the audition room, but also getting cast.

While decades of proof show that affirmative action has led to success, specifically in the context of school desegregation,101See id. the concept also comes with quite a bit of baggage.102The idea of “affirmative action” in general is in jeopardy as we await a very conservative Supreme Court’s ruling involving Harvard University’s admission practices: “After the Court’s recent overturning of Roe v. Wade and the expansion of concealed-carry gun rights, the abolition of affirmative action at elite universities is high on conservatives’ wish list.” Greg Stohr, Harvard Urges Supreme Court to Preserve Affirmative Action in College Admissions, Bloomberg (July 25, 2022, 2:04 PM), https://www.bloomberg.com/news/articles/2022-07-25/harvard-urges-supreme-court-to-let-affirmative-action-survive [https://perma.cc/ZY43-L33N]. Scholars and laypeople alike have been arguing for years over whether “affirmative action for racial minorities disadvantages white people by virtue of their race.”103K. Anthony Appiah, Stereotypes and the Shaping of Identity, 88 Calif. L. Rev. 41, 52 (2000). It is likely that this same argument would surface regarding whether affirmative action in the context of casting actors with disabilities disadvantages able-bodied actors. To this point, however, although there may be winners and losers in affirmative action, it has been determined that the practice is occasionally justified nevertheless.104Id.

In United Steelworkers v. Weber, the Supreme Court created precedent that some affirmative action regimes are, in fact, justified, and it laid out a test dictating when these regimes are constitutional.105United Steelworkers v. Weber, 433 U.S. 193, 208 (1979) (holding that “Title VII’s prohibition in §§ 703 (a) and (d) against racial discrimination does not condemn all private, voluntary, race-conscious affirmative action plans”). While the Court’s opinion is perhaps not particularly clear in terms of where to draw that line,106Id. (“We need not today define in detail the line of demarcation between permissible and impermissible affirmative action plans.”). it does provide us with a set of loose guidelines. In order for a plan to fall on the permissible side of that line, it must (1) be “designed to break down old patterns of . . . segregation and hierarchy,” (2) “not unnecessarily trammel the interests of” other employees or applicants, and (3) be a “temporary measure.”107Id.

These guidelines, specifically designed to apply to affirmative action in regard to racial segregation and discrimination, could easily be adapted to apply to disability as well. One could imagine guidelines for theater companies that (1) break down existing patterns of hierarchy in terms of casting actors without disabilities; (2) do not “unnecessarily trammel” the interests of actors without disabilities, who would retain plenty of chances to be cast; and (3) only last until such time that theaters understand and realize not only that diverse casting is a noble goal, but also that it makes sound economic sense. While this raises a different question as to how these guidelines would be implemented, as discussed below, there may actually be no need to adapt these guidelines because of the differences in statutory language between Title VII and the ADA.

Scene 2:  Statutory Interpretation

Challenges to affirmative action in the context of ending racial segregation sometimes stem from a disgruntled white student who feels that a school’s admission policies are a zero-sum game (and thus, feels that their rights are being “unnecessarily trammel[ed]”).108Id. For instance, in Fisher v. University of Texas, a white woman who was denied admission to the University of Texas sued on the grounds that the school’s admissions system was unconstitutional because it took race into account.109Fisher v. Univ. of Tex., 579 U.S. 365, 375 (2016); see Margaret Kramer, A Timeline of Key Supreme Court Cases on Affirmative Action, N.Y. Times (Mar. 30, 2019), https://www.nytimes.com/
2019/03/30/us/affirmative-action-supreme-court.html [https://perma.cc/23XU-TXNE].
Ultimately, Justice Anthony Kennedy authored the close opinion in favor of the University of Texas, deciding that the university’s policy of considering race as one of a number of factors in admissions “met the standard of strict scrutiny”110Kramer, supra note 109; Fisher, 579 U.S. at 388. and was thus appropriate. While the final outcome of this case comes down on the side of the affirmative action plan being implemented by the university, it also demonstrates the very live and contentious idea that there are people who tend to feel they are being injured by affirmative action schemes at large.

The Court has maintained its belief that at least some affirmative action regimes could be unconstitutional because they “unnecessarily trammel”111Weber, 433 U.S. at 208. other employees’ rights, and their authority on this matter comes from citing the text of Title VII itself: it is unlawful to “discriminate . . . because of . . . race” when hiring employees.11242 U.S.C. § 2000e-2(a)(1) (emphasis added). White students have long used this argument to say that they themselves were discriminated against because of their race (as a white person) when a Black student is admitted and there is an affirmative action regime in place at that university;113See Weber, 433 U.S. at 208. the claim is one of “reverse racism.”114See Brett J. Miller & Sarah Nirenberg, Are Employers’ Diversity Efforts Risking “Reverse Discrimination” Lawsuits?, Butzel (July 13, 2021), https://www.butzel.com/resources-alerts-Are-Employers-Diversity-Efforts-Risking-Reverse-Discrimination-Lawsuits.html [https://perma.cc/3T4L-4FWG]. Similar arguments have long been made by many white plaintiffs in the employment context: there have “recently [been] a number of headlines regarding ‘anti-white racism’ and there have been a variety of civil rights lawsuits filed by white employees . . . claiming race discrimination.”115Id.

The language of the ADA, on the other hand, dictates only that a covered entity may not “discriminate against a qualified individual on the basis of disability.”11642 U.S.C. § 12112(a) (emphasis added). The ADA itself provides limited guidance on whether an employer may or may not, for instance, discriminate in favor of a qualified individual on the basis of disability.117In fact, the EEOC itself has weighed in on the matter, stating that “[t]he ADA does not protect an individual who is denied an employment opportunity . . . because she does not have a disability.” U.S. Equal Emp. Opportunity Comm’n, EEOC-NVTA-2011-1, Questions and Answers on the Final Rule Implementing the ADA Amendments Act of 2008 (2011); see also U.S. Equal Emp. Opportunity Comm’n, EEOC-NVTA-2017-4, Questions & Answers: The EEOC’s Final Rule on Affirmative Action for People with Disabilities in Federal Employment (2017) (mentioning that “[a]ffirmative action for people with disabilities is not illegal. An employer is allowed to hire someone because he or she has a disability, and a rejected applicant cannot sue an employer for discrimination based on the fact that he or she does not have a disability”). In light of this difference in statutory language, it is possible that an affirmative action plan in the context of disability under the ADA may not even need to pass muster under the three-part Weber118Weber, 433 U.S. at 208. test described above. Further analysis of this distinction in language, although beyond the scope of this Note, is required to determine if theater companies would be within their rights to implement affirmative action regimes regarding hiring actors with disabilities.

Scene 3:  Application

Given the analysis above, this Note proposes that theaters could help remedy the imbalance in casting practices by beginning to use an affirmative action model to bring more inclusivity into the casting room and onto the stage. If future analysis supports the above interpretation of the statutory text, this model does not have to live up to the Weber119Id. standards. Each theater company is unique, with its own set of structures and hierarchies already in place, so the most effective way for each individual theater company to utilize an affirmative action model would likely be best judged by the company itself. The 2020s appear to have ushered in a hunger for an increase in overall diversity,120Jared Pope, 2020: The Year that Changed Diversity, Equity & Inclusion Forever, Work Shield (Dec. 7, 2020), https://workshield.com/2020-the-year-that-changed-diversity-equity-inclusion-forever [https://perma.cc/87J3-BE9H]. and it is possible that some theaters would jump at the chance to create a scheme through which they could improve the diversity on their stages—if only because it would reflect well on the theater.

Perhaps one answer is a required training for theater companies throughout the country (likely in an online format) through which they could gain a better understanding of the necessities and risks associated with creating and implementing an affirmative action plan.121There has been a push towards training managers and recruiters at various workplaces in the realms of equal employment opportunity and affirmative action. See, e.g., EEO Training | Affirmative Action Training and Planning, HR Training Ctr., https://hrtrainingcenter.com/eeo-training [https://perma.cc/5B3P-L94A]; Affirmative Action/EEO Training, Emps. Grp., https://www.
employersgroup.com/service/affirmative-action-training [https://perma.cc/6GTK-PCUW].
Then, each theater company could come up with a plan that best fits its specific needs and goals. Implementation of these plans would likely require the creation of an organization to oversee these plans and establish accountability, as well as conduct periodic check-ins with each theater company to assess follow-through and commitment going forward. While this suggestion would involve significant resources (time, money, and otherwise), this Note has demonstrated how crucial it is to take affirmative steps in this arena to enact true change. Investing these resources would be a necessary first step.

However, clearly the nebulous idea of “using affirmative action in casting actors with disabilities” leaves a lot of details to be desired. Who would ensure that theaters truly implemented affirmative action measures? How would relevant statistics be tracked, given that each theater and, more granularly, each show has a completely different set of needs? What kind of penalties would be imposed if theaters chose not to follow their affirmative action plans? All of this is not to say that legal remedies would not move theater in the right direction, but given these difficult questions with no immediate answers, it seems clear that this proposed legal remedy is not enough on its own either. So, what options remain?

ACT V.  A LOOK AT POTENTIAL QUASI-LEGAL AND NONLEGAL REMEDIES

Scene 1:  Societal Shifts—Effects of the COVID-19 Pandemic

One force that has the potential to shift the way we as a society see entertainment and theater, and therefore theater creators, is the COVID-19 pandemic.122See COVID-19, Ctrs. for Disease Control & Prevention, https://www.cdc.gov/
coronavirus/2019-nCoV [https://perma.cc/P72R-QKWN].
Our society’s transition to the use of Zoom and other online platforms has greatly increased theater’s accessibility in a number of ways,123Rosalind Bevan, An Actor Calls for a More Accessible and Inclusive Future in Theater, WBUR (Jan. 5, 2021), https://www.wbur.org/news/2021/01/05/future-of-theater-accessibility [https://perma.cc/
WWG2-4JZ6].
perhaps most notably in terms of the internet’s ability to transcend physical barriers and allow people from all around the world to watch a performance.124Id.

Additionally, many virtual productions are simply more affordable125Id.—both for audiences who no longer need to worry about issues such as transportation to and from the theater, costly parking, and the allure of overpriced theater snacks and drinks, and for theater companies that suddenly find themselves without the need for large, elaborate sets, accessible theaters, or a whole team of spotlight operators.

This shift has the possibility to push access for actors with disabilities in the right direction and could provide the movement with enough momentum to continue to embrace inclusivity and accessibility once we (presumably) reenter a less digital world. However, Deaf126“The word ‘deaf’ with a lowercase ‘d’ refers to the audiological lack of the sense of hearing. . . . ‘Deaf’ with a capitalized ‘D’ refers to Deaf people who share the same culture and language, American Sign Language.” Id. theater artist Elbert Joseph has his doubts: “[O]nce we go back to being in person, are people going to be willing to continue [making theater accessible]? Because there is no more excuse.”127Id. (quoting Elbert Joseph). And he is right: we have now seen a digital landscape in which disability has proven to be much less of a barrier in the bid for access.128See Past Productions, Deaf Broadway, https://www.deafbroadway.com/past-productions.html [https://perma.cc/T9HU-YJKD] (providing a list of productions put on by a theater company that has been consistently creating virtual theater throughout the COVID-19 pandemic); About, Deaf Broadway, https://www.deafbroadway.com/about.html [https://perma.cc/LQM6-HQFP] (describing how their shows are “[f]ilmed in real time via webcam with diverse Deaf talent” and that they “provide[] full and complete American Sign Language (ASL) access to beloved selections from the Broadway catalog”).

Writer and performer Katie Hae Leo, while acknowledging the importance of the ADA as it stands, believes that the COVID-19 pandemic has reminded society of the vulnerabilities associated with being a person with disabilities.129Loeppky, supra note 5. She adds that, although the pandemic may have established a precedent of creating more access for artists with disabilities, it will all be for naught unless we “codify some of those changes, and make sure that they become part of, at the very least[,] best practices and at the best, law.”130Id. (quoting Katie Hae Leo).

Now that we have seen, by way of the pandemic, that many accessibility measures are in reality quite easy to implement,131Id. the above legal proposals of adding a disability BFOQ to the ADA and implementing an affirmative action regime for casting actors with disabilities could come into play. When utilized in tandem with the lessons we have learned from being thrust into the virtual world during the pandemic, these legal solutions could help to create a theater landscape that is both welcoming and encouraging to theater artists with disabilities.

Additionally, while creating diversity onstage is a noble goal in and of itself, theater companies do have pure economic reasons to invest in increased representation. Looking back at theater’s sister industries, film and television, that exact understanding seems to be unfolding as the early 2020s progress. While statistics, as discussed above, show dismal rates of casting actors with disabilities over the years, both film and television have begun to make great strides in their bid for inclusivity on screen. Take, for instance, the critically acclaimed 2021 film CODA, which centers on a family with deaf adults and their hearing child.132CODA (Apple Original Films 2021); see also Jeannette Catsoulis, ‘CODA’ Review: A Voice of Her Own, N.Y. Times (Aug. 12, 2021), https://www.nytimes.com/2021/08/12/movies/coda-review.html [https://perma.cc/Q5RS-4CEU]. The deaf characters are all played by deaf actors,133Catsoulis, supra note 132. and the story puts deafness at the heart of the viewer’s experience. The film even led to the first acting Oscar nomination (and win) ever for a deaf man, Troy Kotsur.134Kyle Buchanan, ‘CODA’ Star Troy Kotsur on His Historic, Healing Oscar Nomination, N.Y. Times (Feb. 27, 2022), https://www.nytimes.com/2022/02/16/movies/troy-kotsur-coda-deaf-actor.html [https://perma.cc/C9QF-Z4U3]; Mandalit del Barco, CODA’s Troy Kotsur Is Now the First Deaf Man to Win an Oscar for Acting, NPR (Mar. 27, 2022), https://www.npr.org/2022/03/27/1088898875/oscars-2022-troy-kotsur-coda [https://perma.cc/FUA3-FDBY]. Kotsur told the New York Times via a sign language interpreter that the success of this film marks a wider understanding that we should no longer “think of deaf actors from a perspective of limitations.”135Id. (quoting Troy Kotsur). As film and television make these moves forward, and as theaters begin to grapple with the fact that more diverse casts could lead to more money and acclaim, hopefully theaters will begin to follow in the footsteps of their sister industries.

Scene 2:  Building Upon Ongoing Diversity, Equity, and Inclusion Work

Since it appears that no one solution, legal or otherwise, is sufficient to meaningfully increase opportunities for actors with disabilities on stage, it is worth looking to other work that is already being done in the arena for inspiration. The initiatives currently taking shape, in theater and beyond, are known as Diversity, Equity, and Inclusion (“DEI”) initiatives.136What Diversity, Equity and Inclusion Really Mean, Ideal, https://ideal.com/diversity-equity-inclusion [https://perma.cc/22LP-CD94]. DEI work, according to the International Labour Organization, can be responsible for an increase in innovation of up to 59% and an increase in understanding and assessment of consumer demand of up to 37%.137Int’l Lab. Org., Bureau for Emps.’ Activities, Women in Business and Management: The Business Case for Change 21 (2019), https://www.ilo.org/wcmsp5/groups/public/—dgreports/—dcomm/—publ/documents/publication/wcms_700953.pdf [https://perma.cc/RJ7U-VA2U] (specifically discussing the case for improvements in the workplace based on gender diversity initiatives).

This wave of DEI work in workplaces around the country and beyond focuses on the tenets of “diversity” (the ways in which people differ from one another), “equity” (fair treatment and opportunity regardless of identity), and “inclusion” (providing a variety of people with power and decision-making authority).138What Diversity, Equity and Inclusion Really Mean, supra note 136. However progressive a DEI mindset in a workplace might be, though, underrepresentation “remains a very real problem.”139Id.; see also Pippa Stevens, Companies Are Making Bold Promises About Greater Diversity, but There’s a Long Way to Go, CNBC (June 15, 2020, 10:02 AM), https://www.cnbc.com/2020/06/
11/companies-are-making-bold-promises-about-greater-diversity-theres-a-long-way-to-go.html [https://
perma.cc/9Z9T-Y8JL] (“Inequality and a lack of diversity in the workplace are certainly not new topics, but the recent protests have prompted companies to speak out, condemning racism, and recommitting to doing better when it comes to fostering inclusive work environments.”).
A 2020 review of workplace diversity, for example, found that around 85% of top executives in the United States are white,140Stevens, supra note 139 (quoting a report by Barclays analysts) (“Companies’ consideration of diversity & inclusion is not only important on the basis of values; it also has a material impact on their long-term performance.”). with similar statistics showing that the majority of top executives do not report having a disability.141Am. Ass’n of People with Disabilities & Disability:IN, Disability Equality Index 2022 5 (2022), https://disabilityin-bulk.s3.amazonaws.com/2022/DEI+2022+Report+Final+508.pdf [https://perma.cc/V26N-WCZX] (“30% [of the companies studied) have a Senior Executive . . . who is internally known as being a person with a disability.”).

Even so, companies, including theaters, are now actively considering DEI initiatives; these initiatives tend to center on anti-racism and racial equity.142See, e.g., The Huntington’s Equity & Anti-Racism Update, Huntington, https://www.huntingtontheatre.org/accessiblity/anti-racism [https://perma.cc/FFW4-ATDT]; Our Values, Cent. Square Theater, https://www.centralsquaretheater.org/about/our-values [https://
perma.cc/27U9-3X3Y]; Equity, Diversity & Inclusion Institute, Theatre Commc’ns Grp., https://www.tcg.org/Default.aspx?TabID=1550 [https://perma.cc/SS2U-5N2Z].
Many theater websites boast initiatives to combat racism within their internal structures.143See sources cited supra note 142. In addition to actively increasing representation of people of color in the workplace, these initiatives are shining a spotlight on the destructive effects of racism on the workplace. Imagine if this push for equity in terms of race could be harnessed and used through the lens of disability as well. This would bring awareness to the trials and tribulations of actors with disabilities, as this Note has detailed, and could help to create a society in which anti-ableism becomes central to the workplace.

Scene 3:  Exploring Nontraditional Casting

Another potential route to getting more actors with disabilities on stage would be to follow the dictates of “nontraditional casting.”144See Harry Newman, Casting a Doubt: The Legal Issues of Nontraditional Casting, 19 J. Arts Mgmt. & L., Summer 1989, at 55, 56. Under the regime of nontraditional casting, in order to expand opportunities for
oft-overlooked actors, artists are cast in roles in which certain categories (such as gender, ethnicity, disability, and race) are not “germane to the character’s or the play’s development.”145Id. The attempts at kickstarting nontraditional casting have been widespread; multiple major theater organizations banded together in the late 1980s to create a not-for-profit organization called the Non-Traditional Casting Project (“NTCP”).146Id.

The NTCP, as a part of its advocacy work, identified a few distinct types of nontraditional casting meant to act as “jumping-off points for the imagination,”147Id. at 57. such as “societal casting,”148Id. (noting that “ethnic, female, and disabled artists are cast in roles they perform in society, such as clerks, judges, scientists, and salespersons”). “cross-cultural casting,”149Id. (describing how “a play is transposed to an entirely different cultural world”). and “conceptual casting.”150Id. (noting that “an ethnic, female, or disabled actor is cast in a role in order to bring an extra dimension to that part”). These various categories are meant to serve as tools for creating opportunities for actors who may otherwise be passed over.

One further category to be addressed is “blind casting,” in which “actors are cast on the basis of their talent without regard to their physical attributes [and abilities or disabilities].”151Id. While the idea of blind casting may appear innocuous on the surface, and perhaps even look like a good solution, academic scholarship points us to the conclusion that even casting that is nondiscriminatory on its face leads to the same disparities on stage after all is said and done.152Micha Frazer-Carroll, ‘It’s Dangerous Not to See Race’: Is Colour-Blind Casting All It’s Cracked Up to Be?, Guardian (Aug. 11, 2020, 4:22 AM), https://www.theguardian.com/tv-and-radio/

2020/aug/11/its-dangerous-not-to-see-race-is-colour-blind-casting-all-its-cracked-up-to-be [https://
perma.cc/ZB3H-GEWR] (quoting Diep Tran, an arts journalist specializing in diversity) (“Colour-blind casting is dangerous . . . [because] [i]t negates the very real structural hindrances that block actors of colour from the same opportunities as white actors—like low pay in the theatre industry, a lack of roles that are ethnically specific that actors of colour can play, and unconscious bias on the part of white theatres and casting directors.”). Furthermore, in the past, directors have gone so far as to use the idea of blind casting to do things such as cast white actors as characters of color, using the explanation that the white actors just happened to be best for the role.153Id.

Because of the potential harms of blind casting, scholars urge directors to consider “conscious casting” instead, where attributes and abilities/disabilities are taken into account to the extent that they interact with the plot lines and characters and affect the meaning of a play or movie.154Id. Utilizing conscious casting from the nontraditional casting canon may prove another useful tool in the casting toolbox. However, the distinction between casting “blindly” and “consciously” is not always straightforward and still allows for a well-meaning director to make a blunder by casting actors in a way that sets forth an unintentional message.155See id.

Even so, conscious casting can and should be used in the context of casting actors with disabilities. Conscious casting could even be combined with the affirmative action plan discussed above; this could open the door to actors with disabilities not only playing characters with disabilities, but
able-bodied characters as well. Not only would this provide more job opportunities to actors with disabilities, but it would also allow directors to make purposeful statements through their casting about how our society views, and should or should not view, people with disabilities.

Making conscious casting an industry standard would signal to artistic and casting directors alike that diversity on stage could be a meaningful enhancement to their repertoire and the messages conveyed, and, as such, should be taken into account. It is true that some baggage might come along with this approach: it could require extra auditions to be held, extra outreach into various underrepresented communities, and extra thought put into how casting each actor affects how the play comes across to the audience.156Id. (quoting Diep Tran) (noting that “[t]his approach isn’t always simple, . . . but neither is addressing the entrenched structural racism in television, film and theatre”). Given the dramatic loss of talent caused by excluding actors with disabilities, however, this Note argues that the potential for positive outcomes far outweighs the baggage.

CURTAIN CALL: CONCLUSION

At the end of the day, representation on stage can (and should) inspire new generations of both activists and actors, but it appears as though there is no single legal solution that will be able to ensure or enforce that representation. Instead, if we hope that “[o]ne day, every American theatre will be a safe, equitable, and inclusive workplace filled with arts practitioners who represent and reflect the wonderful diversity of the human tapestry,”157Diversity & Inclusion, Actors’ Equity Ass’n, https://actorsequity.org/resources/diversity [https://perma.cc/DV8X-UN6R]. we will need to source solutions from within the legal field as well as beyond.

This Note does not, by any means, cover the breadth of issues and possibilities left to be discovered and discussed in terms of getting better representation on theater stages. For instance, studies that have thus far been done about disability in film and television should be replicated for the stage in order to give us a more accurate picture of the issue as it applies to stage actors.158For example, what percentage of stage actors with disabilities who audition for shows actually end up getting cast? What percentage end up getting turned away? Also, further research beyond the scope of this Note may yield other creative and effective legal and nonlegal tactics that can be used to not only increase diversity onstage, but also to maintain it.

It is hopefully clear by now that there is a problem in the theater world that needs to be addressed. Not enough actors with disabilities are getting employed—or even getting the chance to prove that they should be employed. This issue has negative effects all around. Of course, it impacts actors with disabilities by lessening their opportunities to practice their craft. But it also affects society at large in a number of ways; representation of disabilities on stage can lead to a feeling of “belonging” for many people who have so often felt sidelined, and the art that gets created becomes more inclusive and authentic overall.

It should also be clear by now that there is not yet a simple solution to the above problem, in the law or in society. This cannot dissuade us, however, from fighting to ensure that actors with disabilities have the opportunity to perform on stage. It appears as though it will take a conglomeration of methods: the creation of a disability BFOQ; affirmative action based on disability; monetary and business incentives; ongoing DEI work; and conscious casting could all be pieces of the as yet unsolved puzzle. And while we are still missing puzzle pieces, we should begin by working with the methods we already have.

This Note has presented potential legal avenues for addressing the lack of opportunities for actors with disabilities in the theater industry and has concluded that using the law as a vehicle for improving the odds for these actors is probably not enough. Either way, casting more actors with disabilities is an issue that clearly requires immediate attention. After all, when it comes to the heart of the reason that all of this research and discussion is necessary in the first place, actress Ali Stroker put it best in her Tony Award acceptance speech: “This award is for every kid watching tonight who has a disability, who has a limitation or a challenge, who has been waiting to see themselves represented in this arena,” she said.159Andrew & Ahmed, supra note 16 (quoting Ali Stroker). “You are.”160Id.

96 S. Cal. L. Rev. 483

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* Senior Editor, Southern California Law Review, Volume 96; J.D. Candidate 2023, University of Southern California Gould School of Law; B.A. Drama and Psychology 2015, Tufts University. Thank you to my supportive, loving, wonderful friends and family for having my back throughout law school. Special thanks to my advisor, Dr. Orly Rachmilovitz, for her guidance during the note-writing process, and a final thank you to my mentors (also known as my parents), Barbara and Patrick Patterson, for inspiring me every day. This Note is dedicated to the memory of colleague and friend Jenny Lin.

Unbundling Freedom in the Sharing Economy – Article by Deepa Das Acevedo

From Volume 91, Number 5 (July 2018)
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Unbundling Freedom in the Sharing Economy

Deepa Das Acevedo[*]

Courts and scholars point to the sharing economy as proof that our labor and employment infrastructure is obsolete because it rests on a narrow and outmoded idea that only workers subjected to direct, personalized control by their employers need work-related protections and benefits. Since they diagnose the problem as being our system’s emphasis on control, these critics have long called for reducing or eliminating the primacy of the “control test” in classifying workers as either protected employees or unprotected independent contractors. Despite these persistent criticisms, however, the concept of control has been remarkably sticky in scholarly and judicial circles.

This Article argues that critics have misdiagnosed the reason why the control test is an unsatisfying method of classifying workers and dispensing work-related safeguards. Control-based analysis is faulty because it only captures one of the two conflicting ways in which workers, scholars, and decisionmakers think about freedom at work. One of these ways, freedomasnon-interference, is adequately captured by the control test. The other, freedomasnon-domination, is not. The tension between these two conceptions of freedom, both deeply entrenched in American culture, explains why the concept of control has been both “faulty” and “sticky” when it comes to worker classification.

Drawing on a first-of-its-kind body of ethnographic fieldwork among workers and policymakers across several sharing economy industries, this Article begins by showing how workers themselves conceptualize freedom as both non-interference and non-domination. It then goes on to show that both these conceptualizations of freedom also exist in case law and statutory law pertaining to work. In doing so, the Article demonstrates that there is no great divide between work law and work practices and that, if anything, the problem is that classification doctrine reflects and reinforces an irresolvable tension in the way lay and legal actors think about freedom at work.

Introduction

In 2015, the Northern District of California issued one of the most widely cited opinions on employment regulation in the sharing economy.[1] The dispute in Cotter v. Lyft was a relatively standard one—whether a company had misclassified a particular set of workers as independent contractors when in fact they ought to have been employees[2]—and the substance of the court’s analysis and ruling were similarly routine.[3] What made the Cotter opinion stand out, aside from its efforts to grapple with an unfamiliar economic space, was Judge Chhabria’s snappy summary of a widely recognized problem in worker classification law. Because the standard “control” based test for worker classification suggested that Lyft both did and did not control the drivers who operate on its platform (and that consequently the drivers could be either employees or independent contractors) “the jury,” Judge Chhabria observed in closing, “will be handed a square peg and asked to choose between two round holes.”[4]

The common law control test purports to distinguish employees from independent contractors on the grounds that employees enjoy less freedom in the “manner and means” of their work and thus merit a host of work-related safeguards.[5] Judge Chhabria argued that the misfit between legal categories and work practices stemmed from the fact that a “20th Century” test was being applied to a “21st Century problem” like the sharing economy[6]—but in truth, the control test seems to have always suffered badly from cubism­. Before Lyft drivers, for instance, there were FedEx drivers whose facial hair and sock color were dictated by FedEx and McDonald’s workers whose speech and hand motions were mandated by McDonald’s, all of whom were sometimes found to be independent contractors (and sometimes not).[7] Indeed, for virtually the entirety of its existence, the control test has proven unsatisfactory to courts and scholars—and, at least once, to Congress—because it is inefficient and often seems inaccurate.[8] But if control-based analysis is so deeply problematic, why has it also been so tough to get away from?

The concept of control has proven both “faulty” and “sticky” when it comes to worker classification because it captures one—but only one—of the two conflicting ways in which courts, scholars, and workers themselves think about freedom at work. One of these ways, which is more prominent as well as adequately captured by the control test’s “manner and means” analysis, is a classically liberal understanding of freedom as non-interference.[9] The second, less influential (but still widely visible) model is a thicker vision of freedom as non-domination.[10] These competing conceptions shine through with striking clarity in the sharing economy, but they are also apparent in other business contexts and clearly discernible from a skyview analysis of our labor and employment infrastructure. The tension between these two visions of freedom is why scholarship and jurisprudence on worker classification has been filled with criticisms of the control test, yet unable to meaningfully move beyond it.

This paper makes two contributions to legal scholarship. First, it speaks to labor and employment law scholars by showing that control-based worker classifications, problematic as they may be, are linked to a particular vision of individual autonomy that is very compelling in America. While the consequences of courts’ reliance on control often seem perverse (as when innumerable workers are denied employee status because they are not directly or sufficiently controlled by their respective employers), the conception of personal freedom behind that analysis demands serious and careful treatment. Critics of the current classification regime do themselves no favors by trying to eliminate, supplant, or declaw control-based analysis. This is not so much because doing so constitutes the usual mistake involving babies and bathwater, but because critics fail to recognize that the baby and the bathwater are in some ways indistinguishable.

Second, this paper contributes to a broader conversation within the legal academy about the role of qualitative social science in the study of law. As I have argued elsewhere, the kinds of insights gleaned from ethnographic research are different from those facilitated by other empirical (and especially quantitative) forms of social science, but they are hardly incommensurable with the interests or the intellectual values of legal scholars.[11] Here, I use ethnographic fieldwork on the sharing economy as well as legal analysis of our labor and employment infrastructure to reveal the twin conceptions of freedom described above and to show why the tension between them creates problems for employee classification doctrine. The type of cultivated attentiveness that makes such a doctrinal critique possible is precisely why ethnographic research is a different but profoundly valuable mode of interdisciplinary legal scholarship.[12]

Part I begins with a brief overview of the origins of our classification system that highlights the centrality of freedom as an analytic rubric. I then detail the stakes of employee status as well as the criticisms that the existing system has provoked. Part II contains the ethnographic heart of the Article. Section II.A uses ethnographic research to demonstrate that workers in the sharing economy sometimes value independent contractor status and associate it with freedom-as-non-interference, while Section II.B shows that sharing economy workers and their advocates rely on a conception of freedom that is more akin to non-domination when they express concern about the lack of autonomy in this type of labor. Part III draws on case law and statutory law to demonstrate that these conflicting visions of freedom also exist in our labor and employment law infrastructure.

I.  Defining Work Relationships

The building blocks of work law are imports from elsewhere: the categories “employer” and “employee” arrived from the law of agency via vicarious liability, while the characterization of the employment relationship itself comes from contract law.[13] Labor and employment scholars have long bemoaned this lack of locally cultivated concepts (particularly as it relates to worker classification) because they believe that it creates a misfit at the foundation of our regulatory infrastructure.[14] And, they argue, the primary cause of that misfit is the importance of control in the allocation of the protections and benefits described below.[15]

But scholars and courts misdiagnose the precise nature of the problem: control is important, to be sure, and that importance derives from classification doctrine’s link with agency lawbut control is really just a proxy for measuring worker freedom.[16] As the categories “employee” and “independent contractor” developed over the nineteenth century, placing individual workers into one bucket or the other was meant to reflect a sense that some workers were merely agents of their employers and not really free to act independently.[17] It followed that employers sometimes ought to be responsible for injuries caused or incurred by those workers (“employees”) who relinquished freedom in the performance of their tasks because, after all, it was the employers themselves who had dictated the “manner and means” in which tasks were to be performed.[18] As it turns out, however, “manner and means” analysis only captures one of the ways in which workers, scholars, judges, and even occasionally legislators have thought about what it means to be free at work.

That is where the trouble really liesin the overlooked complexity of the concept of freedom. Unlike critiques that emphasize the narrowness of control-based analysis or the different goals of agency versus work law, an analysis that focuses on freedom can explain both the faultiness and the stickiness of the control test. Otherwise it becomes mystifying, as indeed it has been to generations of critics, why a test that dispenses the safeguards of employee status as inefficiently and stingily as the control test nonetheless retains such conceptual punch.[19]

A.  What’s in a Name?

The United States funnels an extraordinary range of protections and benefits through work relationships. Moreover, the vast majority of these safeguards, at both federal and state levels, are only available to workers who are categorized as employees.[20] Core safeguards linked to employee status include anti-discrimination and harassment protections based on protected categories like race, religion, sex, national origin, disability, and age (including the duty to accommodate, where applicable);[21] job protections for family and medical leave;[22] equal pay guarantees as between men and women;[23] minimum pay guarantees and rules about when over-time rates of pay should kick in;[24] fiduciary standards regarding health and retirement benefits (as well as the bulk of such benefits themselves);[25] workplace safety protections;[26] and, of course, protections for workers who engage in concerted or union activity.[27] All of these and more hinge on being the right kind of worker for the right kind of employer and even, sometimes, being in the right kind of industry.

To be sure, some of these safeguards, like unionization rights or workplace safety protections, are self-evidently related to work, although not necessarily to employee status. Others, like the imposition of certain fiduciary standards regarding the management of health and retirement benefits, have no necessary connection to work at all—as Americans partly began to experience under the Affordable Care Act.[28] This is not the place to rehash longstanding debates on the wisdom of tying safeguards to work in general; for better or worse, our social safety net is unlikely to become meaningfully detached from the work relationship in the foreseeable future.[29] Rather, it is simply worth noting that the range of benefits tied to work is largely co-extensive with the range of benefits tied to employee status because doing so explains why so many scholars (to say nothing of workers, worker advocates, and governmental actors across branches and jurisdictions) have been vexed by the issue of worker classification: many of the procedural and substantive safeguards that greatly contribute to a decent life are funneled through employee status.[30]

Despite the undeniable importance of worker classification, it is notoriously difficult to determine whether any individual worker is an employee or an independent contractor.[31] Statutes are of little help: several of the most significant federal acts contain delightfully circular language like “[t]he term ‘employee’ means an individual employed by an employer.”[32] In a 1992 case involving the Employee Retirement Income Security Act (ERISA), the Supreme Court held that such circular language reflected congressional reliance on the “common understanding . . . of the difference between an employee and an independent contractor” that in turn mandated judicial reliance on the common law control test.[33] Courts soon extended the holding to statutes beyond ERISA so that now the control test is the default for federal work law protections.[34]

Case law has also been of little help despite the fact that “the real work of identifying ‘employees’ . . . has always been in the courts.”[35] In the course of trying to implement the Fair Labor Standards Act’s (“FLSA”) broader definition of what it means to be an employer—to “suffer or permit to work,” rather than to control the means and manner of performance—some courts developed the “economic realities” test as an alternative to control-based analysis.[36] This new test was meant to expand the scope of analysis by considering workers’ economic dependence on their employers and functional (rather than merely nominal) employer control.[37] But the economic realities test has also come to draw criticism, partly because its multiple factors are open to divergent interpretations and partly because many of those factors bear a curiously strong resemblance to factors that are considered under the common law test.[38]

B.  What’s the Matter with Control?

The two criticisms of the economic realities test mirror the primary complaints about worker classification doctrine more broadly: it offers little guidance and it really always boils down to control-based analysis.[39] That tendency to revert to measuring and weighing control is in turn troubling because the control test seems prone to excluding workers with diminished freedom from the agreed upon suite of employment related safeguards.[40] Sometimes the exclusion simply occurs when workers are labeled independent contractors rather than employees of the companies they work for. This is the case with the decades-long litigation over FedEx delivery drivers, whom the Ninth Circuit described as being subjected to “exquisite” forms of control, notwithstanding FedEx’s claims that they were independent contractors.[41] But critics also fault the control test for narrowly construing who counts as an “employer” and thus absolving companies of their obligations under various statutes. This is the impetus behind efforts to hold franchisors like McDonald’s liable as joint employers of their franchisees’ direct employees.[42]

It is precisely this narrowness, critics argue, that led Congress to abandon the common law definition of “employee” when drafting the FLSA and to instead adopt the wider “suffer or permit” standard used in state child labor laws;[43] that led the Supreme Court in NLRB v. Hearst to argue for a “purposive” reading of the National Labor Relations Act, with its more expansive understanding of “employee” status;[44] and that led various federal courts to embrace an economic realities analysis that accounts for worker dependence.[45] A survey of worker classification literature brings such efforts to minimize or supplant control-based analysis into sharp relief, but it also reveals that courts, regulators, and even scholars continue to think about classification in terms of control.[46] Why?

One set of explanations argues that they keep returning to control because some particular feature of the law or its application pushes them to do so. The “feature” in question is often broad, like a failure to adapt given changing modes of production, or the fact that courts often engage in formalist rather than purposive analyses of employment statutes.[47] It is also often foundational to labor and employment law, like when scholars argue that our troubles arise from the inherent difficulty of distinguishing between the “contracting” and “producing” phases of employment relationships as the law essentially requires us to do.[48] Whatever the cause, the end result is that law fails to accurately regulate labor because it ties employee status to a kind of direct and active interference in worker autonomy.

Because law is the problem in these accounts, law is also the solution. Regulators should have different tests, different defaults, or different interpretive rubrics, so they can more accurately identify control in work relationships. In a pinch, they can draw on other areas of the law—antitrust is an emerging favorite—to mitigate the failings of the specific legal infrastructure governing work.[49] But arguing that some longstanding feature of “law” is responsible for failures to accurately understand and regulate some feature of “society does not explain why even critics find it so difficult to let go of that feature, and it has the unfortunate side effect of reifying law as a thing that exists apart from and above the social world.

Conversely, another approach has been to say that courts, scholars, and even workers keep returning to control because they embrace the law’s narrow, formalist conception of freedom as non-interference and find it meaningful.[50] For example, some taxi drivers might prefer to be independent contractors because they genuinely feel this classification signals and enables greater autonomy than the category “employee.”[51] Likewise, courts might find independent contractor status to be both an accurate signal and effective source of “entrepreneurial opportunity.”[52] Since this type of argument also posits that legal categories are themselves historically contingent—say, in the way that the independent contractor classification became linked with entrepreneurship and freedom during the heyday of twentieth century neoliberalism—it is especially adept at acknowledging the mutually constitutive nature of law and society.[53] But precisely because it is so good at explaining why legal constructions of control gain social salience as well as how they are socially informed to begin with, this approach tells us little about why generations of scholars, workers, legislators, and judges have felt that control-based analysis just isn’t doing the trick.

In the end, we cannot explain the stickiness of control-based analysis without also accounting for the longstanding sense that it is inadequate. Likewise, we cannot explain control’s shortcomings without accounting for the fact that year after year, in court after court, and even for some of the workers whom it seemingly shortchanges, control and the categories it gives rise to continue to present a compelling vision of what it means to have or lose freedom at work. We can resolve both halves of the puzzle by understanding that our classification system has really been predicated on measuring freedom (not control), and that the common law control test captures one—but only one—of the two conflicting ways in which lay and legal actors think about freedom at work.

Because this is an exercise in chasing complicated concepts, it can be helpful to begin with the lived experiences of actual people and in environments that are relatively transparent. The ethnography that follows combines these advantages to reveal a tension in the way workers think about freedom that, in later sections, can also be seen in work law itself.

II.  Freedom at Work in the Sharing Economy

The “sharing economy” refers to a broad set of companies that use technology to offer products and services in a highly disaggregated, individualized way. Not all sharing economy companies actually present work regulation issues, which is why most scholarly and policy commentary (not to mention judicial and legislative engagement) has been concerned with a limited subset of this space. I refer to those companies that actually pose labor and employment law issues as “platforms” and I distinguish them from others within the broader sharing economy (that I have elsewhere referred to as “renters” and “swappers”) on the grounds that platforms do more than apply new technology to old practices and are more than virtual bulletin boards for third parties.[54] Rather, platforms actively participate in the transactions they give rise to and occasionally substitute themselves for government safeguards.[55] For this reason, when we talk about work regulation in the sharing economy, we are really just talking about platforms.

The ethnography presented in this Article was conducted largely but not exclusively in Philadelphia from 2016 to 2017. I participated in application and training processes for sharing economy companies, worked for a few of those companies, and engaged in distance-education classes for aspiring online workers.[56] I also observed online chat forums and discussion threads catering to platform workers at a national (and sometimes international) level.[57] In addition to these forms of participant-observation, I conducted semi-structured interviews or informal conversations with platform workers, worker advocates, policy analysts, and municipal officials.[58] Lastly, I benefited from the prior efforts of journalists, analysts, industry experts, and advocates who conducted their own research and whose work, whether published for a general audience or directly shared with me, complemented and enriched my own ethnography.[59] One of these interlocutors rightly observed that fine-grained, qualitative data is essential to the task of questioning the cohesive, statistics-based narratives put forward by platforms regarding the true nature of this work and what it means for our regulatory system.[60] This Article uses ethnography to further that goal.

A.  Freedom as Non-Interference

Workers suggest that the freedom afforded by platform labor is of three types: nobody tells me when to work, how to work, or how much I can earn. When stated this way, the autonomy-enhancing potential of the sharing economy is striking, as is the degree to which it contrasts with anything we might legally understand as employment. Although subsequent sections of this Article will show that this view of platform work rests on a narrow conception of freedom, there is no gainsaying the set of choices that platform workers can and do make as well as the real value of being able to describe your work using “I” statements.[61]

Consider Sam, a late 30s African-American man who drives for UberX (one of the company’s lower cost services) and occasionally works as a TaskRabbit tasker.[62] Sam has been driving for Uber ever since he lost his job last year as a technician for a major cable and internet provider, and he recently started doing some light furniture assembly and home repair work via TaskRabbit. He aims to drive around five hours per day and usually does this weekdays from 5–10 a.m. in order to catch the morning hospital and office crowds, and because it allows him to take care of his two children after school while his wife works. He never works weekends.

Driving is not Sam’s passion, but he enjoys chatting with passengers, setting his own schedule, and listening to his favorite music or playing games on his smartphone in between rides. He especially doesn’t miss the erratic schedules of his old technician job, which stressed him out and tied him up for most of the day, nor does he miss the local coordinator who (Sam feels) gave him especially rough timings because of personal animosity and who frequently criticized him for not completing jobs quickly enough. Moreover, he very much enjoys his TaskRabbit assembly work because it allows him to build tangible objects instead of just installing modems or fixing wires.

Sam does not know exactly how much he earns from his platform work. For a month before Christmas he also drove weekday afternoons, which got the family through the holidays but made it harder for him to estimate his average weekly take-home. He has not calculated his net income, but knows whether he earned less in a day than he spent on fuel that morning, he saves all his fuel receipts for tax purposes, and he figures that his TaskRabbit work involves no expenses at all except that new tool belt he bought two weeks ago.[63] When he first lost his job, Sam briefly thought about moving to an industry competitor or even getting a temporary retail or fast food job because of the hourly wage guarantee. In the end, however, he and his wife decided that their scheduling needs and his well-being pointed them towards platform work instead.

Sam’s story reads as one of intrepidity and relative convenience in the face of economic volatility, and indeed many platform workers (to say nothing of platform companies) articulate a similar, largely positive narrative of what it means to work in the sharing economy. But just as the glib presentation of platform work as easy and entrepreneurial hides far less pleasant realities, it also masks or trivializes the more meaningful positive aspects of this work.[64]

To begin with, setting one’s own schedule is about far more than mere convenience.[65] Indeed, many workers describe this aspect of their platform participation using language that smacks of empowerment and independence: “I never drive more than six hours a day” or “I only drive weekends.”[66] On the one hand, the ability to turn off an app or put a profile on hold allows workers to assert the primacy of their own priorities rather than allow them to play second fiddle to an employer’s timetable. On the other hand, platform work involves no reporting to supervisors—human or otherwise. There are no punch cards, no time sheets, and no bosses walking past desks. “I like Uber,” one driver said, “because [driving a] taxi is eight to eight, nine to nine.”[67] He added that he chose to drive full time rather than work in a casino like one of his brothers or in the family gas station business like another brother because he doesn’t like having to keep a schedule or deal with a boss.[68]

Likewise, not having a boss means more than having flexible schedules: it can also mean (within boundaries) the ability to embody flexible work styles to a degree where workers seem to be determining what the work is. An Uber driver can choose to put on some Hip Hop music in between passengers (or some high-decibel classical music with passengers in the car), just as she can decide to stay parked between rides instead of immediately driving to a high-density area or vice versa.[69] An Airbnb host can decide to allow guests to check themselves in (or not), to provide breakfast (or not), and to decide how many sets of linens are essential to successful hosting.[70] In other words, platform workers lack the over-the-shoulder supervision paradigmatic of traditional production or service jobs. Although this by itself does not make them unusual—taxi drivers and long-haul truckers are wellknown examples[71]—it adds to the sense that they conduct their work lives in the relative absence of supervisory intervention.

Finally, just as there is no supervisor to set Sam’s schedule or tell him how to go about doing his work, there is also no supervisor rejecting his application for a raise or limiting his overtime hours. I do not mean to say that platform workers believe they can earn exceptionally large (much less unlimited) sums because they are only restricted by their own willingness to work or, more cynically, because they are only limited by their ability to game the platform’s algorithm. Some workers undoubtedly do still approach their platform labor with this attitude,[72] but they are likely rare; the conversation among workers and observers alike has come a long way from Uber’s childhood boasts of $90,000 annual incomes.[73]

Instead, when platform workers speak of their ability to control their own earning potential they tend to describe definite, but decidedly circumscribed goals: $200 per day, for example, or $200 per week, or enough to cover a particular expense like travel or car payments; the specificity of these goals represents a balance between their financial needs and their other priorities.[74] That is to say, the “freedom to earn” associated with the sharing economy is often understood as the freedom to set income ceilings rather than the freedom to break them, but it is nonetheless valuable to workers.

Platform workers are neither deluded nor unusual for valuing the freedom to make their own decisions regarding scheduling, work style, and earning potential—nor, for that matter, are they alone in associating this freedom with independent contractor classification. Non-white immigrant taxi workers in the Bay Area, for instance, have strongly preferred to be independent contractors rather than employees (to the point that San Francisco taxi drivers as a whole were unable to vote themselves into employee status when given the opportunity to do so by city government) because they attach symbolic and practical consequences to each classification.[75]

For these drivers, the often degrading experience of being a non-white taxi driver is somewhat mitigated by the knowledge that they do not work for anybody and by the cultural capital that this generates within their social circles.[76] More concretely, immigrant drivers worry that employee status will allow leasing officials to give free rein to their prejudices by enforcing specific dress and grooming requirements as well as by giving immigrant drivers the worst cars and schedules.[77] Drivers also (quite rightly) associate the universally despised practice of short-term or “day” leasing with employee status and worry that the problems of day leasing—such as long hours wasted in line waiting to be assigned a car, daily bribe payments to get better cars, and the generally demeaning treatment meted out by leasing officials—will only be exacerbated by a return to the classification scheme under which it was originally developed.[78]

As the worries of taxi drivers and the satisfactions of platform workers suggest, conceptualizing freedom at work as non-interference (“nobody tells me when to work, how to work, or how much I can earn”) is just that and no more: the freedom to not have another human being interfere in one’s work-related choices. Perhaps the salience of this limited vision of freedom means that it is uniquely disempowering to have a fellow person order us about.[79] This would certainly be in line with arguments that human action is uniquely effective at stopping the flow or impact of accountability—of acting as a “moral crumple zone” when essentially autonomous technologies malfunction—because it too emphasizes that our cultural and legal conceptions of responsibility are still centered on the individual agent.[80] Or, perhaps it suggests that interference is more demeaning when it is discrete and direct (like an order to report for work at 7 a.m), rather than when it is incremental, structural, or indirect (like when implicit bias in customer reviews eventually triggers deactivation from an app).[81] Regardless, the meaningfulness of this vision of freedom is real and it is reasonable, even if the underlying concept is exceptionally narrow and thus problematic. And because this understanding of freedom is explicitly defined by the presence or absence of control, it can make control-based categories powerfully meaningful for workers even when there is good reason to think those workers ultimately suffer as a result of a classification system based on control.

Even policy analysts and workers’ advocates sometimes find the idea of freedom-as-non-interference compelling, inasmuch as they sometimes use it to typologize platforms for the purposes of analyzing and responding to platform-related problems.[82] But separating “labor platforms” (like TaskRabbit and Rover) from “capital platforms” (most notably, Airbnb) is neither conceptually easy nor, if we are concerned with workers’ welfare, is it manifestly desirable. For instance, ridesharing is usually slotted into the “labor” category even though it requires a significant capital investment because ridesharing, like dog-walking or furniture assembly, involves personal services performed by the worker. But UberBLACK drivers can have commercial accounts listing multiple individuals who actually do the driving and who split earnings with the account holder;[83] conversely, many Airbnb hosts personally undertake part or all of the considerable labor involved in hosting.[84] The fact that most Uber drivers actually do the driving themselves while many Airbnb hosts outsource their maintenance work does not reflect anything intrinsic to the way the platforms work.

From a workers’ advocacy perspective, the suggestion that capital platforms are different—that they merely constitute a “side income” stream and are meaningfully less like employment than labor platforms—relies on the idea that a task is not “work” if someone has not directly forced you to undertake it at a given moment, in a given manner. Yet the same analysts and advocates who distinguish between labor and capital platforms often point out that algorithmic management techniques significantly restrict workers’ freedom (making them more like employees) even though the techniques generate few discrete, unavoidable demands and involve little direction by any human being.[85] Moreover, algorithmic management is hardly limited to a specific platform or even a specific kind of platform: Airbnb and Rover equally engage in algorithmic management when they rely on data-driven evaluation systems.[86] There may be other reasons to distinguish between “labor” and “capital” platforms, like understanding how class and race operate in the sharing economy, but understanding how to regulate work and how to safeguard workers’ rights are not self-evidently among them.[87]

This is not to say that any particular commentator wholly subscribes to a negative conception of freedom-as-non-interference—again, the central argument of this Article is that lay and legal actors do not wholly subscribe to any one way of thinking about what it means to be free at work (and neither does our work law). Rather, it simply goes to show that the idea of individual autonomy undergirding control-based analysis tends to inform analytic categories regardless of both one’s policy preferences and the role one inhabits with respect to the sharing economy.

There is also no question that the freedom described here is thin, not simply because it is contained in a few discrete and sometimes trivial types of decision-making, but also because those instances of decision-making are only free from interference if we draw a tight circle around what actually constitutes “interference.”[88] Platforms restrict workers’ choices by establishing cutoffs and penalties for various behaviors, including the rate at which workers accept client requests, the speed with which they accept them, and the rate at which they cancel accepted requests.[89] Some platforms establish fairly specific codes of conduct or limit the services a worker can offer unless she reaches an elite status.[90] And of course, Uber and Lyft seek to manipulate drivers’ personal choices regarding where and when to drive by using dynamic pricing.[91] The thinness of freedom-as-non-interference is such that the very things workers value—say, the ability to set earnings goals—are the means for platforms to shape worker behavior in ways that benefit platforms but not workers.[92]

Although scholars and policy analysts increasingly view these practices as restricting worker choice in meaningful ways, the practices are unevenly viewed as interferences in personal freedom by workers themselves and (with the equally uneven exception of ridesharing) are unrecognized as such by courts.[93] But that is precisely the point: platform control remains largely invisible because it does not follow the model of a X dictating to a Y on discrete matters at particular moments.[94] This does not mean that workers and observers feel that platform labor involves no loss of freedom—simply, as we will see, that the freedom they see being threatened is of a very different sort than the type of non-interference described above.

B.  Freedom as Non-Domination

Critics of the sharing economy argue that the liberating potential of this space has been drastically oversold and that platform labor generates uncertainty, conformity, and obsequiousness—all symptoms of domination—that are incompatible with freedom at work. According to this view, it does not matter so much that Uber, Rover, and Airbnb regularly discipline workers who cancel client requests, or that customers on these platforms discipline workers who do not meet their personal expectations—it is not the actual interference in worker choice that produces domination.[95] Rather, it is that platforms and customers have the power to discipline (and thus the power to restrict choice) if and when they feel like it and in essentially unpredictable or unknowable ways.[96] As a result of this unchecked authority, workers live in a state of uncertainty to which they respond by conforming their desires to the limits of the system and by behaving with obsequiousness towards those who dominate them.[97]

Take Alex, a retired Caucasian woman who rents her family’s spare bedroom via Airbnb and is also a Lyft driver.[98] After a few years of retirement, Alex and her husband decided to try homesharing because they felt they should do more to ensure their own financial stability during their golden years and because they wanted to help their struggling son with his daughter’s college tuition. Once they were more or less settled with their Airbnb listing, Alex decided to give ridesharing a try as well, mostly out of curiosity. Her husband does the cleaning and maintenance for their rental, while Alex manages their online profile and is primarily responsible for interacting with their clients.[99]

Alex has always considered herself a friendly, easy-going person so she was somewhat surprised to discover how invasive it initially felt to have strangers in her car and her home. She understood how some drivers could say that inviting strangers into their cars and making small talk for money made them feel like “pimps,” and although she didn’t feel quite as strongly, she was very aware of the fact that she had to provide a “service” while in her own home and her own car.[100]

Eventually, though, she started focusing on how to be a better host and driver. She would look carefully for mannerisms and word choices that indicated her clients’ moods, and experiment with different behaviors, questions, and phrasings to see what reactions she got.[101] As she got better at doing all of this, and as she started thinking of her work as providing something that people really needed, she started to enjoy herself more. One of her favorite tricks now is to ask for restaurant recommendations from her rideshare passengers but give restaurant recommendations to her homeshare guestsshe doesn’t need to ask any more than her guests (who could always check Yelp) need to be told, but in each context her tactics seem to make clients feel good.

Still, Alex remains slightly worried about some aspects of her platform work. For instance, she is especially sensitive to the fact that guests might complain about food odors in her home since her husband is Indian and cooks often.[102] One of her very first guests did in fact note the smell in his review. It wasn’t a major criticismhe made a few other suggestions as wellbut Alex is convinced that the smell was the reason he gave her a fourstar rating. More experienced hosts whom she encountered on an online chat forum reassured her by saying that four stars was fine for an early review and even gave her tips on how to moderate food odors. Still, Alex is always a bit anxious when a guest walks in for the first time—and also when they walk out for the last time at the end of their stay.

She’s also a little concerned that one of her guests will have a problem with the fact that her family is interracial. She hasn’t faced any explicit instances of discrimination yet, but she has heard stories of frosty guests and inexplicably low reviews and is wary. Still, she knows that there is little she can do since Airbnb’s anti-discrimination policy—which she has read in painstaking detail—is more geared towards protecting guests than protecting hosts.[103] So she does her best to preempt the situation by being extra friendly and accommodating.

Food odors and prejudices against interracial couples are obviously not a problem in her work as a driver but Alex is worried that, now that she’s finally got the hang of it, Uber is going to switch to driverless cars and all the other rideshare companies, including Lyft, will follow suit. She’s actually really grown to like her driving: doctors rushing to work in the morning and businesspersons late for meetings are always so grateful that she feels like a hero, and thanks to Lyft’s tip feature they can and do express their gratitude.[104] There was a week back in December when the money was so good (and their granddaughter’s spring tuition was almost due) that she couldn’t stop driving and started to get worn down from the lack of sleep.[105]

Alex’s story does not read as one of terrible sadness or subordination to either her platforms or her customers, and it is not meant to. Yet the absence of freedom is a terrible thingif Alex is not considerably unhappy and does not feel constantly thwarted in her work by being made to do things or obey orders that impinge upon her autonomy, why would we consider her unfree?[106]

In a word: uncertainty. Workers and observers are noting with heightened frequency and levels of eloquence that the experience of providing services in the sharing economy is marked by an overwhelming level of uncertainty—uncertainty regarding the requirements for gaining or maintaining access to the app, uncertainty regarding client expectations, uncertainty regarding situations where the two clash, and even uncertainty regarding how long the entire system will exist in its current form.

None of these uncertainties need actually produce bad outcomes for workers. The unknown platform requirements might be effortlessly met, clients might not have idiosyncratic expectations, the two sets of demands might never come into conflict, and (notwithstanding Alex’s fear of driverless cars) major changes might always hover just beyond the horizon.[107] Indeed, regulatory and technological hurdles make the worry about rideshare drivers training their own replacements less compelling than is sometimes suggested.[108] Nevertheless, it remains that the only thing that workers like Alex can be sure of is the power of the platform and of the client to constrain their options in any circumstance. It is an authority that is always there, waiting to be exercised, and the waiting creates uncertainty.[109]

To be sure there is uncertainty in all things and all jobs, and it is equally true that American work law has a peculiarly high tolerance for uncertainty as signaled by its embrace of at-will employment.[110] The problem is not so much that workers lack a script laying forth all the future twists and turns of their gigs, jobs, or working lives, but that the script they do have, bare bones as it is, is also at any time susceptible to alterations that are not of their choosing and may be intentionally hidden from them.

Uncertainty of this type constrains autonomy without ever rising to the level of direct interference because it makes it impossible for workers to exercise meaningful choice. When an Uber driver accepts every ride request she receives but is told she did not meet the acceptance rate requirement to qualify for a guaranteed hourly wage, she has no information with which to counter Uber’s assertion and, consequently, no way to judge her best future course of behavior.[111] Her safest bet is to continue accepting all possible ride requests in the hope that Uber’s assessment and her own assessment of her acceptance rate will eventually match up. Similarly, when a Fiverr worker does not know what will catapult her into the highest category of elite workers (“Top Rated Seller”) she has no way of choosing among an array of possible behaviors or business decisions in order to access the very real benefits that come with Top Rated Seller classification.[112]

Inasmuch as it forces workers to operate blindly, uncertainty also leads workers to literally and figuratively embody the domination they experience.[113] One paradigmatic way to respond to the unchecked authority of another is to curry favor with the authority figure so that she will minimize her interference in your choices.[114] Obsequiousness is neither necessarily painful nor gaudy: most of us like to please, and—as many rideshare drivers attest—sometimes silence itself is pleasing enough. What obsequiousness (even the silent variety) expresses, however, is the powerlessness of the person who embodies it. “Several [Uber] drivers said the best way to behave is like a servant,” noted one journalist, before going on to quote a driver in Sacramento who characterized her own role by saying that “‘[t]he servant anticipates needs, does them effortlessly, speaks when spoken to, and you don’t even notice they’re there.’”[115]

Though it may seem otherwise, obsequiousness is about more than exercising “natural” tact. Rather, it is a way of recognizing the particular social game being played and of obeying its rules.[116] Smiling to make others happy, curating conversations to boost others’ egosthe emotional labor performed by platform workers concretizes the power of clients and algorithms through the worker’s own physical gestures and speech patterns.[117] For instance, after a Lyft driver noted a sudden decrease of 0.1 in his rating, he started attempting to establish a conversational rapport with passengers “very quickly” because “[t]hat’s what they”—meaning both passengers and Lyft—“want. Accommodate and connect.”[118] Emotional labor is nothing new, of course, and even within the sharing economy, it is hardly limited to either rideshare drivers or verbal interactions.[119] But the sheer ubiquity of emotional labor makes it no less telling a sign of dependence on another’s will.

Because emotional labor and obsequiousness are unsuccessful where they are obviously insincere, workers must also at least partly conform their preferences to the constraints, actual or potential, that are placed upon them.[120] This too is neither necessarily painful nor outlandish. If one’s options are good ratings that produce a host of benefits—more income, elite statuses, perhaps an hourly wage guarantee—and bad ratings that produce their inverseand perhaps deactivationthen it is natural to honestly prefer the former, and indeed, it is difficult to do otherwise.[121] Account after account of platform work emphasizes how seriously workers take such markers of success, not only because they translate into more desirable outcomes, but because they validate the decision to commit to platform labor itself. “I’ve got currently twelve excellent-service and nine great-conversation badges,” boasted one Uber driver (who is nonetheless looking for another job).[122] “It tells me where I’m at.”[123] But in the neo-republican account, while happiness—or at least, reduced frustration—may lie in learning to want what you have rather than having what you want, freedom emphatically does not.[124]

This is not to say that platform workers are automatons who feel what is wanted and want what is given (even though it can sometimes seem that way).[125] Critique and resistance abound, whether this consists of venting on chat forums, contesting client accounts of interactions, strategizing within the bounds of the systemas when workers try to game the algorithms that determine search results or that allot front page placement on their platforms’ websitesand it may even involve operating outside the bounds of the system itselfas when workers go “off app.[126] But these acts of agency occur within a particular framework and using a particular set of idioms and intuitions; they are part and parcel of the system they ostensibly subvert. Consequently, while they might demonstrate dissatisfaction with the rules of the game, they do not fundamentally break with the game itself.[127]

When critics decry the imbalance of power between clients and platforms on the one hand and workers on the other, they are appealing to an understanding of freedom of non-domination rather than as non-interference. If only interference was at issue, the ability to ingratiate oneself with clients (and also with algorithms) and to thereby pursue one’s livelihood relatively unmolested would draw analogies to liberation, not servility. Likewise, if the sum total of freedom was the ability to avoid frustration, it would be enough to constantly recalibrate one’s preferences in light of new constraints and interferences. That neither the one nor the other is the case suggests that workers and observers also subscribe to a vision of freedom that the sharing economy does not enable. It is this failure that drives talk of regulatory dysfunction or breakdown with respect to platform work, and that underlies dissatisfaction with control-based classification even outside the platform context.

C.  Conflicting, Not Concentric Freedoms

Taken together, Sam and Alex reflect worker experiences across a range of platforms, but, more importantly, they embody two distinct ways of experiencing (or not experiencing) freedom at work. Sam’s ability to make choices about when he works, how he works, and how much he earns, as well as the absence of a supervisor monitoring his performance, all reasonably contribute to a sense that he is free because someone else is not directly forcing him to engage in or refrain from particular actions. Conversely, Alex’s worries about dealing with prejudicial or idiosyncratic clients, her reservations about having to behave obsequiously in her own car and home, and even her gradual enjoyment of the subservient role she had initially disliked, all signal her loss of freedomasnon-domination. One is not simply broader than the other; rather, freedomasnon-interference and freedomasnon-domination are conflicting rather than concentric or additive concepts.

Non-interference is grounded in discrete, direct exercises of authority (“Pick up Joe Smith on Main Street, now!”). This is the kind of instruction someone like Sam is glad to be rid of, and labor and employment scholars rightly associate it with industrial and factory-based forms of labor that are a diminishing component of our work landscape. But the sort of freedom that someone like Alex is missing out on, freedom-as-non-domination, would not be captured by a broader “functional” understanding of authority because it is fundamentally distinct.

For example, even though Alex may not be given a specific order to “pick up Joe Smith,” she might know that if she does not pick up a large enough percentage of Joe, Jack, and John, she will be terminated from the app. The trouble is that Alex is not quite sure what that magic percentage is or whether she and Lyft will agree on when she’s met it, so Alex is not really free to reject any of those passengers. A broader definition of control would not solve her problem. Likewise, the constraints on her freedom do not arise from whether or not Lyft actually directs her to “pick up Joe on Main Street, now.” What would make Alex feel freer in the non-domination sense if she knew beforehand that picking up Joe and Jack would ensure that she met her daily acceptance rate.

This means that the difference between freedom-asnon-interference and freedom-as-non-domination is one of kind rather than degree. More importantly, it means that regulators cannot satisfy both conceptions of freedom by simply expanding the circle of “employees” or by understanding “control” more expansively. Control-based analysis is inherently tied to the idea that a worker’s freedom is impinged upon when an employer dictates the “how, when, and where” of her work—that is to say, the “means and manner” of performance. freedom-as-non-domination need have nothing to do with this sort of means and manner analysis. And because workers are not alone in valuing both types of freedom, our labor and employment statutes and case law reflect traces of freedom-as-non-interference as well as freedom-as-non-domination.

III.  Freedom(s) In, and Through, Work Law

This Part explores how the ethnography discussed above illuminates a fundamental tension in labor and employment law itself. It is one thing to say that platform workers and observers are genuinely attached to different visions of freedom at work, another thing to suggest that this dynamic can also be found in our work law, and yet a third thing to argue that the tension between these two conceptualizations of freedom explains our fixation—and our dissatisfaction—with control-based analysis. So far, I have only made the first of these claims, but in what follows I will make the second and third. These arguments necessarily take us from the fine-grained, ethnographic study of platform labor to the historical and doctrinal analysis of labor and employment law writ large.

A.  Non-Interference and Non-Domination in Work Law

Freedomasnon-interference is undoubtedly more prominent within labor and employment law (and arguably beyond it) than freedom-as-non-domination. Few things convey the centrality of this way of thinking as well as the overall primacy of the common law control test, but we can pick out other, more specific instances where an understanding of freedom at work as non-interference shines through with especial clarity. Take the practice of upfront contractual specifications (“UCS”), in which detailed descriptions of the way work is to be done are included in independent contractor agreements, but are presented by companies and often understood by courts as evidence of the end product or service that is contracted for.[128] When courts read UCS clauses as detailing the “ends” rather than the “means” of performance, they understand them to support independent contractor classification because, in part, UCS obviates the need for human monitoring and scheduling.[129] In other words, some courts—like some platform workers—conceptualize freedom at work to be the absence of direct, interpersonal authority rather than as the absence of the power to exert such authority indirectly and without restriction.

For example, FedEx has successfully argued in several courts that the terms of its lengthy and non-negotiable Operating Agreement did not transform its drivers into employees because, among other things, the agreement “suggested a limited need or interest in real-time supervision.”[130] To be sure, FedEx’s position has been widely criticized and the judicial tide may have started to turn against the company on this issue,[131] but UCS is hardly limited to one company or even one industry.[132] Moreover, once we grant the paramount importance of identifying control over the means of performance, the frequently counterintuitive results in UCS cases become an intractablebecause they are unavoidable—problem.[133]

We can see the importance of control and freedom-as-non-interference outside the realm of worker classification, too. Consider the practice of having workers contractually waive statutory protections like the ability to litigate rather than arbitrate future claims, or the ability to mount claims based on current or prior employment decisions in any forum.[134] The logic in doing so is that when waivers are signed under conditions that are not explicitly coercive, they represent choices made free of interference.[135] They may even be said to advance freedom, inasmuch as they empower workers to assess and realize the value of certain statutory protections by their own lights.

But of course, waivers are signed in situations where choice is severely constrained by asymmetrical knowledge and by asymmetrical power over goods like jobs and severance packages.[136] (There is also the very real concern that waivers defeat public interests even when they truly advance private ones, but “deregulat[ion] by contract” is an entirely different sort of objection to statutory waivers.[137]) Even where there is no interference of the stranger-in-a-back-alley variety, it requires single-minded focus on the bare act of assent to be able to say that the waiver itself expresses worker autonomy.[138] That assent is important, to be sure, and it meaningfully differentiates contractual waivers from agreements made under conditions of actual intimidation. But for our purposes, contractual waivers are interesting for their signaling value more than for their substantive effect: the fact that courts almost universally enforce waivers suggests that courts dealing with employment contracts—like lay actors dealing with consumer contracts—find a strictly non-interference model of free choice to be compelling in some circumstances, however thin that freedom might appear to critics.[139]

While work law is undoubtedly flush with examples of freedom-as-non-interference, it is also relatively easy to spot instances where individuals have tried—with varying success—to push the law toward a conception of freedom-as-non-domination.[140] Perhaps most strikingly, labor republicans of post-Civil War America directly drew on and refined the classical republican understanding of freedom as part of their efforts to advertise the “structural and personal domination to which a modern wage-laborer was subject.”[141] The open-ended authority of the labor contract, according to this new, more radical interpretation, merely replaced the unfreedom of slavery with the unfreedom of wage slavery.[142]

Nevertheless, republicanism petered out as the labor struggles of the late nineteenthcentury segued into the Lochner era and later on as New Deal legislation sustained legislative and judicial onslaughts that revived the common law test and its control-based analysis.[143] The star surviving example of this is the FLSA’s definition of an employee as anyone who an employer “suffer[s] or permit[s] to work,” as well as its accompanying, judicially-created test, that purports to measure the “economic realities” of a work relationship rather than the quantum of control it involves.[144] The FLSA’s emphasis on knowledge and power along with the economic realities test’s complementary emphasis on dependence make the overarching—and not always actually exercised—authority of the employer the basis of worker classification.[145] As Section I.B noted, both the Act and the test are open to numerous criticisms, not least of which is that their vagueness produces judicial analysis suspiciously similar to what happens under the common law test. But it remains that the FLSA and the economic realities test represent concerted efforts to move away from a system that compensates only for the loss of freedom represented by direct interferences in a worker’s will.[146]

A similar conceptual move underlies the 2015 reassessment of the standard for determining “joint employer” relationships as well as the NLRB General Counsel’s investigation regarding McDonald’s liability for the working conditions of its franchisees’ employees. Together, Browning-Ferris[147] and the consolidated McDonald’s inquiry created uproar in the franchising world because they discarded an analytic framework that based employee classification on direct interference in worker autonomy as the basis for labor and employment protections.[148] Browning-Ferris announced that the NLRB (“the Board”) would henceforth only require a potential joint-employer “possess the authority to control employees’ terms and conditions of employment” rather than actually exercise such authority.[149] Likewise, it announced that the Board would acknowledge forms of control that were not directly and immediately exercised by the potential employer; instead, control exercised via an intermediary would count as well.[150] The McDonald’s investigation put this approach into practice (although it is worth noting that the General Counsel had initiated its inquiry well before a decision was issued in Browning-Ferris).[151]

In both instances, the Board abandoned a narrower understanding of freedom where only direct commands framed as commands are held to impinge a worker’s autonomy, and instead adopted a broader understanding of freedom in which the ability to elicit desired behavior warrants protection even if it is not exercised via direct command or remains unexercised altogether. The shift has been questionably successful: even though the Board confirmed its approach in subsequent cases,[152] Browning-Ferris was eventually overturned by Hy-Brand Industrial Contractors (which was itself later vacated).[153] But even though the new joint employer standard has been neither particularly impactful nor long lasting—in fact, especially because it has been neither impactful nor long lasting—it speaks to both the gravitational pull of control-based analysis and the dissatisfaction it occasionally produces.

B.  Tension, Confusion, or Failure?

Even if distinct visions of freedom-as-non-interference and as non-domination exist inside and outside work law, how can we be sure that the tension between them is responsible for critics’ seeming desire—and inability—to move beyond control-based analysis? Perhaps legislators are just responding to political pressure when they enact laws that promote control and non-interference in spite of its poor fit with the realities of work. Or, perhaps judicial actors are simply doing the best they can with vague laws and complicated facts, but their efforts also fit poorly with the realities of work. Bad statutes or bad case law—with “bad” meaning sinister, ill-conceived, archaic, or subject to internal contradiction (among other things)—are, overwhelmingly, the way labor and employment scholars have explained the continuing fixation and dissatisfaction with control-based analysis among themselves and decisionmakers.[154] Both of these explanations are undoubtedly part of the answer, but they are not, individually or even together, the whole answer. What’s more, considered by themselves, they paint a crude and starkly ungenerous view of all parties involved.

Take the idea that control-based analysis persists because labor and employment statutes overwhelmingly reflect the interests of elite actors (the “legislative failure” argument).[155] Political interests and constraints can certainly explain some of the stranger features of our classification system, including, for example, the exclusion of domestic and agricultural workers from the NLRA or that of tipped servers and farm workers from the FLSA.[156] Politics can even explain some of the back-and-forth between differing approaches to freedom at work, like the Taft-Hartley Act’s restrictions of the meaning of “employee” under the NLRA and Hearst.[157]

But “legislative failure,” though it offers some insights about our lovehate relationship with control-based analysis, cannot explain that relationship on its own. Suggesting otherwise invites a kind of legal nihilism because it requires viewing law as nothing but a tabula rasa waiting to be written on by select actors. It also invites a kind of legal exceptionalism because it would mean that law has a singular power to change hearts as well as actions even among those whose interests it undermines. In other words, this explanation requires us to think of law as both acultural and as wholly constitutive of cultural traditions, and it calls on us to view any values discernible in law as little more than “glosses on property relations.”[158] To write this down is to demonstrate its impossibility. Beyond all this, “legislative failure” sadly underestimates the importance of courts in constructing, defending, and reformulating the building blocks of labor and employment law.[159]

The second argument (“implementation confusion”) corrects for that last shortcoming by putting the blame squarely on the way courts handle labor and employment cases. In one understandably popular version of this explanation, judges both perpetuate control-based analysis and occasionally undermine it because the relevant legal precedent is confusing and statutory guidance is in woefully short supply.[160] Another less frequently articulated version of this argument suggests that courts have repeatedly embraced a restricted vision of freedom-as-non-interference because it better aligns with employers’ interests and because, consciously or not, judges are predisposed to sympathize with employers.[161] When courts recognize thicker understandings of freedom at work—as in Hearst, for instance, or in the FedEx litigation, Browning-Ferris,[162] or Cotter[163]—it is because the realities of work (and the interests of workers) have managed to assert themselves despite these limitations.

“Implementation confusion” cannot offer an exhaustive solution to the puzzle of control-based analysis any more than “legislative failure” because it repeats the latter’s errors, albeit in more complex fashion. To the idea that the stickiness of control originates in legal infrastructure, “implementation confusion” adds a new type of law (adjudicatory outcomes, whether by courts or by agencies) and a new type of actor (courts, rather than just legislatures). This adds nuance to the legal nihilism and exceptionalism from earlier, but it does not fundamentally challenge the premise that law may construct social norms without also being constructed by them. Likewise, to the argument that the faultiness of control-based analysis stems from a class-inflected divide between law and reality, “implementation confusion” adds subtlety via implicit bias“judges naturally think like employers”rather than explicit preference. But of course, this merely casts lures to the legal realists inside many of us without doing justice to the sort of measured, multivariate analysis of judicial behavior pursued by many New Legal Realists themselves.[164]

Perhaps the most significant problem with these two explanations is that they do not really notice or explain the fact that the tension between non-interference and non-domination exists outside the law itself, in the vast realm of “society.” As Parts I and II showed, workers—and even some commentators—who might be expected to find a thicker vision of freedom at work uniquely compelling (and who often do find it compelling) also often think of freedom-as-non-interference. This matters. Since critics of control-based analysis fail to see that its faultiness and stickiness exist outside the law as well as within it, they reasonably view the tension in work law as emanating from a disjuncture between law and society. Once we see that this tension exists both inside and outside the law, it becomes impossible to think that a disjuncture between law and society—whether stemming from statutes and legislators or case law and judges—is all that lies behind it. Something else must also be at issue, something that does not reduce law to “glosses on property relations,” lawmakers to puppets (or puppeteers), or lay actors to dupes. The missing piece of the puzzle is that we—workers, scholars, and decision makers alike—have genuine commitments, visible in law and in everyday practice, to two different conceptions of freedom at work.

Conclusion

The tension between non-interference and non-domination that I have outlined here explains decisions like Cotter v. Lyft far better than any transformations in technology or employment practices. Precisely because it was thorough and measured, Judge Chhabria’s analysis exemplifies how work law uses a single concept (“control”) to try to capture a complex empirical phenomenon (“freedom”) as well as how the attempt often produces stalemates and confusion.

For instance, several of the factors Judge Chhabria considered link the concept of control to an understanding of freedomasnon-interference: the “great flexibility” drivers enjoy regarding “when and how often to work;[165] their ability to select “parts of San Francisco in which they accepted ride requests;[166] and the “minimal contact with Lyft management” while working as drivers.[167] All of these factors interpret control to mean discrete or direct restraints on driver autonomy; because the restraints did not exist, control was also found to not exist.

Conversely, other factors considered by Judge Chhabria link control to an understanding of freedomasnon-domination: the “right to penalize” that Lyft reserves to itself (whether or not that right is actually exercised);[168] the ambiguous standards on which such penalties can be based;[169] and, above all else, the power that comes from the ability to terminate at will.[170] All of these factors interpret control to mean a potential, and potentially unrestrained, ability to limit driver autonomy; because Lyft did indeed possess such an ability, it was found to enjoy control over its drivers.

Cotter makes clear that work law cares about how people experience freedom, that there are distinct ways to experience freedom, and that decisionmakers cannot effectively subsume these distinct visions under a single concept like control. When they do so, as Judge Chhabria was forced to do based on prevailing California law, they are left with little but a morass of crossed signals and repeat errors. So where do we go from here?

First, we acknowledge that freedom-as-non-interference is a relatively thin concept with a remarkably thick and rich tradition in the United States. This is true both among lay and legal actors, as well as in “law on the books” and “law in society.” It is simply not productive to dismiss a Lyft driver’s valuation of, say, scheduling flexibility on the grounds that it seems like a shallow sort of freedom.

Second, we recognize that middle-of-the-road attempts to fix classification doctrine by introducing new tests or new factors do not succeed. This is not because non-interference and non-domination are mutually exclusive in the abstract, but because, in practice, it is difficult to consistently identify losses of freedom when freedom means two distinct things. Decades of classification case law and scholarship attest to this fact. The failure of median approaches suggests that our options for improving classification doctrine lie at the extremes: either we enact piecemeal regulatory reforms that address specific aspects of work relationships but leave core conceptual issues as they are,[171] or we undertake the profoundly challenging task of regulating work relationships on the basis of something other than the amount of control and freedom they permit.[172] Piecemeal regulations need not be inconsequential, and conversely, systemic change may not be better or feasible, but either approach would depart from previous reform efforts by respecting and building on our dual conception of what it means to have freedom at work.

 

 


[*] *.. Sharswood Fellow, University of Pennsylvania Law School; A.B. 2006, Princeton; Ph.D. 2013, University of Chicago; J.D. 2016, University of Chicago. My thanks to Daniel Abebe, Brad Areheart, Shyam Balganesh, Stephanos Bibas, Richard Carlson, Miriam Cherry, Ryan Doerfler, Veena Dubal, Eric Feldman, Lee Fennell, Andrea Freeman, Camille Gear Rich, Michael Green, Dave Hoffman, Genevieve Lakier, Sophia Lee, Brian Leiter, Serena Mayeri, Sandy Mayson, César Rosado Marzán, Shayak Sarkar, Paul Secunda, Beth Simmons, Megan Stevenson, Lior Strahilevitz, Julia Tomasetti, Laura Weinrib, Tess Wilkinson-Ryan, Noah Zatz, Adnan Zulfiqar, and, as always, John Felipe Acevedo, for comments on various aspects or versions of this paper. Commentators at the 2016 and 2017 Law & Society Association meetings, 2017 AALS meeting, Third Labor Law Research Network Conference, Fifteenth Annual Marco Biagi Conference, Michigan Law Young Scholars Conference, 2017 Southeastern Association of Law Schools Conference, the University of Pennsylvania Law School, and the University of Chicago Law School also provided valuable feedback. This research was funded in part by the generous support of Dean Ted Ruger and the University of Pennsylvania Law School.

 [1]. See generally Cotter v. Lyft, Inc., 60 F. Supp. 3d 1067 (N.D. Cal. 2015). Cotter has been cited in at least twelve decisions and as many as thirty-seven law review articles in the three years following the decision. See, e.g., Bowerman v. Field Asset Servs., Inc, 242 F. Supp. 3d 910, 928 (N.D. Cal. 2017); Bekele v. Lyft, Inc., 199 F. Supp. 3d 284, 303 (D. Mass. 2016); Ryan Calo & Alex Rosenblat, The Taking Economy: Uber, Information & Power, 117 Colum. L. Rev. 1623, 1626 n.14 (2017).

 [2]. Cotter, 60 F. Supp. 3d at 1069.

 [3]. See id. (“We generally understand an employee to be someone who works under the direction of a supervisor, for an extended or indefinite period of time, with fairly regular hours, receiving most or all his income from that one employer . . . .”). See also Cmty. for Creative Non-Violence v. Reid, 490 U.S. 730, 751–52 (1989) (listing various factors that courts consider in making determinations of employee status); United States v. Silk, 331 U.S. 704, 716 (1947) (same); Restatement (Second) of Agency § 220(2) (Am. Law Inst. 1958) (same); Richard R. Carlson, Why the Law Still Can’t Tell an Employee When It Sees One and How It Ought to Stop Trying, 22 Berkeley J. Emp. & Lab. L. 295, 310 (2001) (same).

 [4]. Cotter, 60 F. Supp. 3d at 1081.

 [5]. Nationwide Mut. Ins. Co. v. Darden, 503 U.S. 318, 323 (1992) (citing Reid, 490 U.S. at 740). While there is no definitive articulation of the control test, I will refer to it in the singular for ease of reading and because all versions of the test emphasize the importance of employer control over the “manner and means” of performance. Accord Carlson, supra note 3, at 299.

 [6]. Cotter, 60 F. Supp. 3d at 1081. See also Senator Mark R. Warner, The American Dream Is Fading for Millions of Freelancers. Portable Benefits Could Save It, Senate.gov (July 5, 2017), https://www.warner.senate.gov/public/index.cfm/2017/7/the-american-dream-is-fading-for-millions-of-freelancers-portable-benefits-could-save-it (calling the United States’ approach of linking social safety benefits to employers a “20th-century approach” that is “failing workers in the 21st-century economy”).

 [7]. See Deepa Das Acevedo, Invisible Bosses for Invisible Workers, or Why the Sharing Economy Is Actually Minimally Disruptive, 2017 U. Chi. Legal F. 35, 50, 58 (discussing specific work practices that allow franchisors like McDonald’s to exercise control over their franchisees’ direct employees as well as some companies like FedEx to exercise control over their independent contractors). Compare Alexander v. FedEx Ground Package Sys., 765 F.3d 981, 997 (9th Cir. 2014) (finding FedEx drivers are employees), and Ochoa v. McDonald’s Corp., 133 F. Supp. 3d 1228, 1241 (N.D. Cal. 2015) (denying summary judgment for defendant McDonald’s on grounds that McDonald’s may be liable for labor code violations involving its franchisees’ employees under a theory of ostensible agency), with FedEx Home Delivery v. NLRB, 849 F.3d 1123, 1124 (D.C. Cir. 2017) (finding FedEx drivers are independent contractors), and Salazar v. McDonald’s Corp., No. 14-cv-02096-RS, 2016 U.S. Dist. LEXIS 108764, at *49–50 (N.D. Cal. Aug. 16, 2016) (finding that McDonald’s is not a joint employer of its franchisees’ employees).

 [8]. See infra notes 14, 15, 30, 31, 47 and accompanying text (discussing scholarship and jurisprudence critical of the existing classification regime and control based analysis). See also Bruce Goldstein et al., Enforcing Fair Labor Standards in the Modern American Sweatshop: Rediscovering the Statutory Definition of Employment, 46 UCLA L. Rev. 983, 1106 (1999) (arguing that in adopting the much broader “suffer or permit” standard of employee status instead of the control test, “Congress’s purpose was precisely to expand coverage under the [Fair Labor Standards Act] far beyond the common law”).

 [9]. Throughout this paper I will rely on Isaiah Berlin’s canonical definitions of positive and negative freedom and Philip Pettit’s interpretation of freedom as non-domination. Isaiah Berlin, Two Concepts of Liberty 7–8, 16 (1958); Philip Pettit, On the People’s Terms: A Republican Theory and Model of Democracy 1–18 (2012); Philip Pettit, Republicanism: A Theory of Freedom and Government 19–27 (1997). See also Alex Gourevitch, From Slavery to the Cooperative Commonwealth: Labor and Republican Liberty in the Nineteenth Century 7–17 (2015); Gerald M. Stevens, The Test of the Employment Relation, 38 Mich. L. Rev. 188, 197–98 (1939) (arguing that American courts have “turned for guidance to a more certain and indisputable principle” in which “control must have meant . . . actual interference and superintendence”).

 [10]. Non-domination is most concerned with the presence or absence of boundaries on external interferences rather than with the interferences themselves. For illustrations using the sharing economy, see infra Section II.C. See also Pettit, On the People’s Terms, supra note 9, at 1–18.

 [11]. Deepa Das Acevedo, Temples, Courts, and Dynamic Equilibrium in the Indian Constitution, 64 Am. J. Comp. L. 555, 560 (2016).

 [12]. Kaushik Sunder Rajan, Anthropological Fieldwork Methods 1 (2015) (unpublished syllabus) (emphasis in original) (on file with author). Ethnography is often described as a research method based on participant-observation, and this description is not wrong. But Kaushik Sunder Rajan offers a far more nuanced take on the ethnographic method and its value in his syllabus for a graduate-level methods class at the University of Chicago. “What makes good ethnography work . . . ,” Sunder Rajan writes, “is the fact that the ethnographer is capable of attending to things that her interlocutors might attend to differently (ignore, naturalize, fetishize, valorize, take for granted, etc.).” Id. Consequently, “the fundamental problem of fieldwork involves the cultivation of attentiveness.” Id.

 [13]. See Coppage v. Kansas, 236 U.S. 1, 17 (1915), noted in Alan Story, Employer Speech, Union Representation Elections, and the First Amendment, 16 Berkeley J. Emp. & Lab. L. 356, 406–07 n.264 (1995); Bower v. Peate, 1 Q.B.D. 321 (1876), noted in O.W. Holmes, Agency, 4 Harv. L. Rev. 345, 347 n.3 (1891) (discussing the proposition that a master/servant relationship is no different than other agency relationships inasmuch as the servant’s actions are attributable to the master).

 [14]. See, e.g., Brishen Rogers, Am. Constitution Soc’y, Redefining Employment for the Modern Economy 3 (2016); Franklin G. Snyder, The Pernicious Effect of Employment Relationships on the Law of Contracts, 10 Tex. Wesleyan L. Rev. 33, 36 (2003); Roscoe T. Steffen, Independent Contractor and the Good Life, 2 U. Chi. L. Rev. 501, 507 (1935); Noah D. Zatz, Beyond Misclassification: Tackling the Independent Contractor Problem Without Redefining Employment, 26 ABA J. Lab. & Emp. L. 279, 282 (2011).

 [15]. V.B. Dubal, Wage Slave or Entrepreneur?: Contesting the Dualism of Legal Worker Identities, 105 Calif. L. Rev. 65, 93 (2017); Julia Tomasetti, The Contracting/Producing Ambiguity and the Collapse of the Means/Ends Distinction in Employment, 66 S.C. L. Rev. 315, 356 (2014); Nancy E. Dowd, The Test of Employee Status: Economic Realities and Title VII, 26 Wm. & Mary L. Rev. 75, 86 (1984).

 [16]. On the centrality of “freedom” in American work law see Christopher L. Tomlins, Law, Labor, and Ideology in the Early American Republic, at xv (1993) (describing various areas of nineteenth century law as “tending during the period under study to move toward a representation of working life in voluntaristic terms . . . [an] empowering definition of individual freedom”) and Marion Crain, Work, Free Will and Law, 24 Employ. Resp. & Rts. J. 279, 280 (2012) (discussing competing meanings of “work” in the United States but stating that “[t]he dominant image of work in American law is as an exercise of free will”).

 [17]. See, e.g., Boswell v. Laird, 8 Cal. 469, 489 (1857) (holding that “[s]omething more than the mere right of selection, on the part of the principal, is essential” to a master and servant relationship). Boswell added that “[t]he relation between the parties was that of independent contractors” because the co-defendants “were engaged in an independent employment in the construction of a work which was entrusted entirely to their skill.” Id at 490, 494. For discussions of the development of “employee” as a category of free labor during the nineteenth century, see generally Karen Orren, Belated Feudalism: Labor, the Law, and Liberal Development in the United States (1991); Robert J. Steinfeld, The Invention of Free Labor: The Employment Relation in English & American Law and Culture, 1350–1870 (1991); Tomlins, supra note 16; Christopher L. Tomlins, Law and Power in the Employment Relationship, in Labor Law in America 71 (Christopher L. Tomlins & Andrew J. King, eds., 1992); John Fabian Witt, Rethinking the Nineteenth-Century Employment Contract, Again, 18 Law & Hist. Rev. 627 (2000).

 [18]. Gasal v. CHS Inc., 798 F. Supp. 2d 1007, 1013 (D.N.D. 2011) (“The rationale for the doctrine of respondeat superior is based on the employer’s right to control the employee’s conduct.”).

 [19]. Perhaps the best indication that the control test’s persistence is itself an object of puzzlement and anxiety for labor and employment scholars is the frequency with which they refer to its inadequacy, complexity, unfairness, and attempted replacement. See, e.g., Guy Davidov, The Reports of My Death are Greatly Exaggerated: ‘Employee’ as a Viable (Though Overly-Used) Legal Concept, in Boundaries and Frontiers of Labour Law: Goals and Means in the Regulation of Work 133 (Guy Davidov & Brian Langille eds., 2006); Marc Linder, Dependent and Independent Contractors in Recent U.S. Labor Law: An Ambiguous Dichotomy Rooted in Simulated Statutory Purposelessness, 21 Comp. Lab. L. & Pol’y J. 187, 190 (1999); Stevens, supra note 9, at 203; Tomasetti, supra note 15, at 317–18.

 [20]. See infra notes 2227 and accompanying text.

 [21]. Civil Rights Act of 1964, 42 U.S.C. §§ 2000e-2–3 (2012). Note that the Civil Rights Act of 1866 does not limit its protection against racial discrimination in the formation of contracts (including employment contracts) to “employees.” 42 U.S.C. § 1981(a) (2012).

 [22]. Family and Medical Leave Act of 1993, 29 U.S.C. § 2611(4) (2012). Note that the FMLA adopts the FLSA’s “suffer or permit” definition of “employ.” Fair Labor Standards Act of 1938, 29 USC § 201, § 203(g) (2012).

 [23]. Equal Pay Act of 1963, 29 U.S.C. § 206(d) (2012).

 [24]. 29 USC § 201, §§ 203(d)–(e) (2012) (defining “employees” and “employers” to whom the Act applies); id. § 206 (establishing minimum wage provisions for employees); Portal to Portal Act of 1947, 29 U.S.C. §§ 251–262 (2012).

 [25]. Employee Retirement Income Security Act of 1974, 29 U.S.C. § 1002 (2012) (stating that ERISA only applies to “employees”). Note that ERISA does not require employers to offer any kind of health or retirement benefit plan at all—“it merely regulates retirement promises that are made.” Paul M. Secunda, The Behavioral Economic Case for Paternalistic Workplace Retirement Plans, 91 Ind. L.J. 505, 540 (2016). This is why “[t]he aggregate national retirement deficit number is currently estimated to be $4.13 trillion for all U.S. households where the head of household is between 25 and 64.” Id. at 507–08. Employer sponsored health and welfare plans were similarly voluntaristic; however, this began to change as a result of the “employer mandate” contained within the Patient Protection and Affordable Care Act, 42 U.S.C. §18001 (2012).

 [26]. Occupational Safety and Health Act of 1970, 29 U.S.C. §§ 651–52 (2012).

 [27]. National Labor Relations Act of 1935, 29 U.S.C. § 157 (2012).

 [28]. Although the Affordable Care Act did not entirely detach health insurance savings from work relationships, it created a system of “exchanges” on which individuals can purchase health insurance plans that are not contingent on employer sponsorship. King v. Burwell, 135 S. Ct. 2480, 2487 (2015) (“[T]he Act requires the creation of an “Exchange” in each State where people can shop for insurance, usually online.”) (citing 42 U.S.C. § 18031(b)(1)).

 [29]. See Alain Supiot, Beyond Employment: Changes in Work and the Future of Labour Law in Europe 26–57 (2001) (not rejecting the logic of tying safeguards to work even though one of its central conclusions was that the “employment relationship in its existing form has reached its limits”), noted in David Marsden, Introduction: Can the Right Employment Institutions Create Jobs?, in Labour Law and Social Insurance in the New Economy: A Debate on the Supiot Report 1, 3, 9 (David Marsden & Hugh Stephenson eds., 2001).

 [30]. Catherine K. Ruckelshaus, Labor’s Wage War, 35 Fordham Urb. L. J. 373, 378–83 (2008) (discussing the prevalence, costs to workers, and advantages to employers of misclassifying employees as independent contractors).

 [31]. See, e.g., NLRB v. United Ins. Co. of Am., 390 U.S. 254, 258 (1968); NLRB v. Hearst Publ’ns, Inc., 322 U.S. 111, 120–22 (1944), overruled in part by Nationwide Mut. Ins. Co., v. Darden, 503 U.S. 318 (1992); FedEx Home Delivery v. NLRB, 563 F.3d 492, 496–99 (D.C. Cir. 2009). Indeed, the Supreme Court of Mississippi’s frustration was such that it declared (in 1931) that,

[t]here have been many attempts to define precisely what is meant by the term “independent contractor;” but the variations in the wording of these attempts have resulted only in establishing the proposition that it is not possible within the limitations of language to lay down a concise definition that will furnish any universal formula, covering all cases.

Kisner v. Jackson, 132 So. 90, 91 (Miss. 1931).

 [32]. For this type of circular definition see, for example, Age Discrimination in Employment Act (ADEA) § 11(f), 29 U.S.C. § 630(f) (2012); Family and Medical Leave Act, 29 U.S.C. § 2611(3) (2006); Title VII, 42 U.S.C. § 2000e(f) (2012); Americans with Disability Act (ADA) § 101(4), 42 U.S.C. § 12111(4) (2012); Employee Retirement Income Security Act (ERISA) § 3, 29 U.S.C. § 1002(6) (2012).

 [33]. Nationwide Mut. Ins. Co. v. Darden, 503 U.S. 318, 325, 327 (citing Cmty. for Creative Non-Violence v. Reid, 490 U.S. 730 (1989) for the principle that “Congress means an agency law definition for ‘employee’ unless it clearly indicates otherwise” and stating that “[a]gency law principles comport . . . with our recent precedents and with the common understanding, reflected in those precedents, of the difference between an employee and an independent contractor”).

 [34]. See, e.g., Slingluff v. Occupational Safety & Health Review Comm’n, 425 F.3d 861, 867–68 (10th Cir. 2005) (applying Darden to the Occupational Safety and Health Act of 1970); Birchem v. Knights of Columbus, 116 F.3d 310, 312–13 (8th Cir. 1997) (applying Darden to the American with Disabilities Act of 1990); Frankel v. Bally, Inc., 987 F.2d 86, 89–90 (2d Cir. 1993) (applying Darden to the Age Discrimination in Employment Act of 1967).

 [35]. Carlson, supra note 3, at 298.

 [36]. See, e.g., West v. J.O. Stevenson, Inc., 164 F. Supp. 3d 751, 763 & n.6 (E.D.N.C. 2016) (noting that “in the labor relations context, the Fourth Circuit has instructed courts to examine only the economic realities of the employment relationship” because of “the more expansive definition of ‘employ’ used in the labor relations statutes” including the “FMLA or similarly-defined [FLSA]”).

 [37]. See id. See also U.S. v. Rosenwasser, 323 U.S. 360, 362–63 (1945) (noting that the FLSA definition of employment was created intentionally broad in order to fulfill the remedial purpose of the act); Zheng v. Liberty Apparel Co. Inc., 355 F.3d 61, 66 (2d Cir. 2003) (same).

 [38]. See, e.g., Lewis L. Maltby & David C. Yamada, Beyond “Economic Realities”: The Case for Amending Federal Employment Discrimination Laws to Include Independent Contractors, 38 B.C. L. Rev. 239, 249–50 (1997) (citing the pre-Darden case, Broussard v. L.H. Bossie, Inc., 789 F.2d 1158 (5th Cir. 1986), as an example of the continued importance of control even under the economic realities test).

 [39]. See id. at 249.

 [40]. See NLRB v. Hearst Publ’ns, Inc., 322 U.S. 111, 127 (1944) (“Unless the common-law tests are to be imported and made exclusively controlling, without regard to the statute’s purposes, it cannot be irrelevant that the particular workers in these cases are subject, as a matter of economic fact, to the evils the statute was designed to eradicate . . . .”). See also Keith Cunningham-Parmeter, From Amazon to Uber: Defining Employment in the Modern Economy, 96 B.U. L. Rev. 1673, 1677 (2016); Guy Davidov, The Three Axes of Employment Relationships: A Characterization of Workers in Need of Protection, 52 U. Toronto L.J. 357, 363–64 (2002); Linder, supra note 19, at 190.

 [41]. Alexander v. FedEx Ground Package Sys., 765 F.3d 981, 990–91 (citing Estrada v. FedEx Ground Package System, Inc., 64 Cal. Rptr. 3d 327, 336 (Ct. App. 2007), in which drivers subject to the same Operating Agreement as the Alexander plaintiffs were found to be employees based on “FedEx’s control over every exquisite detail of the drivers’ performance”).

 [42]. Ochoa v. McDonald’s Corp., 133 F. Supp. 3d 1228, 1239–40 (N.D. Cal. 2015) (allowing plaintiffs to move forward with their claim that McDonald’s is a joint employer alongside its franchisees on a theory of ostensible agency); Browning-Ferris Indus. of Cal., Inc., 362 N.L.R.B. No. 186, at 2 (2015) (revising the Board’s joint employer standard to require only “[r]eserved authority to control terms and conditions of employment” and that such control need not “be exercised directly and immediately”) (emphasis added).

 [43]. Goldstein et al., supra note 8, at 1094–1101 (arguing that Congress adopted the FLSA’s “suffer or permit” language from state child labor laws with the specific intention to ensure that the Act would cover workers not considered employees under the common law control test). Similarly, a 2016 Administrator’s Interpretation (AI) issued by the Obama Department of Labor specified that the Department would henceforth distinguish between “vertical” and “horizontal” joint employment and apply the “economic realities” test to determine vertical joint employer status instead of current FLSA regulations—a move that commentators immediately interpreted as reflecting “the agency’s longstanding priority to loosen joint employment standards.” Tammy McCutchen & Michael J. Lotito, DOL Issues Guidance on Joint Employment Under FLSA, Littler (Jan. 20, 2016), https://www.littler.com
/publication-press/publication/dol-issues-guidance-joint-employment-under-flsa. The AI was later withdrawn by the Trump Department of Labor. News Release, U.S. Dep’t of Labor,  US Secretary of Labor Withdraws Joint Employment, Independent Contractor Informal Guidance, Release No. 17-0807-NAT (June 7, 2017), https://www.dol.gov/newsroom/releases/opa/opa20170607.

 [44]. Dubal, supra note 15, at 85. A similar impulse led the Fourth Circuit to find that although Darden probably would not qualify as an employee under the control test, that outcome was inconsistent with ERISA’s purpose; consequently, they rejected it. Darden v. Nationwide Mut. Ins. Co., 796 F.2d 701, 705–06 (4th Cir. 1986), overruled in part by Nationwide Mut. Ins. Co. v. Darden, 503 U.S. 318 (1992).

 [45]. Davidov, supra note 40, at 367–68 (“Over the years, however, some courts—unsatisfied with the tests in their arsenal—have begun formulating a second test, this one aimed at the economic dependence of the worker.”).

 [46]. See, e.g., Cotter v. Lyft, Inc., 60 F. Supp. 3d 1067, 1075 (N.D. Cal. 2015); Cunningham-Parmeter, supra note 40, at 1677 (“scrutinizing the many sublayers of control” in order to outline “new methods for thinking about the concepts of ‘control’ and ‘employ’ that remain central to modem employment”).

 [47]. See, e.g., Katherine V. W. Stone, From Widgets to Digits: Employment Regulation for the Changing Workplace, at ix (2004) (discussing changes in work practices that demand new forms of regulation); Cynthia L. Estlund, The Ossification of American Labor Law, 102 Colum. L. Rev. 1527, 1530–32 (2002). On the importance of purposive statutory analysis, see, e.g., Brian A. Langille & Guy Davidov, Beyond Employees and Independent Contractors: A View From Canada, 21 Comp. Lab. L. & Pol’y J. 7, 12 (1999); Linder, supra note 19, at 187. See also Rachel Weiner & Lydia DePillis, How Congress Can Make Life Better for Uber Drivers and Bike Messengers, Wash. Post (June 3, 2015), http://wapo.st/1cytlM6?tid=ss_tw-bottom&utm_term=.3e485df68733 (quoting Sen. Mark Warner, D.-Virginia, as saying that “[the sharing economy] is a tidal change in the relationship between an individual and the workplace . . . . It’s stunning that nobody in Washington is talking about this”). It might even be that courts misrecognize the purpose of work law, in that they wrongly prioritize efficiency over other values like the ability to be free from subordination in a democratic society. Stephen F. Befort & John W. Budd, Invisible Hands, Invisible Objectives: Bringing Workplace Law and Public Policy into Focus 4–7 (2009) (making a similar argument with respect to work law’s devaluation of equity and voice); Brishen Rogers, Employment Rights in the Platform Economy: Getting Back to Basics, 10 Harv. L. & Pol’y Rev. 479, 500–05 (2016).

 [48]. Tomasetti, supra note 15, at 315.

 [49]. See, e.g., Sanjukta M. Paul, Uber as For-Profit Hiring Hall: A Price-Fixing Paradox and its Implications, 38 Berkeley J. Emp. & Lab. L. 233, 235 (2017); Dubal, supra note 15, at 123 (“Advocacy on behalf of taxi workers, for example, may involve engaging antitrust laws, regulatory laws, unfair competition laws, and even corporate laws.”). See also Ryan Calo & Alex Rosenblat, The Taking Economy: Uber, Information, and Power, 117 Colum. L. Rev. 1623, 1675 (2017) (advocating the use of consumer protection law). Intriguingly, both the antitrust and consumer protection arguments depend on taking seriously the platform argument that workers are consumers vis-à-vis the platforms through which they provide services.

 [50]. See Dubal, supra note 15, at 112 (drawing on ethnographic research among San Francisco taxi drivers for the observation that “though many [immigrant and non-white] drivers recognized the potential stability of being an employee, the status made them feel more out of control of their everyday lives”).

 [51]. Id. See also Yuval Feldman et al., What Workers Really Want: Voice, Unions, and Personal Contracts, 15 Emp. Rts. & Emp. Pol’y J. 237, 248 (2011) (“In other words, employees might gain more from personal contracts in terms of sense of influence and control, although in many cases they will have more limited bargaining power compared to unionized employees.”).

 [52]. FedEx Home Delivery, Inc. v. NLRB, 563 F.3d 492, 497 (D.C. Cir. 2009).

 [53]. Dubal, supra note 15, at 89–95 (tying the increasing importance of entrepreneurial opportunity in classifying workers to the rise of neoliberal ideology beginning in the 1970s).

 [54]. See Deepa Das Acevedo, Regulating Employment Relationships in the Sharing Economy, 20 Emp. Rts & Emp. Pol’y J. 1, 3–10 (2016) (arguing that platforms participate in the transactions they facilitate and substitute themselves for governmental safeguards, in contrast to “Renters” like Zipcar or “Swappers” like Couchsurfer).

 [55]. Id. It has become commonplace to preface any discussion of the sharing economy with the claim that there are no satisfactory taxonomies or definitions of this new space and by presenting a new taxonomy that can fill this definitional gap. See, e.g., Calo & Rosenblat, supra note 49, at 1466. But scholarship on the sharing economy is a few years old now and most commentators speaking from within scholarly or policy contexts have an understanding of what they and others are really interested in, even if that understanding is Potter Stewart-like in its articulation. See Jacobellis v. Ohio, 378 U.S. 184, 197 (1964) (Stewart, J., concurring).

 [56]. I applied for admission to the following sharing economy companies, not all of which are “platforms” according to the definition I use here and elsewhere, see supra note 54 and accompanying text: TaskRabbit, Instacart, Postmates, Rover, and Gigwalk. I was accepted by Instacart, Rover, and Gigwalk, and completed Instacart’s in-store training session, but did not work any shifts; I performed one “gig” on Gigwalk; and I established one client relationship (involving multiple visits) on Rover. I also viewed videos and completed online quizzes for the introductory course offered by Samaschool, an online provider of digital skills and internet-based work training that heavily incorporates platforms into its curriculum but does not exclusively focus on them. See Samaschool, http://www.samaschool.org (last visited Aug. 14, 2018).

 [57]. Scholars working on the sharing economy are increasingly mining online chat forums because of the relative difficulty in accessing sufficient numbers of platform workers for large-scale analysis and because opinions voiced on the forums have not been elicited for research purposes. See, e.g., Shu-Yi Oei & Diane M. Ring, The Tax Lives of Uber Drivers: Evidence from Internet Discussion Forums, 8 Colum. J. Tax L. 56, 66­–72 (2017) (using data from Reddit.com, Uberpeople.net, and the Intuit TurboTax AnswerXchange Forum and discussing methodological approaches to the use of online discussion forums as data sources); Alex Rosenblat & Luke Stark, Algorithmic Labor and Information Asymmetries: A Case Study of Uber’s Drivers, 10 Int’l J. Comm. 3758, 3760 (2016) (using data from five unnamed Uber driver chat forums).

 [58]. Although all the non-workers with whom I spoke are identified by name in this Article, I have anonymized all conversations with workers. This choice reflects a concern expressed to me by many workers about being identified while making critical comments regarding their platforms, even in the context of an academic research project. Indeed, I generally did not note down worker names in my field notes even though many of the workers I spoke with gave me their personal phone numbers for follow up conversations (I instead identified them by an interlocutor number, date, and location of interaction, much as they are referenced in footnotes below). I did record names for a few workers with whom I developed closer relationships, but our conversations continued based on an assumption of anonymity and are presented here accordingly.

 [59]. A few of these interlocutors, all of whom have been giving the issues surrounding platform labor careful thought for some time now and were generous enough to share their insights with me, include Kate Bahn, Todd Brogan, Harry Campbell, Ben Davis, Nicole DuPuis, Emily Guendelsberger, Kirk Hovenkotter, Michael McCall-Delgado, Jeremy Mohler, Mel Plaut, Alex Rosenblat, Becki Smith, and Katie Unger.

 [60]. Telephone Interview with Alex Rosenblat, Analyst, Data and Society (Aug. 11, 2016). See also Calo & Rosenblat, supra note 49, at 1634 (drawing on Rosenblat’s ethnography of Uber drivers).

 [61]. A survey of nearly 1,200 Uber and Lyft drivers revealed that 75.9 percent prefer to be independent contractors. Harry Campbell, 2018 Uber and Lyft Driver Survey Results, TheRideshareGuy (Feb. 26, 2018), https://therideshareguy.com/2018-uber-and-lyft-driver-survey-results-the-rideshare-guy.

 [62]. Sam is a composite figure based on my conversations with many platform workers. Sam’s demographic qualities are not intended to be representative of workers in any industry vertical or region: the few independent, large scale surveys we have of platform workers suggest that they are mostly young, white, and male. Still, his story reflects those of many of my interlocutors. On the profile of sharing economy workers, see, for example, Diana Farrell & Fiona Greig, JP Morgan Chase & Co. Inst., Paychecks, Paydays, and the Online Platform Economy: Big Data on Income Volatility 22 (2016); Andrew Jiang et al., The 2015 1099 Economy Workforce Report, Requests For Startups  30–39 (2015); Campbell, supra note 61.

 [63]. Many observers comment on the degree to which worker participation and satisfaction is dependent on a poor grasp of the financial realities of platform work or, at the very least, as a kind of bimodal distribution where the peaks represent considerable savvy and considerable ignorance. One researcher noted that many workers’ “financial logic is ‘whenever you’re making money you’re doing well’” but that “former professionals . . . are keeping spreadsheets at home.” Another felt that “even the folks who are making it work” fail to account for things like sick days, unexpected expenses, and vacation time as lost earning time. Telephone Interview with Alex Rosenblat, Analyst, Data and Society (Aug. 11, 2016); Telephone Interview with Katie Unger, Independent Labor Consultant (Aug. 8, 2016). My own fieldwork reflects the bimodal distribution of financial sophistication. See, e.g., Telephone Interview with TaskRabbit Tasker #1 (Sept. 12, 2016) (“I don’t do enough to pay any taxes on it, I’m exempt from taxes on it . . . because (a) I’m on a woman-owned business . . . and (b) I don’t make enough . . . to pay B&O taxes on it . . . I still have to claim the income but you know it’s nominal.”); Interview with Uber Driver #8, in Phila., Pa. (July 30, 2016) (“I’m supposed to be [tracking my expenses but] it’s too complicated . . . I’m gonna see after tax season how it worked out.”).

 [64]. Some of the more striking accounts of the realities of platform work include, Josh Dzieza, The Rating Game: How Uber and Its Peers Turned Us into Horrible Bosses, The Verge (Oct. 28, 2015), https://www.theverge.com/2015/10/28/9625968/rating-system-on-demand-economy-uber-olive-garden; Emily Guendelsberger, I Was an Undercover Uber Driver, My City Paper (May 7, 2015), http://mycitypaper.com/uberdriver; Sarah Kessler, Pixel and Dimed: On (Not) Getting By in the Gig Economy, Fast Company (Mar. 18, 2014), https://www.fastcompany.com/3027355/pixel-and-dimed-on-not-getting-by-in-the-gig-economy.

 [65]. Some commentators have suggested that platform workers enjoy even more freedom than the ability to decide when they will be available for work by opening a smartphone app or activating an online profile. In this view, even when workers are “active” on the platform, they can decide not to work because they have the option to decline client requests. However, as others have pointed out, this is simply the freedom we all possess to resist the demands of our jobs knowing that such resistance will produce disciplinary action or termination. Compare Seth D. Harris & Alan B. Kreuger, The Hamilton Project, A Proposal for Modernizing Labor Laws for Twenty-First-Century Work: The “Independent Worker” 9 (2015) (“Even if she does not turn off either app, she is not obligated to pick up any particular customer.”), with Ross Eisenbrey & Lawrence Mishel, Uber Business Model Does not Justify a New ‘Independent Worker’ Category, Econ. Pol’y Inst. (Mar. 17, 2016), https://www.epi.org/publication/uber-business-model-does-not-justify-a-new-independent-worker-category (“Uber drivers cannot keep their app on and monitoring potential riders and refuse to accept rides without incurring serious consequences, including being deactivated (i.e., fired) for having too low an ‘acceptance rate.’”). Note that Uber changed its official policy regarding deactivation in 2016 and that now, drivers should not be deactivated for low acceptance rates, but rather be subject to the smaller disciplinary measure of a temporary “time out” by being involuntarily logged out of the app. Harry Campbell, How to Take Advantage of Uber’s New Acceptance Rate Policy, TheRideshareGuy, (Aug. 5, 2016), https://therideshareguy.com/how-to-take-advantage-of-ubers-new-acceptance-rate-policy (describing the old acceptance rate policy, the new “time out” policy, and the benefits of being able to take longer to accept requests).

 [66]. Interview with Uber Driver #19, in Phila., Pa. (Aug. 14, 2016) (stating no more than 6 hours per day); Interview with Uber Driver #34, in Phila., Pa. (Sept. 3, 2016) (stating only weekends).

 [67]. Interview with Uber Driver #35, in Phila., Pa. (Sept. 3, 2016).

 [68]. Id.

 [69]. Interview with Uber Driver #42, in Phila., Pa. (Sept. 12, 2016) (“You leave, I put on some Spanish music . . . some hip hop . . . . I like it.”); Interview with Uber Driver #37, in Phila., Pa. (Sept. 4, 2016) (playing loud classical music during the ride); Interview with Uber Driver #57, in Phila., Pa. (Oct. 3, 2016) (waiting for twnty to thirty minutes, then targeting high-demand areas); Interview with Uber Driver #14, in Phila., Pa. (Aug. 6, 2016) (remaining parked in between rides).

 [70]. See generally What 2 Things Do You Wish You Knew Before You Started Hosting, Airbnbhostsforum.com (Sept. 27, 2016), https://airhostsforum.com/t/what-2-things-do-you-wish-you-knew-before-you-started-hosting/8133/37 (allowing users to recommend how to host).

 [71]. Marc Linder, Towards Universal Worker Coverage Under the National Labor Relations Act: Making Room for Uncontrolled Employees, Dependent Contractors, and Employee-Like Persons, 66 U. Det. L. Rev. 555, 556 (1989).

 [72]. See, e.g., Over/Uber, Comment to Advice to Addictive Personalities, UberPeople.net (Jan. 30, 2017), https://uberpeople.net/threads/advice-to-addictive-personalities.137449 (describing the “rush of thinking the ‘system’ or competing drivers have been outsmarted, the rider outwitted”).

 [73]. See Matt MacFarland, Uber’s Remarkable Growth Could End the Era of Poorly Paid Cab Drivers, Wash. Post (May 27, 2014), https://wapo.st/TOpLVu?tid=ss_tw-bottom&utm_term
=.282f4583ee7d  (“According to Uber, the median wage for an UberX driver working at least 40 hours a week in New York City is $90,766 a year.”).

 [74]. Interview with Uber Driver #34, in Phila., Pa. (Sept. 3, 2016) (describing a $200 per week goal); Interview with Uber Driver #51, in Phila., Pa. (Sept. 30, 2016) (describing a $200 per day goal); Interview with Lyft Driver #2, in Phila., Pa. (Mar. 22, 2017) (stating that he drives enough to cover his car payments).

 [75]. Dubal, supra note 15, at 69, 112–20. There may be parallel divisions in the rideshare context based on full-time versus part-time status rather than on race. See Campbell, supra note 61 (“When comparing full-time vs part-time drivers, we see a slight preference toward employee status from full-time drivers but a majority still want to be independent contractors.”).

 [76]. Dubal, supra note 15, at 117–20.

 [77]. Id. at 113–15.

 [78]. Id. at 111–14.

 [79]. Indeed, Pettit—quoting Kant, who was responding to Rousseau—says something like this when he observes that “[f]ind himself in what condition he will, the human being is dependent on many external things . . . But what is harder and more unnatural than this yoke of necessity is the subjection of one human being under the will of another. No misfortune can be more terrifying . . . .” Pettit, On the People’s Terms, supra note 9, at 44.

 [80]. M.C. Elish, Moral Crumple Zones: Cautionary Tales in Human-Robot Interaction 1–2 (We Robot, Working Paper Presented at We Robot Conference, 2016) (on file with author) (explaining “moral crumple zones” in the context of human-machine systems like airplane cockpit control and nuclear plant emergency protocols, and stating that “humans at the interface between customer and company are like sponges, soaking up the excess of emotions that flood the interaction but cannot be absorbed by faceless bureaucracy or an inanimate object”). Not having a human “crumple zone” is important for “employer” perceptions of self as well as lay or legal perceptions of the alleged employer. See, e.g., Lilly Irani, Difference and Dependence among Digital Workers: The Case of Amazon Mechanical Turk, 114 S. Atl. Q. 225, 226–27 (2015) (“The transformation of workers into a computational service . . . serves not only employers’ labor needs and financial interests but also their desire to maintain preferred identities; that is, rather than understanding themselves as managers of information factories, employers can continue to see themselves as much-celebrated programmers, entrepreneurs, and innovators.”).

 [81]. Noah Zatz, Beyond Misclassification: Gig Economy Discrimination Outside Employment Law, On Labor (Jan. 19, 2016), https://onlabor.org/beyond-misclassification-gig-economy-discrimination-outside-employment-law (discussing “the simmering concern about how customer feedback ratings may hard-wire discrimination into the supervisory techniques of gig economy platforms”).

 [82]. Farrell & Greig, supra note 62, at 5; Aaron Smith, Gig Work, Online Selling and Home Sharing, Pew Research Ctr. (Nov. 17, 2016), http://www.pewinternet.org/2016/11/17/gig-work-online-selling-and-home-sharing; Interview with Sarah Leberstein, Attorney, Nat’l Emp’t Law Project, in N.Y.C., N.Y. (July 28, 2016); Telephone Interview with Rebecca Smith, Deputy Director, Nat’l Emp’t Law Project (Aug. 30, 2016).

 [83]. Add Me to Another Driver-Partner’s Profile, Uber, https://help.uber.com/h/c736a696-3eac-422a-a7f7-7d61e532d7c8 (last visited Aug. 16, 2018).

 [84]. Indeed, the personal labor of Airbnb hosts has interesting implications for the acceptability of pink- and blue-collared work. Juliet B. Schor, Does the Sharing Economy Increase Inequality Within the Eighty Percent?: Findings from a Qualitative Study of Platform Providers, 10 Cambridge J. Regions, Econ. & Soc’y 263, 272–75 (2017) (discussing how platforms are getting white collar workers to perform pink- and blue-collar work by presenting the work as novel and technologically advanced). Pink collar work is work that is neither “white collar” (professional or managerial) nor “blue collar” (manual, whether skilled or unskilled); it is traditionally associated with clerical and secretarial office work, but often extends to other forms of personal service work that are similarly dominated by women. Emily Stoper, Women’s Work, Women’s Movement: Taking Stock, 515 Ann. Am. Acad. Pol. & Soc. Sci. 151, 156 (1991) (discussing pink collar jobs in the course of analyzing approaches to reducing the wage gap between men and women).

 [85]. Rebecca Smith & Sarah Leberstein, Nat’l Emp. L. Project, Rights On-Demand: Ensuring Workplace Standards and Worker Security in the On-Demand Economy 4 (2015).

 [86]. Lee et al., who first applied the term “algorithmic management” to platform work, describe it as a phenomenon enabled by “software algorithms that assume managerial functions and surrounding institutional devices that support algorithms in practice.” See Min Kyung Lee et al., Working with Machines: The Impact of Algorithmic and Data-Driven Management on Human Workers, 33 Ann. ACM Conf. on Hum. Factors in Computing Sys. 1603 (2015). They go on to study three “algorithmic features” of rideshare platforms: “passenger-driver assignment, the dynamic display of surge-priced areas, and the data-driven evaluation that uses acceptance rates and ratings.” Id at 1604. See generally Rosenblat & Stark, supra note 57 (seeming to expand this understanding of algorithmic management by also including minimum fares, rate cuts, and dispute resolution within its ambit). Regardless of one’s exact definition of algorithmic management, both “labor” and “capital” platforms clearly engage in it.

 [87]. Indeed, not all of the labor and employment problems considered by commentators who draw this distinction pertain to the regulation of work: sometimes, as with the JPMorgan report, labor and capital platforms are distinguished from one another because doing so tracks meaningful differences in who is participating, as well as how and why they are participating.

 [88]. I understand interference as the “removal, replacement or misrepresentation of one or more options” available to an individual. Pettit, On the People’s Terms, supra note 9, at 46. It is worth noting that Pettit views the attachment of a penalty as the “replacement” of one option with another that is different and less desirable (though perhaps not by much). Id. at 53. He also considers “misrepresentation” to include any action that “denies you the possibility of making a choice on the basis of a proper understanding of the options on offer” and lists “mesmerizing you with the prospect of extraordinary rewards” as one way of doing this. Id. at 55.

 [89]. Das Acevedo, supra note 7, at 42–43 (discussing these and other types of discipline established by platforms); Rosenblat & Stark, supra note 57, at 3761.

 [90]. Id. at 43–44 (discussing elite statuses). On codes of conduct, see Katie Benner, Airbnb Adopts Rules to Fight Discrimination By its Hosts, N.Y. Times (Sept. 8, 2016), https://nyti.ms/2cw2IsD, for a description of Airbnb’s new “community commitment” to non-discrimination that new and returning users must agree to before they can make bookings on the platform and Airbnb’s Nondiscrimination Policy: Our Commitment to Inclusion and Respect, Airbnb https://www.airbnb.com/help/article
/1405/airbnb-s-nondiscrimination-policy–our-commitment-to-inclusion-and-respect (last visited Aug. 16, 2018), for a description of Airbnb’s detailed non-discrimination policy—mostly geared towards hosts—that is powerfully reminiscent of Title VII and the ADA.

 [91]. See Rosenblat & Stark, supra note 57, at 3765–71 (discussing surge pricing). This is not to say that surge pricing succeeds in “mesmerizing” drivers into behaving according to the wishes of platforms—“don’t chase the surge” is standard advice to new drivers—but interference is not predicated on successful manipulation. Pettit, On the People’s Terms, supra note 9, at 55–56; Rosenblat & Stark, supra note 57, at 3766.

 [92]. Noam Scheiber, How Uber Uses Psychological Tricks to Push Its Drivers’ Buttons, N.Y. Times (Apr. 2, 2017), https://nyti.ms/2nMmDtc (discussing the use of earnings goals, among other things, to shape driver behavior “without giving off a whiff of coercion”).

 [93]. For instance, rideshare drivers complain frequently about acceptance rate and surge pricing policies, but seem to take less issue with elite status policies. See Lee et al., supra note 86, at 1603, 1608 (discussing disapproval of acceptance rate and surge pricing policies).

 [94]. An English employment tribunal poked fun at the interpretation of worker behavior as the result of good, but independently exercised business sense rather than as the product of a centralized authority, stating that “[t]he notion that Uber in London is a mosaic of 30,000 small businesses linked by a common ‘platform’ is to our minds faintly ridiculous.” Aslam v. Uber B.V., No. 2202550/2015, at 28 (Emp.’t Tribunals Oct. 28, 2016).

 [95]. In the neo-republican account, domination destroys freedom because it involves the power to restrict choice regardless of whether or not that power is actually exercised. To be sure, where domination leads to actual interference, the interference is itself also a manifestation of unfreedom. See, e.g., Pettit, On the People’s Terms, supra note 9, at 50.

 [96]. Much of the neo-republican literature refers to this state of affairs as vulnerability to the “arbitrary” will of another being, but Pettit rightly points out that modern English usage makes arbitrary a misleading choice of words: what matters isn’t the irrationality or unpredictability of the external will imposing itself upon you, but the fact that that will is uncontrolled by you in any meaningful sense. Compare Rogers, supra note 47, at 500 (using “arbitrary”), with Pettit, On the People’s Terms, supra note 9, at 58 (preferring “uncontrolled interference” to “arbitrary interference”).

 [97]. Pettit uses the terms “adaptation” and “ingratiation” instead of servility, but—at least in the employment context—these do not quite capture the sense of self-abnegation that I think worries critics. Pettit, On the People’s Terms, supra note 9, at 64–65.

 [98]. Like Sam, Alex is a composite figure.

 [99]. See Schor, supra note 84, at 272–74 (discussing the performance of pink and blue-collar tasks by white collar platform workers).

 [100]. One of the Uber drivers I interviewed said just this about his early experiences as a driver. He coped by switching off the app after completing just one ride per day until, after a few days, he felt he was sufficiently desensitized to handle more passengers without communicating his discomfort through his conversation. It took two more weeks for him to be comfortable driving full time. Interview with Uber Driver #24, in Phila., Pa. (Aug. 20, 2016).

 [101]. Another driver who emphasized his interests in psychology noted: “Sometimes somebody gets in your car and the best customer service you can provide is to say nothing . . . you can tell almost automatically . . . some people don’t have that gear but I know when to talk, when not to talk.” Interview with Uber Driver #26, in Phila., Pa. (Aug. 31, 2016).

 [102]. Food smells are a common topic of conversation on the Airbnb hosts’ forum. See, e.g., Guest Refuses to Stay Due to Smell?, Airbnbhostsforum.com (June 28, 2016), https://airhostsforum.com
/t/guest-refuses-to-stay-due-to-smell/5859; How Much Does Indian Food Smell Matter to Others?, Airbnbhostsforum.com (Oct. 11, 2016), https://airhostsforum.com/t/how-much-does-indian-food-smell-matter-to-others/8855.

 [103]. See Airbnb’s Nondiscrimination Policy, supra note 90.

 [104]. Workers—not just within the sharing economy—do often describe their efforts in somewhat heroic language. See, e.g., Dubal, supra note 15, at 119 (“As a taxi driver, I’m navigating San Francisco streets. My customer’s lives are in my hands as I take them from place to place. I am handling a weapon.”); Interview with Uber Driver #50, in Phila., Pa. (Sept. 19, 2016) (“I’m a superhero [because I get people to work].”). Uber has also added a tip feature in its app. Darrell Etherington, Uber Tipping Is Rolling Out to 121 U.S. and Canadian Markets Today, TechCrunch (July 6, 2017), https://techcrunch.com/2017/07/06/uber-tipping-is-rolling-out-to-121-u-s-and-canadian-cities-today.

 [105]. One of the drivers I spoke with expressed all these sentiments at once. Interview with Uber Driver #55, in Phila., Pa. (Oct. 1, 2016) (“I was Ubering so much I wasn’t getting much sleep . . . . Sometimes I do get a little angsty, I wanna get out there . . . you know, tuition’s due. The sad part [is that] I was thinking about retiring in four years . . . now Uber’s talking about driverless cars in four years so what I’m gonna do?”).

 [106]. To be clear, I am not using “unfree” in the sense that historians of nineteenth century labor law do. See, e.g., Robert J. Steinfeld, Coercion, Contract and Free Labor in the Nineteenth Century 33 (2001) (calling “unfreedom” the “coercion of labor through threats of corporal punishment or confinement”). Rather, I am using “unfreedom” to signal a less technical sense (albeit more aligned with agency law) that an individual’s actions are not her own to control.

 [107]. Changes need not only be of the job-negating variety. When TaskRabbit overhauled its system in 2014 from a bidding format to a selection and assignation format, it too effected systemic changes of the type being discussed here. Colleen Taylor, Through the Fire: What TaskRabbit Learned From Its Big Backlash, TechCrunch (Jan. 21, 2015), https://techcrunch.com/2015/01/21/through-the-fire-what-taskrabbit-learned-from-its-big-backlash.

 [108]. But cf. Calo & Rosenblat, supra note 49, at 1631. As rideshare expert Harry Campbell notes, technological obstacles to driverless cars are often both overestimated and underestimated. On the one hand, Tesla models are just a shade away from being able to do the work of navigating roadways. On the other hand, driving—especially driving for hire—involves far more than successfully decelerating or changing lanes. What happens when an Uber passenger vomits in a driverless vehicle? Or when a temporary roadblock is erected halfway down a one-way street? There will surely be technological fixes for these issues, but Campbell suggests that we are far from having them on hand. Moreover, he suggests that given the thickness of regulatory infrastructure in the United States, driverless transportation—whether in the form of individual cars or something analogous to Hyperloop—is likely to debut in a more flexible environment (with his personal pick being Dubai). Telephone Interview with Harry Campbell, TheRideshareGuy.com (Apr. 17, 2017).

 [109]. There are certainly strong connections between “uncertainty” on the one hand and “vulnerability” (as in the work of Martha Albertson Fineman) and “dependence” (as under the economic realities test) on the other hand. However, I have used uncertainty because it seems to best capture the source of platform workers’ vulnerability to and dependence on their platforms and consumers. See generally Sec’y Labor v. Lauritzen, 835 F.2d 1529, 1534 (7th Cir. 1987) (“For purposes of social welfare legislation, such as the FLSA, ‘employees are those who as a matter of economic reality are dependent upon the business to which they render service.’”) (citations omitted); Martha Albertson Fineman, The Vulnerable Subject and the Responsive State, 60 Emory L.J. 251 (2010) (arguing that vulnerability and dependence are inescapable aspects of the human condition and criticizing the extent to which they are overlooked in liberal law and policy analysis). Vulnerability has also been important to calls for a purposive approach to worker classification. See, e.g., Davidov, supra note 40, at 361.

 [110]. Over the course of the nineteenth century, the default rule for employment in the United States came to be that it exists “at will”—that is, so long (and only so long) as both parties are willing to uphold the contract. An employer does not have to offer cause or notice for terminating an employee, and vice versa. This principle, often called Wood’s Rule for its ostensible origins in Horace Gray Wood’s 1877 treatise Master and Servant, is usually captioned as allowing termination for “good reason, bad reason, or no reason at all.” See, e.g., Paul M. Secunda, Constitutional Employment Law: Zimmer’s Intuition on the Future of Employee Free Speech Law, 20 Emp. Rts & Emp. Pol’y J. 393, 405 (2016). The uniquely American nature of Wood’s Rule does not explain the dissatisfaction with control-based analysis I describe here because similar criticisms of control as an analytic rubric have been voiced in other contexts lacking at-will employment. See Jeremias Prassl, The Concept of the Employer 1–7 (2015) (discussing, primarily in the context of English law, the problem with control-based analysis that seeks to identify “employees”); Rachel Arnow-Richman, Just Notice: Re-Reforming Employment at Will, 58 UCLA L. Rev. 1, 48–57 (2010) (discussing the non-at-will systems in Canada, the UK, and various European countries); Langille & Davidov, supra note 47, at 15–16 (noting the importance of control to Canadian worker classification doctrine in a section titled “Our ‘Traditional’ Problem”).

 [111]. Calo & Rosenblat, supra note 49, at 1665.

 [112]. Fiverr’s Level System, Fiverr, https://www.fiverr.com/levels (last visited Aug. 16, 2018). Fiverr is an odd-job platform where clients can hire workers to perform a range of tasks, including anything from translating a document to designing a website. The platform began with the premise that all tasks would cost just $5, but it has since expanded its pricing approach into a complex system whereby workers gain the right to tailor the cost and nature of the services they offer as they climb Fiverr’s internally constructed hierarchy of elite service provider statuses. See Das Acevedo, supra note 7, 42–43 (discussing vetting and termination standards and the benefits that come with elite statuses across several platforms).

 [113]. See Noopur Raval & Paul Dourish, Standing Out From the Crowd: Emotional Labor, Body Labor, and Temporal Labor in Ridesharing, 19 ACM Conf. Comp.-Supported Cooperative Work & Soc. Computing 101 (“‘Pleasing the passenger’ is clearly an aspect of any ridesharing system, including traditional taxis, but it plays a much bigger role in crowd labor due to the specific intermediation of quantitative scores.”).

 [114]. Pettit, On the People’s Terms, supra note 9, at 64–67.

 [115]. Dzieza, supra note 64.

 [116]. Erving Goffman’s classic account of face-to-face encounters as “games” is particularly visible in the one-to-one or one-to-many interactions of the sharing economy. Goffman notes that in games like checkers or chess, the rules of the outside world are more or less suspended during the course of the interaction. Erving Goffman, Encounters: Two Studies in the Sociology of Interaction 26 (1961). When platform workers perform emotional labor, they are following their own internal “rules of the game” by ignoring gender and class stereotypes attached to pink and blue-collar tasks. Schor, supra note 84, at 272–74.

 [117]. Arlie Hochschild’s understanding of emotional labor remains definitive, as does her classic “flight attendant” illustration:

The flight attendant does physical labor when she pushes heavy meal carts through the aisles, and she does mental work when she prepares for and actually organizes emergency landings and evacuations. But in the course of doing this physical and mental labor, she is also doing something more, something I define as emotional labor. This labor requires one to induce or suppress feeling in order to sustain the outward countenance that produces the proper state of mind in others—in this case, the sense of being cared for in a convivial and safe place. This kind of labor calls for a coordination of mind and feeling, and it sometimes draws on a source of self that we honor as deep and integral to our individuality.

Arlie Russell Hochschild, The Managed Heart: Commercialization of Human Feeling 6–7 (1983).

 [118]. DRider85, Comment to Uber and Lyft Should Get Rid of 5 Star Ratings, UberPeople.net (Feb. 1, 2017), https://uberpeople.net/threads/uber-and-lyft-should-get-rid-of-5-star-ratings.137751.

 [119]. Written communication style—punctuation, vocabulary, and the use of politeness conventions, for example—reflects and shapes “real-world” dynamics. Naomi S. Baron and Rich Ling, Necessary Smileys and Useless Periods: Redefining Punctuation in Electronically-Mediated Communication, 45 Visible Language 46, 55 (2011) (observing that female study participants “were vocal about the importance of using emotion-tinged punctuation markers . . . both to express their ‘enthusiasm’ for the communications they were crafting as well as to soften messages that might otherwise seem overly direct”). When a TaskRabbit tasker texts immediately after receiving a client request with a series of short, enthusiastic questions liberally sprinkled with exclamation marks, she is not simply responding in a naturally excited or voluble way, she is trying to ingratiate herself with her client by demonstrating her interest in service as much as the Uber driver who unnecessarily asks her clients about restaurants.

  The centrality of emotional labor simply places platforms at the tail end of a very long line of service jobs in which the work to be done encompasses much more than the cleaning of a bathroom or the distribution of in-flight beverages, and where the affective dimensions of that work—and the display of pleasure in service—serve to refashion power disparities as good customer service. See generally Hochschild, supra note 117; Robin Leidner, Emotional Labor in Service Work, 561 Annals Am. Acad. Pol. & Soc. Sci. 81 (1999) (discussing McDonald’s fast food restaurants).

 [120]. In this vein, Hochschild distinguishes “surface acting”—in which “we deceive others about what we really feel, but we do not deceive ourselves”—from “deep acting”—in which “we make feigning easy by making it unnecessary.” Hochschild, supra note 117, at 33. She notes that “[t]he matter would be simpler and less alarming” if workers were “allowed to see and think as they like and required only to show feeling (surface acting) in institutionally approved ways” but that “[s]ome institutions have become very sophisticated in the techniques of deep acting; they suggest how to imagine and thus how to feel.” Id. at 49.

 [121]. Indeed, in one of the earliest first-hand journalistic accounts of platform work (and in the context of an article that was otherwise rather critical of the workings of ridesharing), Emily Guendelsberger observes that she was “weirdly proud” of the fact that she maintained a perfect five-star rating during her first few days as an Uber driver. Emily Guendelsberger, supra note 64.

 [122]. Scheiber, supra note 92.

 [123]. Id.

 [124]. Pettit, On the People’s Terms, supra note 9, at 65.

 [125]. See Scheiber, supra note 92 (describing various tools or approaches that Uber has developed using behavioral science insights to control driver desires as well as driver actions, including: having Uber employees adopt female personas when interacting with drivers, exploiting the “ludic loop” phenomenon by setting random, but concrete and constantly-shifting goals (e.g., “you’re $5.25 away from earning $330!”), offering work statistics and feedback in formats akin to video game scores to trigger competitive urges, and capitalizing on inertia and loss aversion by using automatic queuing features like “forward dispatch” to keep drivers on the road).

 [126]. Anthropologists have been thinking of resistance as more than self-conscious group protest for some time now. Sally Engle Merry, Resistance and the Cultural Power of Law, 29 Law & Soc’y Rev. 11, 15 (1995) (describing the movement toward understanding resistance as consisting of “subtle, unrecognized practices, such as foot-dragging, sabotage, subversive songs, and challenges to the law’s definition of personal problems in court”). See generally Rosenblat & Stark, supra note 57 (conducting a study of Uber driver chat forums that also speaks to the way drivers contest passenger and platform narratives). On “gaming” the system, see, for example, Nick Loper, How I Got on the Homepage of Fiverr and Earned $920 in 10 Days, Side Hustle Nation (Apr. 21, 2014), https://www.sidehustlenation.com
/fiverr-homepage-earned-920-in-10-days (describing several strategies for achieving a high-ranking on search results or a platform webpage). See also Advice to Addictive Personalities: Post of Over/Uber, UberPeople.net (Jan. 30, 2017), https://uberpeople.net/threads/advice-to-addictive-personalities
.137449 (describing the “rush of thinking the ‘system’ or competing drivers have been outsmarted, the rider outwitted”).

  Lastly, several commentators as well as several of my own interlocutors have described the practice of “going off app” by concluding an initial transaction or establishing repeat transactions directly between the worker and consumer. See, e.g., Kessler, supra note 64 (describing her initial guilt at accepting payment “off app,” but subsequent willingness to do so because of the unexpected difficulty in acquiring gigs); Conversation with Rover client #1, in Phila., Pa. (Jan. 19, 2017) (during which the client assumed we would schedule all sessions off the app); Interview with Uber Driver #25, in Phila., Pa. (Aug. 31, 2016) (describing the same practice involving ridesharing); Telephone Interview with Blow Me Worker #1 (Aug. 11, 2016) (describing how the stylist met new clients via the app and scheduled subsequent sessions with them directly).

 [127]. In other words, the uncertainty generated by the power dynamics of platform work—as well as the conformity and obsequiousness it prompts—constitute a “habitus,” or system of embodied tendencies that are “structured structures predisposed to function as structuring structures.” Pierre Bourdieu, Outline of a Theory of Practice 53 (1977).

 [128]. Tomasetti, supra note 15, at 366 (describing UCS as “the setting forth of detailed and extensive work rules in the written contract governing the work” and noting that it “is not just artifice disguising the alleged employer’s open-ended authority over production . . . but to some extent meaningfully directs the worker”).

 [129]. Id. at 368 (describing how many courts view upfront specification as removing the need for supervision rather than encoding supervision into the contract).

 [130]. Id. at 374 (discussing In re FedEx Ground Package Sys., Inc., 869 F. Supp. 2d 942 (N.D. Ind. 2012)).

 [131]. See, e.g., Alexander v. FedEx Ground Package Sys., 765 F.3d 981, 997 (9th Cir. 2014) (finding that FedEx drivers are employees).

 [132]. Tomasetti, supra note 15, at 368–76 (discussing several other examples of UCS analysis, including EEOC v. North Knox School Corp., 154 F.3d 744, 748 (7th Cir. 1998) (describing UCS analysis in a case involving school bus drivers); SIDA of Hawaii, Inc. v. NLRB, 512 F.2d 354, 358 (9th Cir. 1975) (containing similar analysis involving taxi drivers); and Brown v. Sears, Roebuck & Co., 31 Employee Benefit Cas. (BNA) 2467, 2470 (N.D. Ill. Sept. 24, 2003), aff’d, 125 F. App’x 44 (7th Cir. 2004) (containing similar analysis, but involving the employees of a Sears contractor that was responsible for selling and installing home improvements like roofs, gutters, and fences)).

 [133]. Tomasetti, supra note 15, at 325 (noting that the “UCS poses an intractable quandary for evaluating claims of control in employment status disputes and that the conundrum is rooted in the contradictory incorporation of master-servant authority into contract”). The results in FedEx cases where drivers are not found to be employees despite various forms of UCS-enabled authority seem counterintuitive because they clash with a vision of freedom as non-domination. Take two of the practices that FedEx presents in support of its position: drivers are free to subcontract their routes and they are not required to work specified hours. Alexander, 765 F.3d at 984–85. Both rightly suggest that FedEx does not engage in the kind of over-the-shoulder monitoring that would constitute violations of freedom-as-non-interference because the company is not telling a particular driver that she herself has to work these particular hours. Id. at 985. But drivers—and many commentators—feel that their freedom is nonetheless compromised for reasons that reflect an understanding of freedom as non-domination. For instance, drivers’ ability to subcontract is at the unlimited discretion of company officials, which raises familiar concerns like uncertainty and obsequiousness. Id. at 994. Likewise, drivers are not really free to work any hours they want because FedEx engages in highly sophisticated calculations to ensure that every driver works 9.5–11 hours daily, reports for pickup in the mornings, remains until all her packages are collected, and delivers certain packages at specific times—in other words, FedEx artificially and unilaterally limits drivers’ freedom ex ante so that they can “choose” to do exactly what FedEx desires. Id. at 984–85.

 [134]. See Eileen Silverstein, From Statute to Contract: The Law of the Employment Relationship Reconsidered, 18 Hofstra J. Lab. & Emp. L. 479, 482 (2001).

 [135]. Id. at 511.

 [136]. Waivers are generally assessed for indications that they were “knowing and voluntary,” and most courts make this determination using the capacious (and thus employer-friendly) “totality of the circumstances” standard. Id. at 484, 491 n.67. Congress did enact more stringent requirements for determining that a waiver was “knowing and voluntary” via the Older Workers Benefit Protection Act of 1990 (OWBPA), but most courts only apply the OWBPA’s seven-step analysis in cases involving the Age Discrimination in Employment Act. Id. at 488–92 & nn. 61–67.

 [137]. Id. at 493.

 [138]. And indeed, situations in which X changes the set of options available to Y (even by attaching a reward to one of the options) or situations in which X deceives or manipulates Y into picking a specific option are equally unlikely to constitute “free choice” under a vision of freedom as non-domination. Pettit, On the People’s Terms, supra note 9, at 50–56.

 [139]. See Silverstein, supra note 134, at 484; Tess Wilkinson-Ryan, Intuitive Formalism in Contract, 163 U. Pa. L. Rev. 2109, 2110, 2127 (2015) (stating that just as modern contract doctrine posits that “potentially enforceable deals (i.e., those that are supported by consideration and not illegal or unconscionable)” should be upheld “when the parties have objectively manifested assent,” “[t]he fact of assent seems, for the average consumer, to cleanse the transaction—to press the reset button, morally as well as legally” on the issue of enforceability).

 [140]. Gourevitch, supra note 9, at ch. 4. See also Carlson, supra note 3, at 310 (noting that “control over work was never the exclusive test of status for either respondeat superior or other statutory purposes”).

 [141]. Gourevitch, supra note 9, at 103.

 [142]. Id.

 [143]. See infra notes 155–56, 159–60.

 [144]. Fair Labor Standards Act of 1938, 29 USC § 201, §§ 203(d)–(e) (2012); Rutherford Food Corp. v. McComb, 331 U.S. 722, 727–30 (1947) (applying the economic realities test to the FLSA). Of course, the economic realities test was not originally limited to, or even articulated with respect to, the FLSA. See, e.g., United States v. Silk, 331 U.S. 704, 717–20 (1947) (elaborating the economic realities test in a case involving the Social Security Act); NLRB v. Hearst Publ’ns, Inc., 322 U.S. 111, 127–29 (1947) (articulating the rationale underlying the economic realities test in a case involving the NLRA);  Carlson, supra note 3, at 311–14 (discussing analysis consonant with the economic realities test in Lehigh Valley Coal v. Yensavage, 218 F. 547 (2d Cir. 1914).

 [145]. See, e.g., Katherine V. W. Stone, Legal Protections for Atypical Employees: Employment Law for Workers Without Workplaces and Employees Without Employers, 27 Berkeley J. Emp. & Lab. L. 251, 257­–59 (2006).

 [146]. Bruce Goldstein et al., Enforcing Fair Labor Standards in the Modern American Sweatshop: Rediscovering the Statutory Definition of Employment, 46 UCLA L. Rev. 983, 1043 (1999) (tracing the historical meaning of “suffer or permit” and arguing that, in the state child labor statutes from which it originates, the phrase meant that “when a business owner had the means to know and the power to prevent acts proscribed by the legislature, it made no difference whether the owner’s employee or an independent contractor engaged a minor child to perform the work”).

 [147]. Browning-Ferris Indus. of Cal., Inc., 362 N.L.R.B. No. 186 (2015).

 [148]. Erin Conway & Caroline Fichter, Surviving the Tempest: Franchisees in the Brave New World of Joint Employers and $15 Now, 35 Franchise L.J. 509, 515 (2016) (observing that the “change in the NLRB employer test is vehemently opposed by the International Franchise Association (IFA) and bemoaned as the end of franchising altogether by some”) (citations omitted); David J. Kaufmann et al., A Franchisor Is Not the Employer of its Franchisees or Their Employees, 34 Franchise L.J. 439, 448–52 (2015) (discussing the dangerous implications of Browning-Ferris and the McDonald’s inquiry on business-format franchisors).

 [149]. Browning-Ferris, 362 N.L.R.B. No. 186, at 2 (emphasis in original).

 [150]. Id.

 [151]. NLRB Office of the General Counsel Issues Consolidated Complaints Against McDonald’s Franchisees and Their Franchisor McDonald’s, USA, LLC as Joint Employers, NLRB.gov (Dec. 19, 2014), https://www.nlrb.gov/news-outreach/news-story/nlrb-office-general-counsel-issues-consolidated
-complaints-against.

 [152]. In 2016, the Board affirmed and built on its Browning-Ferris precedent by holding that solely employed workers and jointly employed workers need not obtain employer assent if they wish to form a single (and otherwise appropriate) bargaining unit. Miller & Anderson, Inc., 364 N.L.R.B. No. 39, at 13–14 (2016).

 [153]. See generally Hy-Brand Indus. Contractors, 365 N.L.R.B. No. 165 (2017). However, the NLRB later vacated Hy-Brand and in 2018 undertook an unusual notice-and-comment rulemaking process on the joint-employer standard. Board Vacates Hy-Brand Decision, NLRB.gov (Feb. 26, 2018), https://www.nlrb.gov/news-outreach/news-story/board-vacates-hy-brand-decision; NLRB Considering Rulemaking to Address Joint-Employer Standard, NLRB.gov (May 9, 2018), https://www.nlrb.gov
/news-outreach/news-story/nlrb-considering-rulemaking-address-joint-employer-standard.

 [154]. See infra notes 155, 159–60.

 [155]. See, e.g., Linder, Towards Universal Worker Coverage Under the National Labor Relations Act, supra note 71, at 555 (calling the Taft-Hartley amendments to the NLRA “[s]tatutory encouragement” for “[o]ne of the successful tactics employers have used in recent years to rid themselves of existing labor unions and to avoid collective bargaining”—namely the reclassification of employees as independent contractors).

 [156]. Sean Farhang & Ira Katznelson, The Southern Imposition: Congress and Labor in the New Deal and Fair Deal, 19 Stud. Am. Pol. Dev. 1, 12–15 (2005) (describing southern efforts to shield the remnants of antebellum work structures from the New Deal by carving out statutory exclusions for predominantly black labor); Marc Linder, Farm Workers and the Fair Labor Standards Act: Racial Discrimination in the New Deal, 65 Tex. L. Rev. 1335, 1336 (1987) (same). See also Vivien Hart, Minimum-Wage Policy and Constitutional Inequality: The Paradox of the Fair Labor Standards Act of 1938, 1 J. Pol’y Hist. 319, 337 (1989) (discussing the original version of the FLSA and observing that “because of the segregated, stereotyped, and regional structure of the job market, excluded workers were disproportionately women and from minorities”).

 [157]. NLRB v. Hearst Publ’ns, 322 U.S. 111 (1944); Carlson, supra note 3, at 322–24 (discussing Taft-Hartley as a response to Hearst); Dubal, supra note 15, at 82–84 & nn. 48–53 (discussing the importance of business interests in motivating the 80th Congress’s efforts to unravel New Deal legislation and referencing prior scholarship arguing the same).

 [158]. Clifford Geertz, Deep Play: Notes on the Balinese Cockfight, in The Interpretation of Cultures 412, 449 (1973).

 [159]. Carlson, supra note 3, at 298; Jeffrey M. Hirsch, Employee or Entrepreneur?, 68 Wash. & Lee L. Rev. 353, 360–61 (2011) (discussing the power of federal appellate courts, and especially of the D.C. Circuit, with respect to labor law generally and the NLRB in particular).

 [160]. See, e.g., Cunningham-Parmeter, supra note 40, at 1704 (“Many judges narrowly construe the meaning of control because no clear standard exists to outline the boundaries of employer-employee relationships.”); Tomasetti, supra note 15, at 336 & n.110 (citing various scholars who argue that one explanation for “the legal uncertainty regarding employment status is that the legal standards are hopelessly imprecise and unwieldy”).

 [161]. Charles W. McCurdy, The “Liberty of Contract” Regime in American Law, in The State and Freedom of Contract 161, 165 (Harry N. Scheiber ed., 1998) (“[N]o amount of thoughtful revisionism can erase the fact that the ‘principle of neutrality’ did not have a uniform operation . . . the freedom of contract decisions handed down by American courts beginning in the 1880s showed ‘a definite bias of policy’ against statutes favoring ‘the interest . . . of labor.’”); Matthew J. Lindsay, In Search of “Laissez-Faire Constitutionalism,” 123 Harv. L. Rev. F. 55, 55, 57 (2010) (describing the “progressive” critique of Lochner era jurisprudence as emphasizing the judiciary’s identification “with the nation’s capitalist class” and its “contempt for any effort to redistribute wealth or otherwise meddle with the private marketplace,” and juxtaposing this with a second critique, according to which “the Lochner era is best understood not as a politically motivated binge of judicial activism, but rather as a sincere and principled, if sometimes anachronistic effort” to distinguish valid economic legislation and invalid “class” legislation).

 [162]. Browning-Ferris Indus. of Cal., Inc., 362 N.L.R.B. No. 186 (2015).

 [163]. Cotter v. Lyft, Inc., 60 F. Supp. 3d 1067 (N.D. Cal. 2015).

 [164]. Scholars who might subscribe to the label “New Legal Realist” employ a variety of approaches. See, e.g., Bryant Garth & Elizabeth Mertz, Introduction: New Legal Realism at Ten Years and Beyond, 6 U.C. Irvine L. Rev. 121, 123 n.10 (2016) (describing a “big tent” New Legal Realism that extends beyond the quantitative and economics-oriented framework represented by Miles and Sunstein); Thomas J. Miles & Cass R. Sunstein, Introduction: The New Legal Realism, 75 U. Chi. L. Rev. 831, 831, 834 (2008) (describing the understanding of judicial personality using “testable” metrics as “[a] distinguishing feature of the New Legal Realism”).

 [165]. Cotter, 60 F. Supp. 3d at 1081.

 [166]. Id.

 [167]. Id. See also id. at 1078–79 (listing various behavioral controls imposed by Lyft, like “not to talk on the phone with a passenger present”).

 [168]. Id. at 1079.

 [169]. See id. (observing that “Lyft reserves the right to ‘investigate’ and ‘terminate’ drivers who have ‘behaved in a way which could be regarded as inappropriate’” and that termination might result from declining or accepting and then declining “too many” ride requests).

 [170]. Id. The “at-will” rule has interesting, shifting implications for the dual conceptions of freedom I describe here. At-will employment is characterized by uncertainty and potential power—formally enjoyed by both parties, but in practice mostly beneficial to the employer. When the at-will nature of a particular relationship is used to characterize it as one of employer-employee, the at-will rule is indexing a loss of freedom as non-domination. But when taken generally, the rule represents a valuation of freedom as non-interference: it is liberty-enabling because it eliminates all but the most minimal intrusions on an employee’s decision to work and an employer’s decision to offer work. On the practical effect of the at-will rule see, e.g., Jay M. Feinman, The Development of the Employment-at-Will Rule Revisited, 23 Ariz. St. L.J. 733, 736 (1991) (“Whatever its status as a formal presumption, Wood’s rule represented a signal to the courts to view skeptically employees’ evidence of contracts of long duration.”).

 [171]. Whether they are “piecemeal” or “systemic,” the approaches I have in mind would focus both on (1) reducing the importance of the “employer”–worker binary as a funneling mechanism for safeguards and (2) searching for an analytic rubric other than control and freedom with which to funnel those safeguards. In terms of piecemeal reforms, we might continue to distance health and retirement benefits from worker classification in the vein of the Affordable Care Act and various “portable benefits” plans. See supra note 28 and accompanying text; Deepa Das Acevedo, Addressing the Retirement Crisis with Shadow 401(k)s, 92 Notre Dame L. Rev. Online 38, 41& nn. 16–17 (2016). Or, we might say that since Uber creates public risk when it facilitates transportation, it has to account for that risk to the public by providing auto insurance or personal liability coverage to individual drivers. That kind of rule would not require use to measure the amount of control in an “employer”–worker binary, but it would still use that binary to channel work-related safeguards.

 [172]. Constructing a new analytic rubric for determining who gets work-related safeguards and obligations may not be an impossible task, but it is certainly a daunting one and outside the scope of this Article.

A Matter of Perspective: Textualism, Stare Decisis, and Federal Employment Discrimination Law – Article by Stephen M. Rich

From Volume 87, Number 5 (July 2014)
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When the Supreme Court rules on matters of statutory interpretation, it does not establish “methodological precedents.” The Court is not bound to follow interpretive practices employed in a prior case even if successive cases concern the same statute. Instead, the Court’s interpretive practices may change without warning or explanation, and at times they do so as part of a broader transition between interpretive regimes independently of any substantive change to the statute interpreted. Stare decisis appears to require no justification for changes in the Court’s interpretive practices. This is striking because abrupt changes in the interpretive practices applied to a statute have the power to disrupt the consistency and predictability of a statute’s enforcement and the rationality of its design.


 

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Taking the Fight Back to Title VII: A Case for Redefining “Because of Sex” to Include Gender Stereotypes, Sexual Orientation, and Gender Identity – Note by William C. Sung

From Volume 84, Number 2 (January 2011)
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Michael P. Carney was a good cop. Since graduating from the police academy in 1982, he received numerous commendations for his outstanding work as a police officer and contributions to the community. He had been recognized for saving a man who had jumped from a bridge into the Connecticut River in a suicide attempt, apprehending a bank robber, and cofounding a youth mentorship program. He had worked as a police academy instructor, an aide to the chief of police, and a detective in the youth assessment center, the narcotics division, and the uniform division. But behind closed doors, he was tormented by the need to keep a secret for many years—Carney was gay.

For years Carney stayed in the closet out of fear of reprisal and being ostracized. He went to work every day afraid to talk about his personal life, including a date from the night before, his weekend, or his family. He went into every domestic or gun call thinking if he were gunned down, who would notify his life partner? Would his life partner learn of his death on the eleven o’clock news? How would his colleagues treat his life partner at his funeral? This fear led to years of isolation and heavy drinking, which took their toll; in 1989, beaten and defeated, Carney resigned from his post.


 

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Collateral Conflict: Employer Claims of RICO Extortion Against Union Comprehensive Campaigns – Article by James J. Brudney

From Volume 83, Number 4 (May 2010)
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Over the past twenty-five years, unions have turned increasingly to strategies outside the traditional framework of the National Labor Relations Act (“NLRA”). Frustrated by an ineffective NLRA legal regime and the demise of the economic strike, organized labor has pursued coordinated approaches in order to generate extended economic pressure on private employers who seek to avoid recognizing unions or to resist bargaining collective agreements. Coordinated campaign tactics include publicity efforts aimed at attracting media attention and consumer interest; regulatory reviews initiated to focus on a company’s possible health, safety, environmental, or zoning violations; and investigations of a company’s financial status through use of pension funds or other shareholder resources. Unions relying on these comprehensive campaign or corporate campaign strategies have enjoyed some success which in turn has contributed to a modest rise in private sector union density, the first such increase for decades. 

Management responses to comprehensive campaigns often involve filing lawsuits against unions and workers. Employer civil actions may invoke state defamation law, federal labor law prohibiting secondary boycotts, or federal antitrust law. But the most high-profile and dramatic form of employer retaliation in court is lawsuits alleging a pattern of unlawfully extortionate activities under the Racketeer Influenced and Corrupt Organizations Act (“RICO”).


 

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Reality’s Kids: Are Children Who Participate on Reality Television Shows Covered Under the Fair Labor Standards Act? – Note by Adam P. Greenberg

From Volume 82, Number 3 (March 2009)
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Because Kid Nation was the first reality show to feature minors exclusively, it provides a fitting springboard from which to evaluate whether reality children in general are covered by the FLSA’s child labor provisions. Although FLSA coverage must be determined on a case-by- case basis, a discussion of Kid Nation, and of reality television in general, will illuminate relevant characteristics of the genre and help guide future analysis of this issue. Given the untempered success and growth of reality television, it is unlikely that Kid Nation will be the last program to utilize the services of children. Again, a determination of FLSA coverage will hinge on three questions: (1) Are the children performing work?; (2) Are the children employees?; and (3) Are the children exempt as actors or performers?


 

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Paid Family Leave: Striking a Balance Between the Needs of Employees and Employers – Note by Anne Wells

From Volume 77, Number 5 (July 2004)
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Ten years after the Family and Medical Leave Act (“FMLA”) was signed into law, paid family leave emerged as the new focal point in the family rights movement. Paid family leave legislation has been proposed in twenty-eight states and momentum is growing. In September 2002, advocates of paid family leave celebrated their first victory. California became the first state in the nation to enact legislation guaranteeing pay to employees taking leave to care for an ill family member. This legislation propelled paid family leave into the national spotlight, sparking debate on both sides of the issue.

Paid family leave advocates argue that the benefit is a necessary response to demographic and cultural changes in the United States. Labor force participation of women with young children has increased dramatically in the past few decades. In 1998, 62% of women with children under three were working, compared to 34% in 1975. Further, the number of children living in single-parent families rose from 12% in 1970 to 28% in 1998. These changes have resulted in a declining share of children living with a parent who is available to care for them full-time. By 1998, only a quarter of all children had one parent staying at home while the other worked. As a result, balancing the demands of work and family has become more challenging, and advocates argue that paid family leave is of increasing importance for working Americans.


 

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